A Review Of Cynthia Zarin's Orbit Poems

When I think of a poet, images of scowling, mustached men whose 19th century wardrobe could use an update spring to mind—a somber Edgar Allen Poe type whose ink strokes inquire of unrequited love interests and dreary days alone in the snow. I certainly do not imagine modern, multi-ethnic women who live in the same state as me. However, as soon as I read Natasha Trethewey’s poetry, I immediately admired the way her words so effortlessly danced on the page, my mind’s eye watching the elegant choreography with each syllable read. Moreover, when I learned of her tragic history, and the strength and resilience she possessed to carry on, I could not help but to respect the way she turned pain into beautiful art. The right words carry great power

They were running up the road to a barn and I followed them to a little grassy patch. They all went to a shady spot under a tree and laid down under the trees shade. I slowly walked up to them they looked hungry and lost so I went to find some hay, luckily there was a patch of hay nearby. So she went and pulled a patch out of the ground and went back to the horses. The horses were still there laying under the cool shade. I slowly came to the first one. It was small with a white dot around its eye and other white dots on its sides. I started to put the hay down the horse got up and started

Born in Senegal around 1753, Phillis Wheatley became an important American poetic figure. At the age of 8, she was kidnapped and brought to Boston on a slave ship and upon her arrival to Boston, she was quickly sold to John Wheatley (Bio). Under her new family, Phillis adopted the master’s last name, taken under the wife’s wing, and showed her deep intelligence. Even though suffering from poor health, Phillis’s intelligence did not go unnoticed; she received lessons in theology, English, Latin and Greek. Being a slave did not stop Phillis from learning and experiencing her life, she participated in the master’s family events and eventually became a family member. The irony in this situation is

Poetry can follow your life all the way through, from the innocence of a child, to the end of your days. The comfort, seduction, education, occasion and hope found in poems are elaborated in Poetry Should Ride the Bus by Ruth Forman. As the poem reads on, you not only travel through the life of a person from adolescence to being elderly through vivid imagery, but also hit on specific genres of poems through the personification of poetry as the characters in the stages of life. This poem’s genres hit on what poetry should do and be, by connecting the life many of us live.

The poem is formed of eight stanzas, each one is six lines long except for the fifth stanza which is an octet. The stanzas are formed of sets of three rhyming couplets in the

The author uses imagery to characterize the snake and emphasize the importance of its life. When the narrator first approaches the snake, he observes how the snake “held his ground in calm watchfulness; he was not even rattling yet, much less was he coiled; he was waiting for me to show my intentions.” This description uses specific details of the snake’s actions to illustrate how the snake reacts nonviolently. In fact, the snake waits to see what the narrator does instead of attacking outright,

It is apparent from the first line of the poem that author is in a state of overriding fear travelling through the unknown: likening the road to an “old snake shedding its skin.” A snake is a clear representation of childhood fear and youthful paranoia, due to its intimidating nature. Walcott compares the path to a snake because he fears it just like a snake, to him the path is daunting and potentially deadly at first. The author not only compares the road to a snake but a snake shedding its skin. This paints a grotesque image for readers and illustrates how he views his initial journey with anything but enthusiasm. The author is in the unfamiliar wilderness searching for not only the storyteller’s house but himself. His state of childhood terror is only counterbalanced by his encounter with the storyteller.

happens to her. Throughout my paper, I hope to analyze the poem, and ultimately gain a

The third stanza which marks the middle of the poem begins, "The Ocean said, Come flow freely with me" with ten syllables written in pentameter accompanied by iambic, spondee and trochee syllables. A steady rhythm in meter is noted in the next four lines which declines to trimeter for all four lines. Line fourteen, "and the creatures in my seas." contains pyrrhic, trochee and anapestic syllables. The fifteenth line in trimeter, "Here your tears will disappear," contains for the first time in the poem, a dactyllic syllable accompanied by the iambic syllable. Line sixteen, "and your worries will cease." contains again the iambic syllable now accompanied by the pyrrhic syllable. The last line in the series of trimeter lines is line seventeen which states, "Be the element that I need.". concludes the metered pattern. In lines fourteen through seventeen the meter is measured the same, however there is a new element added to the syllables previously used in the beginning stanzas. The repeated trimeter is suggestive of familiar situation but the new syllable is

Rosemary Dobson's Poetry "Rosemary Dobson seems intent on presenting a view of life as bleak and generally uninteresting In the poems by Rosemary Dobson it generally presents the view of life as bleak. " The Tiger" is an example of this. This also reinforces the limitations on her poetic inspirations. The idea is presented by the effective use of imagery, tone, sound devices and the temporary progression.

The imagery used throughout the poem is heavily sensual, we start with an intimation that the dog has lain dead for five days in the heat, the word `thick' being used to describe the summer heat and to hint at the smell which permeates the air later. The sound of flies is also used to give a sense of foreboding and oppression, he later returns to

A resistant reading of the poem uncovers the idea that religion, specifically the Judeo-Christian religious tradition, is intrinsically harmful and retrogressive in nature. If the ‘snake’ is interpreted as a synecdoche for Judaeo-Christian religious tradition as a whole, a profoundly negative opinion of such an ideology is formed throughout the poem. Without the ‘snake’ that is this religion, there would be no “pain and suffering”. The poem asks, “what could bear such a weight”, interrogating the conscience of religion, implying guilt on its behalf. Furthermore, the imagery suggested in the second stanza surrounding the snake’s “shadow” evokes negative ideas concerning the nature of the religion, which is further bolstered by its ability to “separate itself” from this shadow, and to “move on

Despite the flowing syntax, the poem has a clear and predictable structure to replicate the persona’s calm familiarity with experiencing and answering to “storms” in their life. It is interesting to note that even though parlous weather is on its way, there is a lack of panic, chaos, and anomalies in the structure of the poem. There continues to be seven lines in each stanza throughout the piece;

The poem is structured with 26 lines and each line is of nearly equal length. There is fluidity

There is a rhythm throughout the poem with strong rhyme, this pattern is like heavy breathing you have when you try to go to sleep it could also represent the rhythmical counting of sheep.