A Research Paper On Coco Chanel

B. Coco Chanel’s “The Little Black dress” is thought to be element to the world of women’s fashion.

People often ask me, "When did you first become interested in Coco Chanel?" and if I'm honest, I was fascinated long before I started researching her biography more than a decade ago, all the way back to my earliest memories in childhood. For there on top of my mother's dressing table stood a bottle of Chanel No. 5, beyond my reach but not out of sight, and I knew from the moment I began to discern its mysterious letters and number that there was something magical to the black-and-white cipher. I'm not alone in that discovery -- Chanel has come to represent the essence of everywoman, whether in the scent of her perfume or her choice of bold red lipstick or the perfect little black dress -- but the story of Coco feels somehow entwined with

Coco Chanel was one of the most influential fashion designers of the Twentieth Century and she was the first significant female fashion designer. The fashion world was impacted by Chanel’s phoenix like return to fashion after her retirement in 1953. Chanel introduced men and women to practical yet elegant styles. Although Chanel has been deceased for forty-one years her undeniable influence on fashion and women’s roles in society will be remembered for generations to come. Coco Chanel was an iconic designer and continues to inspire men and women around the world.

Born into dire poverty and aged 11 when her mother passed on, Coco Chanel has come to be recognized by some as the epitome of success in the fashion industry. Indeed, she has such a huge following of admirers that in some instances, fans have made pilgrimages to one of her preserved apartments in Paris. As Tracy, a professed "timeless fan" of Chanel notes, "Chanel's fashion spirit will forever remain immortal." Further, her timeless designs also continue to be hugely popular today.

At this time Paris was fun and careless before the French Revolution of 1789 released its horrors on it. But the outbreak of the revolution changed everything, and with all of the violence around, she fled France with her daughter to find safety in Italy (Moffat and Mossman). When she returned, Paris was a completely different place. However, the demand for her art had not changed. Vigee Le Brun is considered a painter of the rococo period. Rococo is best described as an eighteenth century art style that places importance on the carefree life rather than grand heroes. Originally the rococo fashion started in Paris, where Vigee Le Brun was born. It changed the way people looked at art and the world in general (Bleiberg). Vigee Le Brun not only used the rococo style in her art, but also to influence fashion, persuading women to wear simple, high waist shifts, which would be an important stepping stone in changing fashion forever. By refusing to put powder in her hair, she made being natural beautiful. If it weren’t for her innovations we might still be wearing Victorian gowns and wigs. She made fashion and styles for young women, such as herself, more daring and interesting (Steadman).

The French leader of the fashion frontier, Gabrielle “Coco" Chanel built an empire of fashion for women all around world, changed how society viewed women. With her boyish style, Chanel inspired women

This biography, Coco Chanel: An Intimate Life, is a secondary source text written by Lisa Chaney. Published in New York in 2011, this work aims to examine Coco Chanel’s unconventional journey from poverty to glamour, along which she helped to redefine the idea of the modern European woman. This text is intended for an audience of educated individuals with an interest in Coco Chanel and her legacy. Throughout this biography, Chaney references private letters, personal records, and interviews with Chanel’s friends and family to explore the origins of Chanel’s revolutionary ideas that influenced the European feminist movement. This source is valuable because it provides an in-depth examination of Coco Chanel’s life through analysis of new primary source evidence. Additionally, because Chaney is reflecting on Chanel’s life and influence in hindsight, she is able to link Chanel’s work with the progression of European women’s rights throughout the twentieth century, establishing cause and effect relationships. However, this source is limited because Chaney does not take an objective perspective, and, instead, aims to prove her theory that Chanel was extremely

CoCo Chanel had many achievements in the fashion world. This was brought forth by her creative leadership. CoCo was an orphan and originally learned how to sew there. She created a product that was attractive and desired. CoCo managed to be a wealthy businesswoman in a time where there were few opportunities for her to succeed. CoCo Chanel had enough confidence in herself to rely on her own judgement. This can be to blame for her success. CoCo was a leader instead of a follower. She did this by leading women away from impractical clothing (corsets), and instead introduces clothing that emphasized comfort, functionality and high style. CoCo used these skills and others to break through the male barrier in women's fashion. She is also responsible

Coco Chanel, born Gabrielle Bonhuer Chanel, on August 19, 1883 in Saumur, France was an amazing woman who redefined fashion as we know it today. She was a clothing designer who revolutionized the fashion industry with her suits, little black dresses, and avant garde flare. Because of this quickly in her young life she became well know, and rose to be the fashion icon that she is today. From the timeless designs that are still popular to this day, and the sophisticated outfits that can be paired with great accessories Chanel has done it all. When it comes down to it though it was Coco Chanel’s philosophy that “luxury must be comfortable, otherwise it’s not luxury” that lead to her success. (“Coco Chanel”)

It wasn’t until Chanel started to create jackets which not only had the purpose of being worn closed, she created jackets that looked good opened, closed or hanging over the shoulders. She emphasized on this style by making blouses to serve the complete outfit. She was also the creator of the “Little Black Dress”, which was a relatively simple black dress made by elegant materials such as lace, tulle, weightless silk and even embroidery in a new, more tailored way. Chanel is today world known for its high quality designs and has women of the 21th century dependent on its classical style (Rennolds Milbank 120-121).

Coco Chanel, born on August 19, 1883 in Saumur, France, influenced 1920s fashion greatly through her trademark pieces such as “little black dress” and jersey suits and many more. These key fashion pieces are still very popular in our current day time in women’s fashion. Before Chanel became well known, most women would wear corsets that would leave them feeling stiff to give them more of a hour glass look as well as skirts with long hems that would reach the floor. Chanel went past the social boundaries of most women, and created different and diverse pieces. She disregarded societies idea of

Figure 1 created by Paul Poiret, and figure 2 created by Coco Channel were both designs based on art deco style. Both of these designers came about in the early 20th century as the role of woman in society was changing. In figure 1 Poiret created “ The Fancy Dress costume” in France for his “The One Thousand and Second Night” party in 1911. This resplendent design included his signature Lampshade tunic and harem pants as well as a jeweled buster using metal, silk, and cotton. Most of this design was created with sea foam green silk gauze, which then was interwoven with silver and blue thread, and then turquoise, pink, and peach beading that was symmetrically placed. Both designers diverged from the confining and tight-fitting corsets and aimed to create comfortable yet elegant clothing that mirrored the free and self-sufficient attitudes rising in woman. Both of the designers’ designs have dropped waste lines. However, Poiret’s radical design uses opulent and luxurious fabric and materials and is focused on the decorative aspect. His design is created to be “one-of-a-kind” and uses many vibrant colors, rich embellishments, and embroideries. Poiret resisted the practicality, rationalization, and stylistic simplification that Chanel adapted to create. In figure 2

Famous fashion Designer Gabrielle Coco Chanel (1883-1971) stated that luxury is a necessity that begins where necessity ends. Similar ideas were acknowledged by the famous economist Veblen (1899), in his book The Theory of the Leisure Class, who explains the concept of conspicuous consumption as the waste of money and/or resources by people to display a higher status than others. Luxury is concept related to status, ego and psychogenic needs; it is not necessary for survival. Luxury goods have always been associated with high quality, craftsmanship, uniqueness, creativity, exclusivity and innovation. Apart from these product attributes, the consumers also get the additional psychological benefits like esteem, prestige and a sense of a high status that reminds them and others that they belong to an exclusive group who can afford these expensive goods.

August 19, 1883, Saumur, France (“Coco Chanel”): this is the date of when Gabrielle Bonheur Chanel was born. While Chanel’s aesthetic in her later years was glamour, glitz, and glam, her early years were not the same. Chanel's mother died when she was twelve, and due to her peddling father, she and her two other sisters went into foster care (Collage). There she was raised by nuns who taught her how to sew (“Coco Chanel”), a skill that will benefit her later in life. Before Chanel entered the fashion world, she was briefly a nightclub singer. This is where she coined the nickname “Coco” and met a very important man to her career (“Coco Chanel”). This man was the wealthy business man Arthur “boy” Cape, and

In some normal people mind, they might not know what the word “Haute Couture” means because they are expensive, luxurious and exclusive. Haute Couture is actually strictly defined as “high sewing”, haute couture has evolved from the days when it was invented by the Chambre Syndicale de la Confection et de la couture pour Dames et fillettes which means trade-union room of clothes industry and the seam for ladies and young girls in 1868. (Deborah Bee, Couture in the 21th century, 2010:p7). It is about the tailoring- the creation of exclusive, handmade garments, after a series of fittings, to the highest possible standard. In the following parts, it is going to show the secrets,