Death Of A Salesman

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

     The single most weighted factor that edges Willie to his demise is his inability to make a living and achieve his “American Dream”. After being a salesman for many years, Willy just can’t cope with the fact that he hasn’t been successful at all. He believes that he is a terrific salesman. His imaginative thinking won’t let him accept the fact that he has become a failure instead of a wealthy businessman. Willy believes that to be well liked is the means to being

     In Death of a Salesman, a play written by Arthur Miller, Miller reflects the theme that every man needs to be honest with him self and act in accordance with his nature by displaying success and failure in different lights. Miller embodies the theme through characters in the play by explaining how their success and failures in being true to themselves help shapes their fates. Strongest evidence of Miller’s theme is reflected in the characteristics of Biff Loman, Benard, and Willy Loman. Through out the play, these three characters never give way to other’s influence and what other’s view of being successful is.

Willy’s self- image that he portrayed to others of being successful was a lie that he had lived with for so long

"WILLY: That's just what I mean, Bernard can get the best marks in school, y'understand, but when he gets out in the business world, y'understand, you are going to be five times ahead of him. That's why I thank Almighty God you're both built like Adonises. Because the men who makes an appearance in the business world, the man who creates personal interest, is the man who gets ahead. Be liked and you will never want. You take me for instance, I never have to wait in line to see a buyer. 'Willy Loman is here!' That's all they have to know, and I go right through" (p. 33).

He is a salesman. His importance is derived from that designation. Thus, his self-dignity is directly related to his occupational success. According to Willy, some weeks he averaged two hundred dollars, in actuality it was closer to seventy. However, he still found solace in that he was doing what was expected of him.  One example of his incessant need to be successful  as a salesman is, that he misses many opportunities which life affords him. He could have gone to Africa and become a rich man, but he stayed in New York simply because he is a salesman. Here is merely another example of his identity being associated with his vocation.

As a salesman, Willy shows he perceives himself highly when talking to Linda about his job: “I’m the New England man. I’m vital in New England” (14). One can also see Willy’s inflated sense of self-worth when he talks to his children about his job: “They know me, boys, they know me up and down New England... I have friends. I can park my car in any street in New England, and the cops protect it like their own” (31). However, even though he is extremely confident about his value as a salesman to his family, the reality of Willy’s reputation at his job is almost completely opposite: “I’m fat. I’m very—foolish to look at... they do laugh at me” (37). Although he essentially brags to his family about his expertise in business, Willy acknowledges the reality that his career is much less successful than he expects it to be. In fact, the inner turmoil inside of Willy from his unrealistic expectation of himself of being a fantastic salesman leads Willy to become mentally unhealthy, and eventually results in Willy committing suicide when he believes that he doesn’t have any self-worth anymore. Willy’s previous inflated self-worth is demonstrated yet again at his funeral, when no one shows up even though Willy thought he had a lot of friends from his job: “Why didn’t anybody come...

The success attained by Willy?s role models, his father, Dave Singleman, and Ben, is what he envisions to be the American Dream. He only visualizes the end product, being successful, and not the process they may have gone through to achieve that success. Willy?s father sold flutes and made that his living. In an encounter with his thoughts of the past, Willy listens to Ben, his brother, who refers to their father by saying, "Great Inventor, Father. With one gadget he made more in a week than a man like you could make in a lifetime" (49). Willy assumes that by being a salesman, like his father was, he is automatically guaranteed success, and that it wasn?t something that he would have to work for. Material success, such as money, luxury, and wealth, and popularity are his goals and his definition of success. On the other hand, self-fulfillment and happiness through hard work is not. By only focusing on the outer appearance of the American Dream, Willy ignores the

Willy is offered help by his friend Charley, a successful Business man, Willies all time friend and only friends he has left, when Charley offers Willy a job, yet willy full of pride and envious of Charley rejects it yet does not rejects it but continues to borrow money from him. This is due to Willies flaw in his desire of being higher in society than anyone else.Willy cannot let go of the past and continuously refers to 1928, when his career was at its peak. His withdrawal into the past is a defense mechanism as he refuses to come to terms with his failure as a salesman. His illusions of grandeur lead to fierce exaggerations of himself. He tells Biff to "Go to Filene's go to the Hub, go to Slattery's, Boston. Call out the name Willy Loman and see what happens! Big shot!" (Miller, 62). He refuses to realize his personal failures and falsely believes that he is successful. Memories of a happier past Willy losing a grip on reality and on time escapes into the past. Despite his desperate searching through his past, The deep probing of dreams and memories in Death of A Salesman where quite important in illustrating Miller's point. Willy is a man stuck in the past reminiscing about times when things where good fabrication of those times really were as good as he imagines them to be? Like his inflated dreams of the future, the past may well be embellished by Willy's wild imagination. It seems

Regardless of his fraught looking to the past, Willy's character creates internal conflict which makes him to realize that he does not have the knowledge to be a tragic hero. His attempt to kill himself gives him a limited awareness to real life situation. Whereas he accomplishes a self-realization learns the essential nature of the sales career, Willy misunderstands his own failure. He is not able to control the true sensitive and mystical understanding of himself as a correct “loman” or else “low man.” Willy is too ambitious about his world that he creates

The story, Death of a Salesman, is a story that has many literary devices that help to make it the deep and riveting story that has become an American classic. The use of symbols in the story adds to the overall effect and theme and also creates a different mood that the reader must infer from it. The symbols not only represent something in the story as literally a symbol, but of much importance because of the numerous times they appear in the work. There are countless symbols in the story that help to give the reader a different feeling for it but there are a select few that really represent the most important themes and

In the play, Death of a Salesman by Arthur Miller, Linda Loman’s character is viewed differently by many people. Some critics have seen Linda as a “controlling mother figure” who is actually the one to blame for this failure of both her sons and her husband. In this report I will defend this view citing specific examples from the play. Linda was undoubtedly the only one in control throughout the play. I believe that Linda tried to be a good mother and wife but she did not really know what she was doing. At the very beginning of the book we see that Willy, on his way to Boston, has come home because he was unable to concentrate on the road. And just as he was beginning to figure out why, she took his mind off the subject by suggesting that

Though a more modern version of tragedy in its’ classical sense, Death of a Salesman in many ways is very much like an ancient Greek play. In his ‘Poetics’ Aristotle tries to set out the common ideas throughout tragedy, attempting to demystify the necessary elements for such plays. One of his main ideas was that of the ‘Three Unities’ - that of Space, that of Time and that of Action. He stated that all the action of a tragedy must occur in the place, which was often the front of a palace, which allowed the poet to have many characters coming and going, and allowed random meetings to occur easily, rather than having to ‘explain’ the reason why any meeting should occur. It was,

"After all the highways, and the trains, and the years, you end up worth more dead than alive," (Miller, 98). This quote was spoken by the main character of the Arthur Miller play Death of a Salesman: Willy Loman. This tragedy takes place in Connecticut during the late 1940s. It is the story of a salesman, Willy Loman, and his family’s struggles with the American Dream, betrayal, and abandonment. Willy Loman is a failing salesman recently demoted to commission and unable to pay his bills. He is married to a woman by the name of Linda and has two sons, Biff and Happy. Throughout this play Willy is plagued incessantly with his and his son’s inability to succeed in life. Willy believes that any “well-liked” and “personally attractive

“Willy’s status in society, his family background are typical; even more of a type is Willy’s identity as a salesman. He is a product of a