A Rhetorical Analysis Of Marked Women By Deborah Tannen

Nathaniel Hawthorne, in his bold novel, The Scarlet Letter tackles a variety of themes that include: sin, guilt, redemption, postfeminism, and organized religion's abuse of power. Hawthorne spoke in a somber and grim tone, designed to arouse a sense of suspense for his readers. The audience in which he was addressing would have been conservative Christians and women suffragettes, all of whom reflected the ideologies during this time period. By instilling clever diction, Hawthorne exposes hypocrisy in Puritanism and objects against the religion's superfluous punishments; which force individuals to endure unnecessary and extreme suffering.

There are beauty standards all over the world, but America has one of the most highest and unreachable standard of the all. In the article “Whose Body is This,” the author Katherine Haines reflects the issue on how narrow-minded society, magazine and the rest of media is depicting the perfect body. The ideal body in America is established as skinny, tall, perfect skin, tight body are characteristics that destroyed majority of woman’s self esteem (172). As girls get older and into their teen years, they have been brainwashed to need to look like the unrealistic, and photoshopped models in magazines and advertisements. Girls don’t feel comfortable to be in their own skin, because they were not taught to love themselves for who they are right in the beginning.

Introduction An eloquent speech can tackle the challenges posed by flying time and shine in various social contexts. Severn Cullis-Suzuki’s speech in 1992 hit the world by its appeal and eloquence. Nowadays, Severn is still remembered as “The Girl Who Silenced the World for 5 Minutes”, and during important international environmental conferences, journalists still turn to Severn for comments and advice. How does the speech stand out from numerous environmental speeches in the history?

Elle Woods was the typical sorority girl while at CULA- she loved shopping; her friends; and her boyfriend, Warner. With her father’s money on her side, Elle never prioritized her education or working. She assumed her future held a marriage to Warner and life as a trophy wife; but when Warner declares Elle a hindrance to his goals of graduating from Harvard University, she becomes determined to do the same. Realizing no amount of money could buy admission to Harvard, Elle works valiantly toward her goal and is accepted. As the movie comes to a close, the scene shifts to three years later with Elle addressing her classmates as she graduates alongside Warner. Though she does not speak excessively, Elle speaks of the passion, perseverance, and determination necessary for success. In her short, yet effective speech; Elle uses ethos and pathos to encourage her classmates to go forth in their law careers with courage and faith, and reminds them to never accept people as they appear on the surface.

In the passage, The Horizontal World, Debra Marquart states, “Driving west from Fargo on I–94, the freeway that cuts through the state of North Dakota, you’ll encounter a road so lonely, treeless, and devoid of rises and curves in places that it will feel like one long-held pedal steel guitar note” (Marquart 1). Debra Marquart, along with several others, share a great passion for the Midwest. The Midwest is an area that is truly full of the unknown, as much of its qualities are not known to society. The Midwest can easily be viewed as bland and insipid, yet also overly structured and undisclosed. It can be exceptionally difficult for one to fully understand the Midwest due to its size and variation. Although, all in all, it most certainly can be described as an area, whose positives are not know by all. In Debra Marquart’s writing, The Horizontal World, she utilizes comical satires and evident allusion to characterize the land of the upper Midwest.

Romantic comedies are loved by many; however, not many stop to think about how these women are stereotyped every time, giving the female character limits on their personality. Actress, comedian, writer and producer Mindy Kaling in her essay, “Types of Women in Romantic Comedies Who Are Not Real” classifies the stereotypes given to women in romantic comedies. from her 2011 collection of essays Is Everyone Hanging Out Without Me? (And Other Concerns), is a comic essay on how she loves romantic comedies, but knows that female characters are fictional, and explains how they can still be appreciated. Kaling in her essay presents the female stereotypes by classifying them, and doing so with humor. The seven classifications she used are, “The Klutz”, “The Ethereal Weirdo”, “The Woman Who Is Obsessed with Her Career and Is No Fun at All”, “The Forty-Two-Year-Old Mother of the Thirty-year-old Male Lead”, “The Sassy Best Friend”, “The Skinny Woman Who Is Beautiful and Toned but Also Gluttonous and Disgusting”, and “The Woman Who Works in an Art Gallery”. This essay is fun informative and great for Kaling’s fans, and romantic comedy fans alike. This essay transitions throughout, from entertainment to a slight defensive yet still humorous. Kaling is a talented woman who struggles as the career of an actress is not easy for a woman who does not follow the strict guidelines. Being thin, as she

In Deborah Tannen’s article “There is No Unmarked Woman” she focuses on how women are being misconceived and prejudged on solely the way they’re dressed. The main point in the article is that there is no such thing as an unmarked woman – men have the option and women simply do not. To be “marked” in the way Tannen states it is changing the meaning of a word by simply adding a participle, but that participle has no meaning on its own. Deborah Tannen points out that even in the English language marked is a staple of linguistic theory. By simply adding a linguistic participle to a word that already has no meaning by itself can change the meaning of a word. As Tannen states in her article that women must make a decision on how they wish to appear on a day-to-day basis through their makeup, hair style, shoes, clothes, etc. When women are choosing how to appear everyday they’re trying to escape the preconceptions that men never really have to face due to more narrow decisions. Tannen makes a good statement when she refers to the research of Ralph Fasold in which men are actually marked. “Fasold points out that girls are born with fully female bodies, while boys are born with modified female bodies.” Tannen writes. In conclusion Tannen says how she’s upset the

Willa Cather has a great understanding of diction and thoroughly displays it in My Antonia. Anton Jelinek, a newly arrived immigrant from Bohemia, still calls Italians, “Eytalian … kawn-tree … we was showed in” (69) and mispronounces country and does not yet understand English grammar. He comments that, “I make my first communion very young,” (71). Jelinek’s informal dialogue fits his character because he is an immigrant and has just barely started to learn English. Therefore, his bad grammar, his accent, and mispronunciations make sense for who he is and where he came from, especially when taken into account where he is in his life. In contrast, Jim, who grew up in America and is native to the land, has a highly developed vocabulary and comments on how things are, “taciturn … [or] queer,” (72) and notes that Krajiek, “shrunk along behind them,” (75). He describes the, “bluish air, full of fine eddying snow, like long veils flying,” (76) and uses the words, “propitiatory intent” (77). Jim has a more formal language and is more educated that the immigrants of the towns. It is logical because it is written from the view of Jim as an adult looking back. As he looks back, he finds more complete words to describe situations that when he was actually in them. Jim’s vocabulary enlarged over time, so changes in how he describes his memories or reasonable.

There is something subtle about attitudes toward women, something that many people act in accordance to but are only subconsciously aware of. It is the constant judgment that women face, and it is also something Deborah Tannen noticed while sitting in an ordinary meeting one day. During that meeting, she found herself noticing only the females of the room, not the men. Tannen then realized that it was because “The men’s styles were unmarked” (Tannen 389). While there are standard hairstyles and clothing for men, there are none for women. Everything that a woman wears is a reflection of who she is. In her piece titled There Is No Unmarked Woman, she writes about her experience and concludes that women cannot escape judgment no matter what they do.

“Girl Unprotected”, by Laura Robinson, was published on May 11, 2008. In this essay, the author informs the reader about the dark side of hockey culture in Canada. Serious, formal, and objective tones are used throughout this essay in order to create a negative tone without using negative forms of diction. This technique is used so that the writing shows no bias, however, has the ability to sway the reader's opinion. In doing this, the author keeps an objective, unwavering stand on the issue yet plays with the reader's sense of pathos and ethos. Pathos and Ethos are used in the essay as successful forms of rhetoric. Robinson begins with a second person point of view, connecting with the reader and enticing them to continue reading. Although, as we move forward in the text, the author takes on an objective, the first-person point of view on the court cases later described. The essay takes on an inductive form of reasoning and argumentation. This is proven in the way that the author discusses the issues of a small town hockey team and moves forward to discuss the coaches and players of the much larger NHL organization.

This article was published in The New York Times in October of 2011. The article illustrates the daily challenges faced by multiracial families. Based on where the article was published, Saulny’s intended audience was the 18-49 year-old demographic as this makes up 64% of The New York Times readers (Mahapatra, 13). Roughly 80% of readers of the The New York Times have had some post-secondary education or graduated from college, indicating a highly educated audience (Mahapatra, 13). Readers also tend to lean more liberal; meaning, readers likely hold the basic liberal ideologies of equality for all and social justice as their core values (Mahapatra, 13). All of these demographics come together to create and audience that is full of young and middle age families in the middle class. Saulny’s goal for this article is to convey the social challenges multi-racial families face on a daily basis and evoke an emotional response. Saulny effectively evokes an emotional response in her audience to help garner more acceptance for multi-racial families by including anecdotes of the families’ experiences. These anecdotes help move the audience emotionally because they show the challenges multi-racial families experience, which doesn’t sit well with a majority of the liberal-leaning readers. However, with all the challenges highlighted in this article, a reader may start to assume that it is un-wise

Major Claim: The objectification and “currency” of a women’s body is the pivotal focus for the readings presented in class. It is discussed in the readings about how women are only considered for their looks, and not their personal depth or knowledge. Additionally, intersectionality is observed and how these objectifications effect marginalized groups. Finally, the term of enlightened sexism is introduced and how this concept is dangerous to and reverses feminism.

Feminism has been an explored topic since the early 19th century and has remained an important conversation in our society still today. At the time when Roxanne Gay was approaching this topic within her collection of essays, there were some major feminist triumphs occurring. 2014 was a time where Rape on college campuses was finally announced a national issue. In 2003, there were just 74 women in congress, yet 2014 was the year where we finally hit 100 women in congress. With all of the support and the successes of feminism at this time, it was crucial that Roxanne Gay discuss the way in which she fully supports the feminist movement, while staying true to herself. In "Why I am a Bad Feminist," Roxane Gay colloquially portrays how she imperfectly performs feminism in her daily life and how to deal with the constant struggle of trying to achieve "ideal" feminism while also being human. Gay touches on the fact that as a society, we place a high degree of pressure on women to be perfect. Whether the perfection lies in their looks, actions, or personality traits, women are constantly held to unrealistic standards. Gay effortlessly sheds light on this situation using rhetorical strategies to describe how she does not meet these standards. These rhetorical strategies include imagery, to create a picture of what she is saying, as well as a strong use of ethos and pathos, revealed throughout her essay. Instead of being ashamed she shares how to embrace her inconsistencies while still trying to be a feminist and role model.

The rhetorical strategy Maria W. Stewart employs can be characterized as irony. Maria, an African American delivers a lecture in Boston in 1832 asserting that the "free people of color" living a supportable life have the same passion to be rich and independent but are confined to never rise above. Stewarts assertion the "free people of color" serves to accurately portray the rhetorical strategy of Irony. Stewart "[was] neither bought, nor sold, nor under the lash of the cruel driver."...

Radiolab presented a very compelling story of a lady by the name of Diane became witness to the lives of a young couple in their somewhat private domain. Diane shared her story of her intimate, but very one-sided interaction with her new neighbors across the way, whom never shut their curtains, with one Radiolab’s producers, Briana Breen. During their conversation, Diane breaks down as to what drove her to do the things that she had done and how she felt in the time of this interaction. Like many other listeners to this podcast, as well as the storyteller Diane, I will explain as to why her actions are justifiable.