Essay on A Real Durwan

Symbols in literary works can express an idea, clarify meaning, or enlarge literal meaning. Symbols can appear in a novel as an event, action, or object. In Their Eyes Were Watching God, the author, Zora Neale Hurston, uses the symbols of the gate to show Janie’s transitions to womanhood, independence from oppression, and realization of what love is to Janie.

There are two main types of social classes which include the proletarians and the bourgeoisie. The novel shows who belongs to each class, why they belong there, and the consequences they face. Both Mariam and Nana are in the lower class however Jalil is in the upper class. Consequences Mariam and Nana face for being in the lower class in being kicked out of Jalil's house, shown in this quote, “He cast us out of his big fancy house like we were nothing to him” (4). Consequences Jalil has for being in the upper class is having the huge house that he has and how

Symbols are used to represent something else deeper than the actual meaning either in real life or in literature. In the story “The Scarlet Ibis”, Doodle who is mentally and physically disabled was not expected to live. Although, he did live, however, he could not do things other children could do such as walk or talk. Therefore, his older brother set out to teach him because he was embarrassed to have an abnormal brother. However, many years later Doodle is soon overworked until he can no longer go on, and he sadly dies. In “The Scarlet Ibis”, James Hurst uses the caul, the oriole nest, and the blood od Doodle as symbols to offer greater insight into abstract ideas that are difficult to understand on their own.

Using figurative language helps create imagery and enhances the imagination of the readers. The use of personification allows the author to give human like characteristics to non-living things. An example within the story that displayed intense emotion was included this quote,“This set formula, spoken in a kind of lilt, would awaken loud echoes in Tzili’s soul, and their reverberations spread throughout her body” (Appelfeld, p. 275). By adding in this literary device the readers can foreshadow Tzili’s growth throughout the story and how she realizes who she is as an individual and matures into a strong and independent

The women of the story are not treated with the respect, which reflects their social standings. The first image of the women that the reader gets is a typical housewife. They are imaged as “wearing faded house dresses and

Symbolism is used to signify ideas and qualities about an object or idea and is used when the author wants to give those objects or ideas meanings different from their literal sense. Symbols are often used in literature to bring a deeper meaning to a story or work. These meanings can emphasize or intensify feelings of anything from love and hope, to danger and sadness. James Hurst uses symbolism in his work, “The Scarlet Ibis”, to convey and emphasize some of these feelings and ideas in his story. “The Scarlet Ibis” centers around the lives of Brother, a very driven and determined child, and his younger brother, Doodle, an innocent and naive individual with a heart condition that causes doctors to believe that he

In Ship Breaker, many themes are present, but the theme of differences in class within society emerged over all others. From the very start of the novel, Nailer was a poor ship breaker who didn't know if he would have enough food for dinner. To elaborate, Nailer’s only chance at food for the night was if he met his quota for the day, “‘I’m not going to meet my quota,’ Nailer said. ‘Just keep lookin,’’ replied Bapi” (Bacigalupi 23). Despite the differences, Nailer eventually teams up with Sadna, a privileged girl that came from the upper echelons of society: “‘Yes, I’ve got a private chopper we can take down to Orleans,’ exclaimed Sadna narcissistically” (Bacigalupi 159). The author included this miniscule detail to show that no matter where you began at, you can eventually reach the top. This added to the plot because it showed the audience that it doesn’t mean anything where you came from, but you can still be successful. Also, the theme was further supported by the fact that micro societies emerged in Nailer’s hometown of Bright Sands Beach and in Orleans.

When Carver mentioned “Marta no longer saw just groups of carefree people inside the apartments; at times there were even some businesses where the employees, in black or blue aprons, were sitting at desks in long rows” (Buzzati 2). During her fall, she observed the shift between the wealthy and those who are impoverished. The building as a whole depicted class division where the rich were dominant known at the top of the hierarchy and others working hard placed at the bottom.

While it may be easier to persuade yourself that Boo’s published stories are works of fiction, her writings of the slums that surround the luxury hotels of Mumbai’s airport are very, very real. Katherine Boo’s book “Behind the Beautiful Forevers – Life, Death, and Hope in a Mumbai Undercity” does not attempt to solve problems or be an expert on social policy; instead, Boo provides the reader with an objective window into the battles between extremities of wealth and poverty. “Behind the Beautiful Forevers,” then, exposes the paucity and corruption prevalent within India.

Symbols are important in each story to define the theme. Close observation of the symbols within each story proves to one their

Such symbols include hands to represent labour, cards to signify chance and taking a risk, and finally, rabbits to suggest ideas about achieving one’s hopes and dreams. Symbols are a key central device in delivering meaning, as they consistently repeated throughout the narrative and are typically associated with the novella’s many characters.

Symbolism is a literary technique that is used to clarify the author's intent. Sometimes it is used to great effect, while other times it only seems to muddle the meaning of a passage. In "Young Goodman Brown," Nathaniel Hawthorne uses objects and people as symbols to allegorically reveal his message to the reader.

Recent trends in literature heavily rely on crossover between genres. Science fiction is becoming more integrated with young adult novels, and even murder mysteries are starting to incorporate romance. This crossover insures authors that they will be able to reach a broader audience, with the hopes that more people will read their books. Short stories have blended countless genres together for a long time, so it’s not surprising to see a short mystery, or a short romance. Poet James Joyce has recently become just as recognized for his prose, especially when that prose is in the form of a short story. His collection, Dubliners, includes a handful of well-recognized stories that have similar themes run throughout. One of the most famous, Araby, quickly melds between a mystery and a love story, famously ending on a cliffhanger that leads readers to interpret the finale for themselves. Throughout the brief entirety of Araby, James Joyce continues to create an aura of mystery and confusion, even going as far as to end the novel in a cliffhanger. This ambiguity allows for the reader to input their own experiences and ideas into the characters, which leads to the extensive feeling of relatability that most readers have with the little boy.

Having read many pieces of literature through short stories, it is evident that each story has its own unique use of symbolism. Diverse characters in each work of literature are used to demonstrate these forms of symbolism. The boss and his inner conflict illustrate a great deal of symbolism in “The Fly” by Katherine Mansfield. The boss’s perception of the actions of the fly creates an interesting view of the comparison of his father-son, father-fly relationship. Katherine Mansfield, a famous realist, who uses concrete images, appeals to many readers because she incorporates her life into the stories she writes.

Joyce uses diction to support the overall tone of “Araby,” through his use of words and phrases such as “had grown somber. . .” (Joyce 400) and “musty. . .” (Joyce 400). The verbiage he uses constructs a dull and increasingly gloomy image as if darkness is enclosing the town being depicted. Word choices like “waste. . .” (Joyce 400) and “useless. . .” (Joyce 400) convey the stagnant environment that encases the lifeless neighborhood the boy lives in. Joyce communicates the dreariness that cloaks Dublin by using dreadful adjectives to describe the setting. The young boy’s short lived “confused adoration” (Joyce 401) for his friend’s sister, is depicted using feminine words in association with her, such as “petticoat. . .” (Joyce 401) and “soft. . .” (Joyce 400). When the speaker is professing Mangan’s sister’s control over him, he proclaims, “[m]y body [is] like a harp and her words and gestures [are] like fingers running upon the wires” (Joyce 401). The boy reveals his ignorance by incorrectly calling harp strings, “wires. . .” (Joyce 401). This simple error portrays his confusion about his own feelings and the reasoning behind them. The author uses diction to support the tone of the short story, “Araby,” through his choice of words that reveal both the glum atmosphere of the setting and the naive affection being displayed by the speaker.