A Pair Of Tickets By Amy Tan

Amy Tan’s short story “A Pair of Tickets,” has June May crossing an ocean to visit her family that she has never met, where she connects with her Chinese heritage in a way she was never able to before. On her trip, she discovers the depth and importance of her culture through her family members. The main character, June May, is a woman of Chinese heritage, from San Francisco, California. Growing up in the United States, in a very American environment, June May feels as though she never truly understood what it meant to be Chinese. As she soon learns, however, June May realizes that through her own family she can connect with the heritage that bonds them all together.

Four Chinese mothers have migrated to America. Each hope for their daughter’s success and pray that they will not experience the hardships faced in China. One mother, Suyuan, imparts her knowledge on her daughter through stories. The American culture influences her daughter, Jing Mei, to such a degree that it is hard for Jing Mei to understand her mother's culture and life lessons. Yet it is not until Jing Mei realizes that the key to understanding who her

Setting is one of the many way we learn about character. In Amy Tan’s “A Pair of Tickets,” June May, the protagonist, at the age of fifteen denied that she had any Chines whatsoever in her. Now at the age of thirty-six June May is on way to China carry her mother’s dream of going back home, with her seventy two year old father, Canning Woo. Their first stop will be Guangzhou, to visit Canning Woo aunt who he had not seen since he was ten years

This is what Suyuan believed and lived by, whereas Jing-mei believed that she is an independent individual and is capable of making her own choices. Consequently, Jing-mei believed her mother was simply trying to push Jing-mei into someone she was not, and could never be.

In The Joy Luck Club by Amy Tan, Jing-Mei and her mother have a very rocky relationship. Tan develops a relationship between Suyuan and Jing-Mei that is distant in the beginning due to culture differences and miscommunication, but gradually strengthens with time and understanding. Both of them have different backgrounds and have been influenced by two different cultures. Suyuan grew up in China and behaves according to the Chinese culture and her American-born daughter Jing-Mei is influenced by the American culture that surrounds her and wants to become part of it.  Their relationship is also shaped by the pressure Suyuan puts on Jing-Mei. She wants her to be a perfect

The story is around an American-conceived Chinese lady, Jing-mei, who goes to China to meet her twin stepsisters that her mom was compelled to relinquish numerous prior years. Since her mom had passed away just a couple of months prior, the meeting is full of vulnerability and bitterness. Jing-mei battles with self-character issues and what it truly intends to be Chinese. En route, she takes in reality about the reasons her mom deserted her sisters and the significance behind their names. At last, she at last associates with her sisters and makes the passionate association with her Chinese legacy.

The mother in the story tries everything in her power to make Jing-mei famous in some way. Yet Jing-mei was content to being herself.

She feels very embarrassed and wishes she were American. In the end of the story, she writes a quote that her mother actually told her, “You want to be the same as American girls on the outside. But inside you must always be Chinese. You must be proud you are different. Your only shame is to have shame” (Tan). In the end the character understood and knew that her mother was right. Tan was not confident with her Chinese identity when she was young, and that influenced some of her works like “Fish Cheeks”.

Jing-mei originally believed that in order to “be Chinese” one must live in China and abide by the stereotype of Chinese people; after her visit to China, she finds that “being Chinese” is accepting the Chinese DNA in her blood and understanding the culture. In the beginning of A Pair of Tickets, Jing-mei does not feel Chinese. She repeatedly denies being Chinese saying, “… and all of my Caucasian friends agreed: I was about as Chinese as they were” (Norton 179). She had never experienced the culture first-hand and never truly connected with her true heritage. She sees China in her visit. This is the first opportunity she has ever had to interact with other Chinese people. Coming from a social group of all Caucasian friends, first-hand interaction allows her to understand the Chinese people in a much more advanced manner. They seem less

In the story “Two Kinds”, author Amy Tan, who is a Chinese-American, describes the conflicts in the relationship of a mother and daughter living in California. The protagonist in this story Jing-mei Woo’s mother is born and raised in China, and immigrates to the United States to escape from the Chinese Civil War. For many years she maintained complete Chinese traditional values, and has been abided by it deliberately. This kind of traditional Chinese culture has also affected her daughter profoundly. However, Jing-mei is born and raised in the United States. Despite she has a Chinese mother; she is unfamiliar and uncomfortable with Chinese

Even the hotel she stays in looks like "a grander version of the Hyatt Regency" and the Chinese feast she had envisioned was replaced by "hamburgers, french fries, and apple a la mode." It is not until she finally meets her twin sisters, in modern Shanghai, that she realizes that she is Chinese because of "blood" and not face or place. Within this story, however, is her mother's story, set in another time and place. Fleeing from the Japanese invasion, during World War Two in 1944, Jing-Mei's mother is forced to abandon her twin daughters on the road between Kweilin and Chungking. Upon hearing her mother's story Jing-Mei Woo is able to understand a great deal more about her mother and their relationship, as well as her own past.

Jing-Mei feels differently though, “Unlike my mother, I did not believe I could be anything I wanted to. I could only be me,” (359/80) and she was correct for she had no natural musical talent. Jing-Mei has a desire to please her mother, but an even stronger one to choose her own life. She pacifies her mother by going to piano lessons but puts in no effort. Jing-Mei is “…determined to put a stop to her blind foolishness,” (356/48) but her mother’s desire to create a prodigy to compete with Aunt Lindo’s daughter, keeps her focused on the impossible. That is, until Jing-Mei escalates this conflict to its breaking point in rebellion. Stunning her mother, she shouts “Then I wish I’d never been born! I wish I were dead! Like them,” (359/77) referring to the twin daughters her mother lost in China. Sadly, the mother’s desire to have Jing-Mei conform to her expectations creates a constant battle between mother and daughter, and, in rejecting those expectations, seeing disappointment in her mother’s face all too often causes Jing-Mei to feel, “something inside me began to die” (353/18).

The biographical connection that the author “Amy Tan” draws in her short story “Two Kinds” with her main character Jing-mei, crosses in more than one side. First of all, they both are Chinese American whose struggle in their identities with their Chinese immigrant mothers. “Due to a cultural conflict and lack of proper understanding of each other’s perceptions” (Priya 1), and as a big gap developed between the two daughters and their two mothers, in which resulted a complex relationship between them.

Primarily, Tan establishes the theme of the story through characterization. The protagonist, Jing-mei, finds it difficult to live up to the high expectations her mother has set for her. After seeing so much disappointment in her mother’s face, Jine-mei “look[s] in the mirror above the bathroom sink and when [she] saw only [her] face staring back – and that it would always be this ordinary face – she began to cry” (Tan 2). This bring Jing-mei and her mother into conflict with Jing-mei eventually screaming at her mother that “‘[she] wish[ed] she were dead. Like them’” (Tan 8). As she matures, Jing-mei becomes a little more level-headed; she then understands her mother only wants the best for her. Through diction and language, the author creates a character that is

between the first generation, American daughter and her immigrant mother. At this point of the