A Retrospect In Popular Music

1.1Summarise the development of the UK popular music recording industry from the 1950’s to the present day.

Music is an outlet to all aspects of life and culture is a significant way of forming people and the way they live. Although not always seen directly culture has an overbearing influence on the music that is produced and made popular. The political Climate of the early seventies was full of fire with issues such as Vietnam and constant protest throughout the county. Later in the 70’s the end of the Vietnamese conflict brought the rise of the Watergate scandal and Iran Contra. These issues swept headlines and ingrained people’s thoughts. Social issues also played a big role in the developing culture of the seventies. Protests and constant outbreaks about gay rights and women’s rights seemed to

The 1940’s was recognized as the era of the common household names such as Frank Sinatra, Bing Crosby, and Perry Como. Jazz was the strongest music genre in the 40’s era with Ella Fitzgerald and Louis Armstrong taking the lead. Radio was the most common way to listen to music back then, but phonograph players were just starting to get affordable for the average wage.

When early rock and roll began the major American record companies did not take the british invasion seriously. The Beatles first album had to be released through small independent music companies. The success of British bands began to get to large to ignore, it changed the styles of some American musicians as well. In 1965 Bob Dylan performed at a concert in which he used electrical instruments, this alienated many folk music purists in the process of changing music forever (Unterberger pg.165). The American band the byrds combined folk and rock which created a number one hit on the billboard music charts. A Band called Buffalo Springfield blended aspects of Rock, Country and western music to create country rock in 1966.

Holiday’s career is cited to include significant complexity in regards to the standard social and cultural perspectives. The complexity of her life provides vital lessons on talent proliferation. Through Holiday, it is deducible that success in music depends on a variety of personal characteristics including self-determination, attitude, and one’s commitment to the career. Holiday made it in music owing to the love for music despite the limitations of her background ( Greene 18) . However, the misery of career affirms that social engagements posit potential impacts that can easily destruct the continuity of a singer’s determination in music ( Greene 19) . For instance, poor choice of social engagements facilitated the emergence of crucial miseries such as drug addiction and sexual abuse that fuelled her death. The unusual characteristics of her options are therefore cited as feasible lessons to the musicians in the present

Hopkins, A. (2012). Protest and Rock n' Roll During the Vietnam War. Student Pulse, 4(11).

The music of the sixties went through tremendous change. It shaped mush of the music we hear today. From New Orleans came Jazz, from the East Coast came rock, from the West Coast came Psychedelic rock, and from England came the Invasion.

Rock ‘N’ Roll’s birth came after the Great Depression and World War II. It was in the 50’s called the baby boomers that started it all. It expanded the teenage population with 3.4 million babies born. The 1950’s scrap the ideology of a conservative family, where the father is the bread winner and the mother was a stay home mother. The young adults found an escape and enjoyment in Rock ‘N’ Roll.

MTV galloped through the '80s as a factor of musical taste, style and fashion. During the early '80s, the network helped introduce an entire stable of new music stars.

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

An occurrence of their rising fame was the Rolling Stones’ song “Satisfaction.”.It was different than any other protest song previously made about that time. Instead of a few lyrics against the era, it conveyed an eloquent message. The song, recorded in 1965, was a breaking point for their career, the aim of it was to express a distinct “dis-satisfaction” with the way conditions were. It was the pop/rock equivalent of Bob Dylan and other folk/protest musicians’ greatest hits (“...No Satisfaction.” This song rationalized the rough, prejudiced days of the existing time during that era. Speaking of which, in December of 1969, the Rolling Stones played their last concert of that decade, they were joined with multiple other musicians to create a movement that would contribute to a new rock era, and a new look at music as it was (Carter). They paved way and influenced many other great musicians that would later take after their style. The Rolling Stones left an everlasting impression on music after their first appearance in the early

     The Rolling Stones were the second most successful band of the British invasion and dived into the mainstream with their hit “(I Can’t Get No) Satisfaction.” The Rolling Stones had a more aggressive style with loud guitar tones and driving rhythms. And while The Beatles touched on more clean-cut topics, the Stones shocked people with songs about casual drug use and careless sex. Other influential bands of the British Invasion include The Who, Cream, and The Kinks who are now some of rocks greatest legends.

Throughout history, music have defined or depicted the culture and social events in America. Music has constantly played an important role in constituting American culture, where people have expressed themselves through music during flourishing and turbulent times. In the 1930’s, Swing music created a platform for audiences to vent their emotions in the midst of Great Depression and political unrest. Such strong relationship between music and culture can be seen throughout history, especially in the sixties.

The history of American music begins with a fundamental process of exchange through all different social lines, where diverse cultures meet, and mix. Music has and always will be defined as sounds that are arranged in a particular pattern that are played to be meaningful and pleasurable. The chronology of music began in the Medieval period, when chanting was introduced into the Church. Music has then moved its way through many stages: renaissance, baroque, classical, romantic and leading up to 20th century American music. American 20th century music is made up of a diverse number of styles that are reflected by cultural traditions and the era’s of the past. Immigrants from Spain, France, England, Germany and Ireland all contributed and brought their own unique styles to the forefront, hence creating American music. African Americans created influential musical traditions that include rhythm and improvisation that were later combined with European traditions and other indigenous music.

The evolution of the music industry follows the familiar pattern of digitization. Innovation began with the introduction of the vinyl record, transitioned from the cassette tape to the compact disc and landed us in an era of digital downloads. The emergence of music streaming services like Spotify has progressed the industry even further, giving consumers the ability to access music on demand using download-free online platforms. Spotify faces criticism from artists as a result of the overlap of creativity and commerce. They argue that business activities corrupt creativity, transforming it into a tool for profitability rather than an outlet for expression. Artists insist that Spotify deters album sales, favors established artists and fails to support them financially. However, Spotify was created for consumers. It delivers an accessible alternative to purchasing and downloading music. The interplay between creativity and commerce is changing the nature of the music industry. Spotify has adapted to this change, providing a platform that supports both artists and consumers. Through analysis of the market, artist’s revenue, record labels and consumers, I will argue that artists should accept the evolution of the industry and support Spotify.