A Review of the Book Calabash Parkway

From a young age, our interactions with our parents play an instrumental role in how we perceive ourselves and the world around us. The short story “Girl” by Jamaica Kincaid exhibits the relationship between an Antiguan mother and her daughter in a patriarchal society where the list of rules and regulations for women is exhaustive and almost never-ending. By analyzing the unique and often tense dynamic between the mother and daughter, “Girl” showcases the direct influence mothers have on their children, and how traditional and patriarchal customs can influence that relationship. The main themes are represented by the subjects the mother spends the most time on as well as the overall tone of the piece and how it relates to the mother-daughter

Small Beauty by Jia Qing Wilson-Yang is about the experiences of Mei, a mixed-race trans woman, who moves from the city to rural modern-day Canada as she deals with past and present trauma. The text is an exploration of personal identity and how one connects with the place they live. Colonization still impacts how people shape their identity today; in Wilson-Yang’s Small Beauty the lasting impacts of colonialization shape how Mei views aspects of her identity through the novel including gender identity and race. First, this essay will set the definitions that set the foundation, second it will explore colonization in relation to Mei’s gender identity, third it will examine the impact of colonialization on Mei’s racial

Sexism is a challenge almost all women face. In a way, sexism can be beneficial because it can motivate women to defy society's standards and anything holding them back. However, in The House on Mango Street, author Sandra Cisneros, shows both sides of sexism, and how it can motivate women. Sexism can also make women give up and not accomplish anything. While Cisneros has the protagonist fight off sexism, Esperanza runs into many cases of sexism where the women just give up. Similarly, with The Help, author Kathryn Stockett, also shows both the positive and negative side of sexism. Skeeter, the protagonist fights off sexism to gain freedom, and in doing so she finds that all her friends don’t want to change the roles they have. Both

Barbara Kingsolver’s modern romance, The Bean Trees, tells the story of a young woman named Taylor Greer. Taylor is born in a small rural town and “gets away” so she can do bigger and better things. While driving cross-country, a woman leaves her a small child. Taylor raises names and raises this child, Turtle. She moves in with another single mom and works for Mattie, a woman who smuggles refugees. Taylor has multiple moments of lost innocence as she learns the true evils of the world, and she uses this to grow into a stronger person. In her novel, The Bean Trees, Kingsolver juxtaposes characters and settings that uphold gender stereotypes and that challenge them in order to convey the notion that those who break traditional gender roles

In the novel, The House On Mango Street, women face numerous challenges in their lives. Women face abuse, objectification, and oppression. They are also subjects to the societal roles that hinders them from being free and successful. Cisneros utilizes metaphors to reveal the theme of society’s gender roles restricting the lives and sexuality of women.

For centuries, a great deal of ethnic groups have been disempowered and persecuted by others. However, one should realize that none are more intense than the oppression of women. In the novel, The House on Mango Street, by Sandra Cisneros, women living in the Mango Street neighborhood suffer from their restricted freedom. Three such women, Rafaela, Mamacita, and Sally, provide great examples. All try to escape from their dreadful environment. Most of them fail, but at first, Sally seems to succeed in escaping from her father. However, she ends up meeting a husband as equally bad as her father. Ultimately, the men who live with Rafaela, Mamacita, and Sally act as insuperable obstacles that limit the freedom in their women’s lives.

the defination of ‘feminism of poverty’ refers to situations of increasing poverty for women and the fact that more women are living in poverty than men, basically poor people are disportionately women (Townson, 2000).

Elaine Potter Richardson, more famously known as Jamaica Kincaid, is recognized for her writings that suggest depictions of relationships between families, mainly between a mother and daughter, and her birth place, Antigua, an island located in the West Indies. She is also familiarized with Afrocentrism and feminist point of views. Kincaid’s work is filled heavily with visual imagery that produces a mental picture in readers that helps them connect stronger to the reading. An example of this really shines through in her short story piece, “Girl.” This short story describes the life of a lower class woman living in the West Indies, and also incorporates thick detailing between the relationship between her and her mother. Jamaica Kincaid structures the story as if her mother is speaking to her. She writes broad, but straight to the point, allowing readers to imagine to picture her experience. Kincaid uses visual imagery and repetition consistently throughout “Girl” to reveal the theme and tone of the story; conflictual affair between a mother and daughter.

In a patriarchal society such as colonial Latin America, women were considered second class citizens. No matter their class or ethnicity, all women experienced the social and cultural limitations that are subjected to them by this patriarchal society. Women had limited access to education, women are used to satisfy men’s personal desires and legal systems neglected women’s court rights while heavily advocating men’s. However, not all women are subjected to the same limitations because of the difference in one’s economic status and ethnic identity. Nonetheless, women still found a way to carve out a space for themselves in attempt to overcome these regulations set by a patriarchal society.

The novel The House on Mango Street is filled to the brim with women who are unhappy and unsatisfied with their lives. Readers meet wives who are destined to spend their lives in the kitchen, mothers who waste away cleaning up after their kids, and girls who are stuck in a hole that they can’t escape. Through Sandra Cisneros’s use of literary devices such as motifs, symbolism, and imagery, we are able to learn that the women end up in these situations by conforming to femininity, and we find the theme of women are often held back by their own gender roles.

Women have always been treated differently from our male counterpart. As a woman, we are automatically born with a strike on our back, and as an African-American, we are seen at the very bottom of the totem pole. The trials and tribulations that we are put through no man could possibly withstand. In “Homegoing”, many issues that are still prevalent in today’s society is discussed. The author of the novel touch bases on the importance of family, cultural heritage, and gender inequality. Gender inequality is one of the main issues that women today face. In the beginning of the novel, the women of the village were controlled by the men in all aspects of life. Every move they made were scrutinized by their man counterparts. As the book progressed throughout the decades, the women were still facing issues that the women of today face.

The word “feminist” has caused turmoil wherever it is uttered. It has gained a negative connotation, and is often mistaken with misandry. While these claims may be true for a minimal number of feminists, the truth is that in order to get an accurate representation on what feminists actually believe one would have to go to the source. The two main problems with that, are that first of all, it is “not rigidly structured or led by a single figure or group”, and most importantly there is not just one kind of feminism, there are hundreds in each aspect of our life (Tavaana, 2014). The most under represented group within feminism is the kind that is in the government. Not all have the same theories, and therefore, do not have the same

Dreaming of Tombstones (133-188): A Summary and Critical Analysis of Gender Issues in “City Requiem, Calcutta: Gender and the Politics of Poverty, Volume 10” by Ananya Roy

During the 1960’s disproportionate gender roles characterized post-colonial Rhodesia. The African patriarchy described in Tsitsi Dangarembga’s acclaimed novel, Nervous Conditions, promotes feminist theory through the portrayal of marginalized women in Zimbabwe. Regardless of class or social prowess, women were not permitted the same liberties and regarded with the same respect as their male counterparts. Women found themselves relegated to the positions of household servants, and excluded from the labor markets by the societies males. (Mbatha 23) Female characters of the novel consistently struggle with “nervous conditions” around males, stemming from years of oppression under the Shona power system. Throughout her novel, Nervous Conditions, Dangarembga exemplifies the various forms of oppression faced by Shona women as well as methods they utilized to resist the oppressive male patriarchy.

She makes an important point when trying to go beyond the female (otherness), by paying careful attention to differences among women themselves, and by putting emphasize on the multiple realties that women faces, and by that trying to uncover universalist interpretations (Parpart and Marchand 1995:6). She reveals the inadequacy of binary categories by showing us how power is defined in binary terms, between the people who have (men) and the people who do not (women). This is a consequence of seeing women as a homogenous group, and contributes to the reinforcement of the binary division between men and women (Mohanty 1991:64). By assuming that women are a already constituted group with the same experiences and interests, gender is looked upon as something that can be applied cross cultures (Mohanty 1991:54), and it also produces an assumption about the “average third world woman” as poor and uneducated, in contrast to the educated, modern Western women (Mohanty 1991:56). Implicit in the binary analytic lies the assumption that the third world woman only can be liberated through western rationality. Mohanty is making an important point when emphasising the need to challenge these objectifications (Udayagiri 1995:163).