Rhetorical Analysis of “BOW DOWN, MACKLEMORE: Why Same Love is NOT My Queer Anthem”
In the article, “BOW DOWN, MACKLEMORE: Why Same Love is NOT My Queer Anthem,” Kelly Fox argues that Macklemore’s song Same Love is homophobic, racist, and that Macklemore is a poor excuse for an LGBT ally. While Fox may have a few good points, she rants throughout her article, and establishes almost no credibility with her audience. All of this makes finding those good bits really difficult and not worth it.
Kelly Fox presents as incredibly emotional about the subject, and her article comes off as more of a rant than the rhetoric she intended it to be. With a title like, “BOW DOWN, MACKLEMORE,” in all caps, and with her closing statement of, “I don’t need
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She quotes Macklemore’s song Same Love, “‘If I was gay, I would think hip hop hates me.’ Macklemore denounces hip hop as categorically homophobic. [...] Hip hop is no more homophobic than pop, country, rock, or any other musical genre.” This may or may not be true, but simply stating it and expecting her audience to take her word for it is completely irrational. Fox goes on to say that allowing hip hop to be thought of as more homophobic than any other musical genre “reinforces the racist myth that people of color are more homophobic than white people,” because hip hop is a genre “created by and for people of color.” Many people, myself included, have never heard of this idea of black homophobia. Fox offers no outside source to back up her radical statement. Another example Fox’s terrible inability to offer any information other than her own personal opinions to her audience is where she states that “trans* women of color are dying on the streets daily, and queer people are disproportionately subjected to incarceration, homeless[ness], rape, and murder…” This is very likely true, however, it’s not exactly common knowledge. While it’s definitely not absolutely necessary to cite any sort of study here, doing so would have acknowledged a broader audience and strengthened her
(The Trevor project). No matter gender, ethnicity, sexual orientation, we all are humans with the same desire for love. Therefore, we should all have the same rights. Macklemore promotes voting for love which means equality and standing up for what we believe in.
One of the more prominent criticisms of hip that Rose points out is that there is a large amount of misplaced blame in the world of hip hop. She writes, “increasingly, too many of hip hop’s supporters point to structural racism to explain the origins of the problem but refuse to link these structural forces to individual action and to the power of media seduction” (p. 73). In this section of the second chapter, Rose is explaining that those who defend commercial hip hop are taking a more-or-less one-dimensional approach to their arguments by solely blaming structural racism and overlooking the
“He don't smack that ass and pull your hair like that” is a rather vulgar and demeaning statement, yet it is freely sung in Blurred Lines by Robin Thicke, a song that was in the top ten on the Billboard list of the most popular R&B/Hip-Hop songs in 2013. Because hip-hop is a very large part of the African American culture, and many speakers of African American English (AAE) are portrayed through these songs, women are often highly influenced by the objectification of their bodies in hip-hop songs. Since the emergence of the hip-hop genre in popular culture in the 1960s and 70s, women’s bodies have been sexually objectified through this music. Although the impact of the sexualization of women’s bodies in hip-hop songs is still very
Ben Haggerty, stage name “Macklemore”, crafted his moniker after a superhero he made growing up. It’s clear to see now that not all superheroS have THE MOST predictable powers. MACKLEMORE’S power lies in his activist through hip hop. It’s with his catchy beats and lyricism that he first hooks US in, but the more WE start to listen, the sooner WE discover hidden treasures. From songs recounting his struggle with substance abuse, the fight against homophobia, and the dangers of branding, Macklemore showcases a facet of very personal struggles. He brings them out and into the open but not just issues he’s had in his past, but issues he notices in his PRESENT. In his song “White Privilege II”, he calls out himself, celebrities, and all of white
Macklemore’s song, “Same Love,” with Ryan Lewis, featuring Mary Lambert, tells the younger generation about discrimination against gays, homophobia, and inequality. The song calls out people who want freedom, where our country came from, and what are religion says to show how if we don’t accept gays, there is a lot we can never have. Macklemore is disappointed with the way hip hop and rap talk about gay people without realizing how difficult they are making gay’s lives. It is also great when Macklemore practically asks religious people how exactly they do not support gay rights, and why they believe it is wrong because God is supposed to love everyone. Macklemore gives his honest opinion on how he feels everyone should be equal, and there are no “buts” or “ifs.” I stand by his opinion about love being love no matter what. Macklemore’s song, “Same Love,” he talks about societies false ideas of gays, the way the term “gay” is used in hip hop music, and that we are not equal until we allow gay rights with a huge change at heart.
During the documentary a scene was shot at BET’s Spring Bling and a young male pointed out that women are determined to be b****** or women by the way they dress. Sexism is an issue that to society is not seen as important compared to the large number of black males incarcerated. The issue should be just as important if not more because one in four African American women is raped after the age eighteen. Most women who are called a b**** or another demeaning name think that it wasn’t referred to them, and either way is still unacceptable. Hip Hop is not being represented by men, which is why the decision of their lyrics is said the way that they
The best example of there being a misconception in this song is in in the third line. Macklemore says, “I told my mom, tears rushing down my face.” (Macklemore, line 3).A little background, when Macklemore was in the third grade he thought that he was gay. The point that he was crying so much about thinking that he was gay made the point that he was either taught or grew up thinking that being gay was a bad thing.
Macklemore reiterates that idea with the lyric: “A world so hateful some would rather die than be who they are.” Self-destruction is easily connected to repressing your inner personality, gender, and sexuality. By doing this, a conflict is created for gay, lesbian, and transgender people all over the world. Religious texts have stated that "persons currently can be only as male or female.” Discipline in creating a vision of femininity lies in the relentless suppression of women to social messages that highlight and defend the principles of the patriarchy. Women were seen as sexual beings: Women’s standard body language, a language of comparative strain and compression, is unspoken as a linguistic part of establishing hierarchies. A woman’s sexuality was seen as their most valuable quality and men enforced them. These ideals of presence, conduct, and gestures are put into place for men and women. Then, women over time try to take these ideals and use them in their everyday behavior. The idea of identity is defined
XXXTentacion used rhetorical communication about controversial topics such as: racism, police brutality and gun violence. Racism towards African Americans have been a problem for the last few years, but it gets worse as lives are being taken by violence. Innocent people get killed every day by frauds and fraudulent murders are alive and free while the deceased innocent people suffer from injustice. Banning sex toys and endorsing concealed guns are an example of irony on the term “obscene”. The act of violence doesn’t just happen in the fictional genre, it also happened in real life and violence doesn’t have race, gender or religion. How most people feel about the topics regarding racism, gun violence and police brutality are offended and narrow
In Joan Morgan’s article “Fly-Girls, Bitches and Hoes: Notes of a Hip Hop Feminist”, she shows the way rap music has changed through it popularity. The widespread appreciation of rap had negative impacts upon the black community. Morgan talks about this through her Feminist point of view. She focuses the topic on what rap music says about the African American culture in Hip Hop. Rap music and Hip Hop were invented through the pain of African Americans. Hip Hop and the Rap industry use sexism and machoism to express the long years of oppressive pain they went through by the hands of the white people. Especially for the black brothers who continue that oppression by using provocative words that degrade the black sisters. Morgan states that blame isn’t only on the brothers
I didn't see her point of view, as I was just a young teenage girl that didn't care about what the lyrics actually said. I'd sing along mindlessly to many songs without realizing their true context. Personally, I think that this song is not only catering to the male gaze, but it also could pose harm towards young people that question their sexuality. She seemingly makes a correlation between "good girl behaviors" and sexuality. Also in the song "Ur So Gay" she makes a correlation between males partaking in traditionally
“My love, she keeps me warm.” Without context, these song lyrics have no impact or power behind them. However, if told that these words were sung by a female vocalist, and preceded by the lyrics “I can’t change, even if it tried, even if I wanted to,” suddenly the words have meaning as a woman sings of her love for another woman (Haggerty, Lewis, Lambert, 2102). These lyrics come from the 2012 song “Same Love” by Macklemore with Ryan Lewis and featuring Mary Lambert. In the song “Same Love,” Macklemore raises his voice against the issues of discrimination, gay rights, and marriage equality that we see in today's era. He uses two fallacies in the song, but Macklemore’s use of the three rhetorical appeals of ethos, pathos, and logos in his
“Same Love”, (The Heist, Track 5, 2012) by Macklemore and Ryan Lewis, is an extraordinary melody. This song is a Hip-hop song that was getting major radio play and winning multiple awards, that clearly defends and praises enthusiastically same-sex love, while at the same time, expressing hip-hop’s history of homophobia. The song is basically pointing out the fact that discrimination against homosexuality is obscene. In the beginning of the song, the character is having an inner conflict with himself because he is trying to interpret whether or not he is gay. Based on the lyrics, the character knows that homosexuality is a sin, and in the bible, God is very clear that it is a sin. For instance, in the third line Macklemore states "The right
In the next verse, Pink addresses President Bush’s stance on homosexuality and abortion. She is saying that she can’t believe President Bush would take his daughter’s rights of having the choice to have an abortion away and that allegedly Vice President Cheney hated his daughter who came out as being a lesbian. Then she goes on to say that she wonders how the first lady feels about these issues considering President Bush’s alleged prior drug use. Homosexuality has become accepted more and more since this song came out. It is a social issue not because people choose to be gay, but because of how society reacts to it. The majority of the population are religious and most of the time, homosexuals are discriminated against because of this. Social
The pop rock band Maroon 5’s new hit single Animals from their fifth studio album V is their 10th song to reach the top 10 on the Billboard Hot 100 chart. At first glance it appears to be just another unoriginal pop rock song; melodic, repetitive. But as we look at the press that surrounds both the song and its music video we find a controversy surrounding sexual violence and objectification. There can be no question of a need of such discussion in regards to the themes that Animals the music video brings to light. That being said, the question in this discussion should not be whether it promotes these topics but rather if it does a good enough job of making the audience critically aware that these problems exist. This will be done by looking at the video and its song from a radical Feminist perspective. Bell Hooks defines Feminism as, “ a movement to end sexism, sexist exploitation, and oppression." And the first step of ending these things is showing how they are a part of our culture which this video does brillintly.