A Research Paper On Hector Berlioz A French Composer?

As noted by Robert Hughes, "Beethoven was not only the embodiment of all that was before him, but also of that which was yet to come" (Hughes 486). The truth of this may be seen by comparing Beethoven's 5th Symphony in C Minor to Haydn, the father of Symphony, and his 95th in C Minor. While Haydn's symphony is both playful and dramatic, Beethoven's symphony is grander both in terms of scale and vision. He expands the size of the orchestra to incorporate the sounds swirling around, underlying, and depicting the arrival of Fate in a rhythm-driven, thematic symphony that takes Haydn's form and runs with it as though to the top of a mountain peak. This paper will analyze the symphonies by movement, according to form, size, structure, tonalities, melodies, orchestral sound and overall mood and effect.

Beethoven is perhaps the most famous musician of all time. His influence on later composers was extremely huge, to the extent where many composers were intimidated by his music. Ludwig van Beethoven was born in 1770 into a family of musicians. His father and grandfather were both musicians at the court of Elector in the German town of Bonn. His grandfather was very respected, but his dad not so much given that he was an alcoholic. At a young age, Beethoven was put in charge of his family’s finances and started a job at the court. He composed music and helped look after the instrumentation. Around the same time, he began to write music. In 1790, an important visitor passed through Bonn: this was Franz Joseph Haydn. He was on his way to London for a visit when he stopped to meet Beethoven and agreed to take him on as a student when he came back from London to Vienna. In 1792, Beethoven moved to Vienna to study with Hayden. Apparently, it did not go as planned. Hayden was old fashion and a little overbearing, while Beethoven was rebellious and headstrong. Beethoven found support among the rich arts who lived in Vienna. Prince Lichnowsky gave him board and lodging at his place for in return, Beethoven would compose music and preform at evening parties.

The abundance of harmonies never loses the thread to his audience. Furthermore, the opening of the slow movement inspires the imagination and attention of its listeners. All these elements make this piece one of the most successful concertos in the musical history.

The development of symphonic music during the Classical Period is greatly responsible for shaping today’s orchestral music landscape. Beethoven’s Fifth Symphony is often considered to be the cornerstone of the symphony genre evolution. While his grand gem is somewhat revolutionary and unique to a certain extent, such as ‘expanding the brass section in the final movement.’ [1] On the other hand Berlioz’s Symphonie Fantastique is filled with minor references to Beethoven’s Fifth Symphony

Born in 1803, in the village of La Côte-Saint-André, France, Hector Berlioz produced some of the most invigorating and exciting music of the Romantic period (Holoman, 1, 6). Romanticism primarily focused on subjectivism, therefore people were concentrating more on their emotions and spirituality and less on logical explanations for the problems of humanity. Those of the Romantic period valued nature and depended upon the creativity of artists in order to gain a deeper and different outlook on the world, one that was not strictly rational. Of all the Romantic art forms, music, especially

Giovanni Gabrieli was a legendary composer of the 16th century. As the fundamental structure and ideas of the Catholic Church were being challenged by the Protestant Reformation and the Counter-Reformation, Gabrieli’s compositions were given the opportunity to be successful and influential to music in the coming centuries. His works helped to transform not only church music of the Catholic Church, but also secular music as well. Giovanni Gabrieli wrote significant works that ultimately shaped the rise of the symphony, including the development of purely instrumental works, the art of orchestration, and the concerto style. Without his innovations in composition, it is arguable that instrumental music would not have developed as quickly, or developed

The first and opening piece was a Roman Carnival Overture, Op. 9, by Hector Berlioz. In major tonality, classical piece started with vivace statement, and then slow introduction progressed later in allegro. It featured an independent solo that was performed with an English horn and gradually changed dynamics throughout the classical movement.

Symphonie Fantastique composed in 1845, by Hector Berlioz (1803–1869), is a program symphony; a five movement orchestral work that tells the story described by the CSO (2013) “as a purely musical melodrama”, a colorful illustration of the life of an artist, “replete with unrequited love, witches, guillotines and colorful, opium-induced hallucinations”. Its composer, Hector Berlioz at the age of twenty-seven wrote “Symphonie Fantastique both to explore German Romanticism and to give his hometown of Paris a symphony of its own; something not yet native to this city of operas and ballets” (CSO, 2013). Berlioz’s symphonic back ground in the operatic overture alludes to his program notes presented “as the spoken text of an opera”. The memorable dramatic flair of Symphonie Fantastique is understood to be one of the most well-known pieces of program music in his repertoire and is suggested that the story is a self-portrait of its composer, Hector Berlioz.

Beethoven contributed one of the most significant musical developments through his fifth and ninth symphonies. He used a musical motive as the basic of his entire piece. (Beethoven described the motive as “Fate knocks at the door”.) It was the first time in history that anyone had done such a thing for a multi-movement piece. Beethoven’s contribution has become a norm in the music world, even to this day.

Hector Berlioz wrote the Symphonie fantastique at the age of 27. He based the program on his own impassioned life and transferred his memoirs into his best- known program symphony. The story is about a love sick, depressed young artist, while in his despair poisons himself with opium. His beloved is represented throughout the symphony by the symbolic idee fixe. There are five movements throughout symphony. The program begins with the 1st movement: Reveries, Passions symbolizing the artist's life prior to meeting his beloved. This is represented as a mundaness and indefinable searching or yearning, until suddenly, he meets her and his longing abruptly ceases and is replaced by volcanic love. The

Ludwig Van Beethoven was one of the most influential composers of his time. The decades around the 1800’s were years of many changes and Beethoven’s new approach to music was something that reflected that. “His symphonies, concertos, string quartets and piano sonatas are central to the repertory of classical music.” This essay will focus on the historical and theoretical aspects of the third movement of Sonata Op. 28 No. 15.

The genre is a symphony, which is a multimovement composition for orchestra lasting about twenty-five minutes in the Classical perido to nearly an hour in the Romantic era. It has

The general plan of Tchaikovsky’s symphonies includes a very 'pessimistic' first movement, a sad, peaceful second movement, an allegro movement (often in dance form) and a fourth movement full of vigor.  His 6th symphony, the Pathetique, is an exception.  The themes are broad, decorative, and striking. The orchestration is rich - but without any attempt at spectacular effects.  The last movement is slow and mournful, and recent research reveals the reason.  The Pathetique was only partly finished when news spread of a homosexual 'encounter' Tchaikovsky had with a fellow student. Some believe that the composer finished the symphony as a farewell to life. The scoring is for the standard symphonic orchestra with winds, brass, strings, timpani, and other percussion instruments. It was premiered in St. Petersburg with Tchaikovsky himself leading the orchestra.

The symphony consists of four movements. The first movement, Allegro vivace, is in sonata form. In the first theme (Ex.1), many sequences were used to construct the melody. And being inspired by Italian opera, Mendelssohn here tired to delay the closure of the theme as much as possible. While the second theme, it shares the similar materials as the first theme. In the development section, although a new theme appears, it consists of some materials of the first theme. Then, all these three themes appear again in the recapitulation, creating a sense of unity.

Among the many musical types of the period, the classical period is best known for the symphony, a form of a large orchestral ensemble. The symphonic pieces generally had three movements, the sonata, the minuet and the finale. Building of the achievements of earlier composers,