Qunandar Representation

Spade’s critique of Billings and Urban also exemplifies the study of transgenders—distinct from transgender studies—Stryker introduces of “people who occupied transgender positions [being] compelled to be referents in the language games of other senders and addressees”. In addition, Stryker’s notion of gender as a “mashup” is brought to life in Mutilating Gender as Spade highlights individuals (himself included) who “seek to occupy ambiguous gender positions in resistance to norms of gender rigidity” and exist counter to a mirror representation. By integrating knowledge such as this into public consideration, those without access to SRS or without the means to pursue cosmetic surgery are not left out of what is socially perceived as masculine or feminine, or are even able to expand gender and deconstruct the

The topic of sexual orientation is both sensitive and controversial. This is evident in events, such as the Pride Parade, and also in media, where authoritative figures preach against it and speak of its “sinful nature” (Emmanuele, Blanchard, Camperio-Ciani, & Bancroft, 2010). Sexual orientation exists in various forms, it differs in the way it is viewed by different cultures, and researchers propose different perspectives to explain the emergence of an individual 's sexual orientation. In the discourse of sexual orientation,

All in all, the documentary The Middle Sexes covers many controversial topics. Some of these topics include the biology of middle sexes, the dangers of being a transgender, and societies outlook on transgenders. With much analysis, I’ve realized that this film has too narrow of a perspective on transgenders and middle sexes. The restricted perspective prevents the audience from being

In her book “Gender Outlaw: On Men, Woman, and the Rest of us,” Kate Bornstein goes over a lot of the major issues regarding gender awareness and identity politics. She talks about the ideas of labeling ones self, understanding gender differences, how people view laws, behaviors, and the medical and scientific privilege that make transitioning challenging for a lot of people. Bornstein touches on many of the issues today that affect trans people. She includes poetry, pictures, quotes, essays, and a play to raise questions and discuss the idea of gender. This is a great book to introduce and discuss the issues that affect the lives of trans people as they navigate and explore the lines that define gender.

American society today is not any different from the past, except today people are apt to discuss everything publicly on various social media outlets such as Facebook, Twitter, and Instagram just to name a few. Transgender persons happen to be one of those subjects that have become the hot topic of the new normal. Nowadays there are blogs, tweets, and pictures posted online of people’s transition “coming out.” Like the past, society is still tough when it comes to judging each other. Although transgender might not have had a recognized community in the past, it is prevalent that society is becoming more accepting of their community, and aware of issues their community faces. In this essay the names, nouns, or pronouns used will be in accordance to the individual’s preference.

The inclusion of queer identities into mainstream cultural productions involve the cultural subordination of homosexuality to heterosexuality through the reconstitution of queerness in a hetero image. The Kids Are All Right and The Fosters contribute to this discourse of subordination by projecting heterosexual gender roles onto an otherwise queer relationship. Difference of heterosexual gender roles are conceived of a male/female binary. Where Nic and Jules, and Stef and Lena act out heterosexual roles of masculine and feminine, their relationships replicate heterosexual patterns and become structured in normative heterosexual terms (Hammock 2009). This differential is grafted into the character’s same-sex relationships in both productions,

Kidd and Witten define the term transgender vaguely, stating it “describe[s] people who transcend the conventional boundaries of gender, irrespective of physical status or sexual orientation” (Kidd & Witten, 2007, p. 36). This term is a reference for the ‘other gender’ that is not particularly male or female. Currently, within the American society, there is a growing awareness of individuals who are transgender. Much of this awareness comes from LGBT movements and

Building her credibility throughout, she maintains a front as a God-Loving Chrision and mother. But her outrage and highly opinionated argument is disreputed when she mistakes the expression of feminine traits by a male character as transgenderism. Her integration of specific facts displays her

Serano recalls her own experiences of being sexualized to shed light on how trans identities are sexualized. The story points out how a person’s transition from one gender to another, or being trans itself can be viewed as sexual solicitation, rather than a result of their own identity (Serano 257). The sexualization of trans people is based on a societal viewpoint that centers itself around male heterosexuality, as Serano expounds:

This text is published by a media company called Mic. Their target audience is young people and they cover a wide variety of subjects such as News, Arts, and Technology (Mic /about). The author of this article is Sophie Kleeman, who, according to her profile on Mic.com, covers the “intersection of tech and culture” (Mic /profiles/152573/sophie-kleeman)

Transgender representation in scripted television shows is vital in helping transgender individuals to shape their self-identity. While more and more popular shows have featured transgender characters in recent times, it is still uncommon to see a transgender character on television. Because of this, it is important to note that viewers that are not well informed about the transgender community will have their views influenced by the characters that they see on their screens. This aspect does not just

This past 2 years have seen more and more transgender characters displayed on our screens than ever before. I do feel like this representation is amazing and some cases have done our community proud in so many ways but of course some have not been so good.

Heteronormativity is a term that “describes the processes through which social institutions and social policies reinforce the belief that human beings fall into two distinct sex/gender categories: male/man and female/woman.” This ideology produces the belief that heterosexuality is the preferred and normal sexual orientation (Sumara and Davis 3). Although occasionally casting queer characters, the main cast of Friends consists of six white heterosexual characters who often bounce from one heterosexual relationship to the next. This lack of diversity among sexual orientations of the main characters has led me to analyze this issue

The depiction of transgender women characters in mainstream television has been offensive, insulting and derogatory. An article from GLADD called “Victims or Villains: Examining Ten Years of Transgender Images on Television”, examines 102 episodes and storylines on mainstream television that contained transgender characters since 2002. Of these, more than half were characterized as containing negative representations of transgender. In 2007 only 1% of television series had a recurring transgender character, which has slowly increased to 4% in 2013.

Comic books have recently become a way of representing and expressing ideas on human sexuality. Politically InQueerect #2 by Dylan Edwards and Liliane and Muesli in Beyond Shades of Queer by Leanne Franson both tell a story with non-heterosexual characters to portray different views on sexuality. Franson’s comic contains many humorous panels that involve a cat or a dog interacting with a human being. She is concerned with the categorization of human sexuality based on sexual behavior and orientation. On the other hand, Edward’s comic has different characters that interact in a friendly and entertaining way. He creates a story to voice his concerns about the political issues and experiences that homosexuals have. Nevertheless, rather than writing a polemic or an op-ed, both authors use the comic book medium to convey their opinions about the experiences that the gay community has and the issues it faces. Representing non-normative sexuality in such a manner makes it easier for one to examine these issues from a different perspective and to agree with the beliefs of both authors.