A People Not Of The Modern World : A Look At The Andaman Culture

Ibn Battuta has idiosyncrasies, prejudices, and arrogance. He is also a man of curiosity, and conviction. It is because Ibn Battuta represents or comes across so much like ourselves that it is easy to dive more deeply into his writing and stories and see things through his eyes. What the reader can see is a picture of African civilization before European influence. Battuta’s stories

A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.

There are many misconceptions that have been universally accepted mentioned in Curtis Keim’s book Mistaking Africa, many of which are based on biased and incorrect accounts and are extremely offensive. Three important myths are that Africa is a land of cannibals, it is backward and very uncivilized, and that it is one country where everyone and the climate are the same all over. These will be explained, refuted, and the detriment to the people of Africa will be discussed.

Firstly, it is important to understand how the documentary form is best suited to illustrate the film’s theme. In order to do this, one must have an overview of the documentary style of filmmaking. Documentaries concern themselves with the “exploration of

"Children of the Forest" is a narrative written by Kevin Duffy. This book is a written testament of an anthropologist's everyday dealings with an African tribe by the name of the Mbuti Pygmies. My purpose in this paper is to inform the reader of Kevin Duffy's findings while in the Ituri rainforest. Kevin Duffy is one of the first and only scientists to have ever been in close contact with the Mbuti. If an Mbuti tribesman does not want to be found, they simply won't be. The forest in which the Mbuti reside in are simply too dense and dangerous for humans not familiar with the area to enter.

In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.

In Basil Davidson’s video “Different but Equal,” he outlines the European perception of Africa upon their discovery of the continent. Claims that the Europeans were making about African culture, however, were far fetched and did not depict Africa in a positive manner. History according to pre-European Africa was rich and diverse, but once Europeans saw for themselves how different their continent was from Africa, they began to make up their own version of African history.

Novelist Chimamanda Adichie brings into consideration to Keim discussion, by emphasizing the connection between a “single story” and “stereotypes” regarding the subject of Africa. One of the dangers Adichie includes in her discussion are individuals being denied the opportunity to tell their story. Adichie draws similarities to Keim when discussing her own personal journey to find her authentic cultural voice, and she emphasizes the many misunderstanding that society, including herself, have made. Adichie admits to not only facing stereotypes, but addresses her own opinion regarding the topic. Adichie admits that as a child, she had initial biases regarding a servant that was employed by her family. According her explanation, she believed that the capability of someone “the servants family” coming from a certain background, made them incapable of such artistry. The same misconceptions can be seen in present day society, we often are prejudiced on who or what can be cultured.

The cultural diversity and advancements portray the progression developed in African history. The growth of these two subcontinents prove that American and European historians were incorrect on how advanced and civilized Africa was.

The Paleo-Indian Tradition was considered the first humans to come to Wisconsin. Through the Bering Land Bridge, these people came into North America. They inhabited Wisconsin from 10,000-8,500 BC according to the Milwaukee Public Museum website.

In a freezing class, two brilliant minds unlocked the fiery passion that is their talent one an artist the other a writer. Bringing to light a history long forgotten creating abstract thoughts arbitrary to our own. Komi Olaf the artist and Okey Ndibe the writer not only enlightening the class but also the world with each brush stroke and each word. Every creation stemming from the hands of these masters tell of issues at the heart of Africa from colonialism to existential dilemmas. Thru spoken word, hip-hop, art, music, poems and literature issues close at heart to the artists and to Africa are portrayed. This paper will focus on the art exhibit by Komi Olaf and Foreign Gods inc by Okey Ndibe as spoken by them during their discussion in the class on October 13th. Where the talks focused on the key course objectives being stereotypes, post-colonialism, youth culture, and resistance.

Western and Indigenous knowledge systems differ in values, habits of mind and practices; however, there has been productive cross-cultural collaboration that integrates global vision with social and cultural dimensions. Productive collaboration addresses past contradictions in the coevolution of society, science and environment. Ten Canoes is a cross-culturally collaborative film that was meant to portray the Yolngu community in its true representation in an attempt to bridge the black and white Australian cultural divide by sharing its traditions and values with a non-Indigenous audience. Important spiritual and cultural information is shared throughout the passage of the film that frames and contextualizes the cosmology of the Yolngu people (Clothier & Dudek, 2009: p. 85). Dutch-born director Rolf De Heer and Yolngu director Peter Djigirr consolidate to show modern audiences the “community’s cultural continuance and to connect between individuals and the community both past and present” (Clothier & Dudek, 2009: p. 86). Additionally, Ten Canoes is only spoken in the Yolngu’s Indigenous language. For Yolngu audiences, “the use of their own languages in Ten Canoes highlights the vibrancy of a continuing linguistic heritage” (Clothier & Dudek, 2009: p. 87). Simultaneously, audiences that cannot understand the language of the Yolngu people read subtitles that create a critical intimacy to engage in “passion and reason while seeking understanding” (Clothier & Dudek, 2009: p.

“Ancestral lines” by John Barker is a book about the anthropologist’s experience in the Uiaku village located in Papua New Guinea. In the first chapter, Barker tells his readers briefly about him and his education, his and his wife’s experience with the Maisin community, and talks in great detail about the Maisin and their culture in the Uiaku village.

“The Myth of Wild Africa” introduces one to the false, preconceived notion of Africa and Africa’s people that were around since the early 1900s. The book compares older, colonial methods of conservation that were coercive and based on the “myth”, and newer Afrocentric conservation efforts that are more objective and inclusive to the African people. The book emphasises that the inclusion of African people is what will make African conservation successful. In the past, Africa as considered an untouched paradise,

Kawelka is a tribe in Papua New Guinea that consists about 1,000 people. It is a small-scale village with one person in command of the rest of the villagers. Kawelka people control each other by having a prominent leader. The documentary was filmed in the 1970’s to analyze Kawelka political system. The filmed based on a man named Ongka, who was in his mid 50’s striving to be a prominent leader of the Kawelka tribe.