A Place to Stand

Perkins represented a strong connection between ‘Mabo’ and his land. To introduce the film, Perkins used a wide-angled photographic image of the mountainous land and the vastness of the sea to capture the beauty of the land as well as ‘’ Land is Me’’ attitude of the Murray Islanders. To Mabo, the land is not just a territorial piece of physical land but was a place of cultural, spiritual origin and pride.

The enchanting and heart-warming film Satellite boy, directed by Catriona McKenzie is a story set in the Kimberley Region, north of Western Australia and follows the character of Pete on a journey of discoveries and learning Indigenous culture. McKenzie delivers and utilises a range of different film techniques which help develop the themes of conflict between tradition and changes, confronting challenges and sense of belonging. Through these film techniques, the audience is able to understand that indigenous culture will be more appreciated because of its significance to aboriginals in their life.

The different perspectives create interest and draw us into the experiences of others. The two texts, ‘The Tracker’ composed by Rolf De Heer and ‘Bran Nue Dae’ composed by Rachel Perkins explores this notion. Both films are evident to the racial discrimination of Aborigines in Australia. ‘The Tracker’ is a 2002 art house film set in 1922. It is clear that there were no Aboriginal rights and which white settlement had the greatest control. ‘Bran Nue Dae’ is a 2009 musical/comedy/drama film set in 1969 about the beginning of Aboriginal rights.The different perspectives are from Colonial/Indigenous people. The voices were through the role of the characters, the genre, the music and the cinematography.

In the orientation of the film Blair uses techniques such as setting, this is an important technique as different settings can either show a rise of reduction of prejudice towards indigenous people. The film begins in the Australian outback, where the audience is first introduce to two characters Gail and Kay. The two girls are cousins and are running across the scene, they make up about 10% of the height of the screen. Blair uses long-shot contrasting their vulnerability. Establishment shots of the homes and buildings and also seen, we as the audience understand that the girls are relatively poor as there are many family member sharing minimal houses, they are living in close proximity to each other and live in a remote area. Already Blair has expressed the theme of prejudice by depicting the isolation indigenous people have with white communities. The aboriginal families seem to be living in a mission environment contrasting that they were disadvantaged from the European settlers. After seeing the earlier setting of the

In the film 'Whale Rider', by Niki Caro which follows the journey of a young girl named Paikea Apirana and her struggle for acceptance as a leader of her Māori iwi, and especially her grandfather. An important character in this film is Pai herself. This character has significant importance as she is used to portray numerous important ideas and themes throughout the film. Pai helps me to understand and appreciate that women can also be leaders that are equal to men if they have the right attributes. The director Niki Caro uses numerous different film techniques to convey this idea, such as; the camera shots and camera angles when Pai is giving her speech to Koro, the use of camera angles and props in relation to the dialogue when Pai if fixing the motorboat engine, and the use of props when Pai is teaching herself to use the Taiaha.

Terry Tempest Williams and Wangari Maathai are both very powerful women who devoted their lives to improving the world one step at a time. Williams, the author of Refuge, is a naturalist, a feminist, and a writer who brings such power into everything she touches. Her passion for change has brought so much goodness into the world. She has beat many obstacles, including her own struggle with herself, which to her is the same fight we have with nature, and finally accepting the outcome; whatever that may be unnatural, or natural, is the secret to life. While we read about what Terry Tempest Williams writes about her mother’s difficulties while struggling with cancer, we also have Wangari Maathai speaking about all the violence she faces in Kenya.

It is through the use of these theatrical techniques that A Beautiful Life can connect with audiences and provide them with the idea that the Australian Government is prejudice towards refugees and therefore empathise with the adversity Hamid and Jhila experience.

The film ‘Rabbit Proof Fence’ conveys the importance of family, belonging and country to the Aboriginal people and provides the audience with an insight of the division between the Europeans and the Aboriginal people. The Director, Philip Noyce displays these themes by the use of symbolism and motifs. Symbolism is the use of one object to represent a notion or other object, whereas a motif is the recurrence of an object, theme, and subject throughout the film. The ‘Rabbit Proof Fence’ is based on a true story on how Aboriginal families were treated by politicians and government. It follows

Can words change person’s thoughts from desperation, violence, to peace and normality within a dehumanizing prison? Some prisoners spending short to long term sentenced, sometimes lose themselves in a world of violence and become worse off when coming into the prison system, than how they used to be before prison life. Trying to hold on to any bit of sanity or respect for humanity becomes an everyday struggle. Sometimes the smallest thing can help prevent the feeling, of going over that edge of no return from a dreadfulness act of death.

Stories that have been passed on for decades by Indigenous people have many cultural values and meanings that can help teach and guide others. In his book Earth Elder Stories: The Pinayzitt Path, Alexander Wolfe’s includes three stories “The Sound of Dancing,” “The Orphan Children,” and “Grandfather Buffalo,” that reveal important Anishinaabe cultural values. In the story “The Sound of Dance,” the value of family sacrifice is shown as a strong Anishinaabe cultural value. In the story “The Orphan Children,” Wolfe expresses the importance of orally transmitted knowledge as a core Anishinaabe cultural value. Then in “Grandfather Bear,” the keeper of knowledge emphasizes the importance of the connection to the past, especially within family relations in Anishinaabe culture. There are many cultural values that can be found in these three stories told my Alexander Wolfe. Family sacrifice is one of many values shown throughout these stories, specifically in the story “The Sound of Dancing”.

Leanne Betasamosake is a popular Indigenous writer who’s had growing experience throughout her life writing numerous of books in multiple of genres, which speak particularly upon Indigenous issues alongside of the playful stories and poetry she enjoys sharing. Leanne is part of the Annishnaabe community and proudly acknowledges her ethnic background and her tradition. “This Accident of Being Lost” written by Leanne Simpson successfully attempts to discuss the underlying issues surrounding Indigenous people and government conspiracy, she views the different types of ways in which love can be expressed and how the mind is deceiving in terms of forgetting old love. The author relates real life issues to her poems written in her book attaching a deep connection. One of the reasons why I chose to write about this book was its connection to one of many discussions we all have, there’s living moments of significant stories, lyrics and poetry she includes in her book. Leanne hasn’t failed to give an authoritative author reader connection in really making one explore the emotion in the book and understand the factual meaning behind her words.

The Indigenous Peoples were often portrayed as savages within Hollywood’s culture. When Mary Rowlandson was captured and enslaved by a tribe of Indigenous People near her she saw who they really were. They may have subjected her to slavery lack of shelter, food, and make her walk long distances, but in her

Brown, Deidre. 2009. Maori architecture : from fale to wharenui and beyond. Rosedale, N.Z: Penguin.

The story of Whale Rider takes place in a Maori village in New Zealand. The main character is a 12 year old girl name Paikea “Pai” Apirana and her ambition to become the next Chief of her village. Along with following on Pai’s story, the movie showed a great number of local Maori religion and culture. Some of the things I will explore is the Maori religion, gender roles, and a personal reflection on what was learned through the movie.

Wall speaks about four main Maori stereotypes within the Media; The Comic Other, The Primitive Natural Athlete, The Radical Political Activist, and The Quintessential Maori. These are shown in fairly modern contexts as well as earlier contexts.