What Cultural Assimilation can Tell Us About the Characters in A Raisin in the Sun Why does Walter drink so much, and why does Beneatha choose to wear African clothing? These two seemingly random events are related. In the play, A Raisin in the Sun, by Lorraine Hansberry, cultural assimilation and whether or not a character chooses to assimilate is linked to his or her curiosity, intelligence, and awareness. Walter doesn't care about anything unrelated to him, and needs to support his family, while Beneatha is still young, and wants to take every opportunity she gets to learn a new skill. Since she is curious to learn more, Beneatha acquires more knowledge, making her very intelligent, while Walter, who focuses on other things, isn't as curious …show more content…
But, she has also been exposed to and taught about all of the bad events happening in the world, making her more suspicious. Meanwhile, Walter doesn't know about these things, trusts more people, and is naive. On the day before moving day, everyone is happy, dancing and joking around. Walter jokes with Beneatha, saying that she is involved in too many activities. He teases her saying that, when she becomes a doctor, while she is doing surgery, she'll ask her patient, "'By the way, what are your views on civil rights'" (77). Walter's teasing of Beneatha shows how involved Beneatha is in civil rights movements, and current events in general. Walter is trying to tell Beneatha that she can't do everything at the same time. The fact that Beneatha wants to do everything, is an indication of how aware of events and opportunities she is. Most American women of the time, didn't dream of being a doctor, and weren't usually the ones reading the news, unlike Beneatha, who isn't like the typical American women. When Lindner comes to the apartment to tell the Younger family something, Beneatha is suspicious seconds after he walks in, unlike Walter. When Lindner finally tells them that they are not welcome in the new neighborhood, Walter is flabbergasted: "(Dumbfounded, looking at LINDNER) 'IS this what you came marching all the way over here to tell us?'" (80). Walter clearly is surprised that Lindner makes this racist remark, and doesn't expect Lindner to say such an awful thing. Before Lindner directly discourages them from moving in, Beneatha hints several times that Lindner means trouble. Beneatha notices that Lindner takes such a long time to get to his point, and looks very nervous. But, Walter is unaware of all of these details. Since Beneatha is so knowledgeable and curious to learn more, she is aware and is involved in the
In A Raisin in the Sun by Lorraine Hansberry, Walter Younger wants to be a “real man”. His dream is to become successful in business and make his family rich. However, when all his money is stolen, he becomes very pessimistic, abandoning the ideas of morality and dignity. At the end of the play, his son Travis inspires him to value his family’s pride over materialism. Over the course of the play, Walter’s view of manhood changes from someone wealthy and successful to a person who has pride and believes in human dignity.
Ruth stresses the importance of maintaining a good image of her family. When George arrives to take Beneatha out, Walter and Beneatha are not being well mannered, so Ruth takes control and tries to make-up for their behavior. “Beneatha, you got company-what’s the matter with you? Walter Lee Younger, get down off that table and stop acting like a fool…(80)” Ruth is also independent and kind.
In the beginning Walter is very selfish and only seems to care about the liquor store, he even asks Beneatha why she can’t just be a nurse or marry a rich man. The reason he says this to her is because he wants her to not go to medical school. Walter would rather invest the money rather than use it to pay for her schooling. Walter puts his own selfish needs before his family’s
In Igbo culture, twins are an abomination and must be left to die in the evil forest after birth (Achebe 65). Although Okonkwo, the main character of Things Fall Apart by Chinua Achebe, does not have a twin, he and Walter Lee, from A Raisin in the Sun by Lorraine Hansberry, are similar characters who have similar experiences. Both Okonkwo and Walter feel pressure from society to be someone, but on their journey of becoming the ideal person, both lose something important like reputation or morality and eventually fall apart.
In Lorraine's Hansberry A Raisin In The Sun. Walter wants to make money to support his family. He wants money because he thinks it makes him a “man”. How ever when his money is stolen, Walter’s perceptions of manhood shifts from valuing wealth and power to valuing family and pride.
In the play “A Raisin in the Sun” written by Lorraine Hansberry, she is able to take us to place to see what it was like for an African American family to survive in the mid-twentieth century. The play details how the main characters are going through an evolving social and economic position, as well as the evolving gender roles. Hansberry uses the characterization of Beneatha, Ruth, and Walter in order to show the expectations and assigned gender roles for the characters in the story. In short, Beneatha is depicted as a woman who is challenging gender norms and expectations upheld by her family, whereas Ruth is seen as an example of a submissive housewife fulfilling her expected duties. Using “A Raisin in the Sun,” as well as “Marxists
In the book “A Raisin in the Sun”, love is defiantly a major key towards keeping the “Younger” family together as they go through thick and thin. Multiple times in the book, a character known as “Walter” apart of the Younger family screws up, whether it be, pursuing a silly addictive dream or investing family money, it never turned out well for Walter. Walter’s mom, Lena aka “mama” however, always loved Walter and although didn’t show it often, supported his drive to strive for greatness and greatly awarded him near the end of the book. Walter’s sister Beneatha however, was not impressed at his short comings and often called him out where he fell short by belittling him with insults but, that
In Lorraine Hansberry’s 1959 play A Raisin in the Sun a number of social issues are both explicitly and subtly exemplified through out the characters experiences and relationships. Living in a cramped Chicago apartment, the Youngers’ display both influential goals and conflicting restraints. Beneatha Youngers is a controversial character; she complicates society’s typical gender roles, introduces the wrestle between assimilation and ancestry of African-Americans, but specifically serves as a paradigm for her generation in the play.
In A Raisin in the Sun, Beneatha is an African American woman in the 1950’s who is determined to put her education first and one day become a doctor. Ruth tries to convince Beneatha to marry George because he is a rich man; however, Beneatha responds that “[she’s] going to be a doctor. [She’s] not worried about who [she’s] going to marry yet-if [she] ever gets married” (Hansberry, 1959, p. 936). After this discussion, Beneatha’s discipline and mindset is revealed. Beneatha clearly shows that she is more committed to her education than any other aspect of her life.
In A Raisin in the Sun, Lorraine Hansberry shines a spotlight on Beneatha who reinvigorates the belief that freedom is life, and while the Younger family may be free in some ways, society still attempts to confine them in others. Throughout the play Hansberry depicts the restrictions that society has placed on the hopes and dreams of the family, specifically those of Beneatha, Walter, and Mama. Hansberry thus conveys that assimilating into society is negative because by assimilating one is submitting to the limitations society attaches to one’s labels.
Walter struggles in understanding who he needs to be for his family. He wants to take his place as the patriarch of the family, but he feels incapable of providing them with the lifestyle they deserve. This concern is always at the forefront of his mind, and it affects his attitude and outlook. The anxiety that Walter is dealing with creates confrontation with his sister. He fears that her dream will interfere with his own agenda of making a better life for his family. The severity of the tension becomes more and more apparent with Walter’s unwise investment. Walter is dealing with the burden that he has let his family down, while Beneatha is flabbergasted by the reality that her future has been snatched away from her, and she had no control over it. While reflecting on the situation, Beneatha remarks, “ I sound like a human who just had her future taken right out of my hands! While I was sleeping….things were happening in this world that directly concerned me and nobody consulted me—they just went out and did things—and changed my life” (Hansberry 3.15). Walter and Beneatha’s individual issues with the outcome of the situation cause them to find fault with one another during a time when their family needs to pull together to get through such a financial hardship. Walter is in an emotional pit; his turning to alcohol and music instead of his family for support expands the
A Raisin in the Sun skillfully exemplifies many aspects of ‘black’ culture, especially how different ‘black archetypes’ may make different decisions based on how they see race and themselves within a culture. This is impertinent as a plot device in the play, and in the culture itself which the play is expressing. Black men at the time were forced to consider themselves into a certain way both for themselves and their families, and this play show’s how that unnecessary consideration can affect their decision making and overall desires. There are three ‘black man’ archetypes given in the play; Walter, George Murchison, and Asagai, and they are all similar in the fact that they are black men, but differ in how they believe black men should act, especially when it comes to family and heritage.
Beneatha is probably one of the most independent and individual characters in the play. She does not worry about the prejudice her community has about her. She is confident in herself, her abilities, and her intellect. She tries to be independent by not allowing anybody to help her. When she first hears about the insurance money she does not want any help from it. When Walter suggest that mama could use a little bit of the money to help Beneatha out with the cost of college, Beneatha responds by saying, “I have never asked anyone around here to do anything for me” ( Hansberry 281). Beneatha refuses help from others, because she feels that doing everything on her own will make her a stronger woman. She presumes that asking for assistance for anything in life will make her weaker. She does not understand how dependent she is on others until she starts dating George Murchison and joseph Asagai.
Hansberry uses Beneatha and Walter Younger in a metaphorical message to display the feuds that they have as a lower class African American family. Hansberry uses Beneatha and Walter in an attempt to show the diversity in their household. Beneatha's clear superior intelligence level over Walter is a representation of the higher class African Americans looking over struggling lower economic African American class. The author understood that in this time of Civil Rights movements it was a constant battle not only between races but social classes as well. Within the African American race it was a constant struggle for serenity.
“Enough of this assimilationist junk!” (Page 39) A quote by Beneatha Younger in the play, “A Raisin in the Sun,” written by Lorraine Hansberry. In the play, “A Raisin in the Sun,” there is a lot of social commentary. Social commentary meaning, a use of rhetorical means to provide commentary on issues in a society. The most repetitive commentary of Hansberry’s play was how African Americans attempted to assimilate into white culture with hopes to gain equality, respect, and to fit in with the high population of caucasian people. Although, by assimilating into caucasian culture and society, African Americans were loosing their own African heritage. The commentary of African Americans assimilating was shown in several of the characters in the play such as, Beneatha Younger and George Murchison. Another character, Joseph Asagai, also spoke several times of how African Americans were trying to assimilate into white culture.