A Rhetorical Analysis Of Music By Mark Ronson

"Modern music is people who can 't think signing artists who can 't write songs to make records for people who can 't hear." Frank Zappa

Most of the time, when we listen to a song, we don’t listen to the words, or what message they are trying to give us. Each song out there has a message in the lyrics somewhere. For this assignment, we were to analyze a song and the lyrics and find the thesis of that song. With thesis, I mean what the message within the song is trying to tell us. The song “I hope you dance” by Lee Ann Womack has a good thesis in some ways, but the thesis could also be argumentative also.

‘From the margins to the mainstream: the political power of hip-hop’ by Katina R. Stapleton

Gone are the days where artist, songwriters, performers, producers and records companies reap full successes of songs through stage performance and radio airplay. Since 1960, a technological evolution has created many changes in how music are made, played and performed. From the era where television and radio was popular with much of its viewers and listeners being the youth to development of the Internet and World Wide Web platforms, music suffered much development. Huge part of these changes was how music was delivered to the audience this time not on the radio or television but on the Internet websites where music

Today, sources of mainstream music such as radio, television and film soundtracks tend to reflect an increasingly superficial, formulaic and predictable mode of music production and distribution. The result is an increasingly homogenous mainstream market that tends to stifle creativity, experimentation and artistic vision in favor of proven commodity. This helps to account for the dominance of mechanized dance tracks aimed at younger listeners and the permeation of Middle of the Road (MOR) content aimed at Baby Boomer consumers. Especially in the face of a declining overall music buying market, the industry has become especially unwilling to take risks on artist's whose style is unfamiliar or

Sampling is a technique that many artists have used for decades, when given the opportunity to record a new track. Sampling has transformed the music industry, by allowing an artist to broaden their horizons, and give people the ability to have a different outlook towards a particular song. Often times when a producer is trying to assist the artist or group, they will present the artist with many beats and mixes. Of the beats and mixes provided, a few of them may be a sample of another artist’s work. Often times when an artist or group admires the work of another artist, they will get their permission to sample their music and incorporate into the work that they are about to produce. Another reason an artist may decide to sample the work

When creating music, there must be something that appeals to the audience. Music in this age must now be more original than ever. New genres of music are being born at a rapid pace, which makes being original a difficult task. “Re-Tuning the Music Industry—Can They Re-Attain Business Resonance?” by Sudip Bhattacharjee, et al, writers for Communication of the ACM, makes the following statement: “Each song is unique. Artists strive to be distinctive and constantly adapt and innovate their offering. Consequently, music consumers face non-trivial search and evaluation tasks prior to each music purchase.” (Bhattacharjee 136). The willingness for consumers to buy music, whether it is an album or just one single song, increases when the music is something they have never heard of before. A band such as Nirvana was able to do just that. In the

The Anthology of Rap is a guide to everything hip-hop from 1970 to 2010. Starting with artists such as Afrika Bambaataa, Grandmaster Flash, and Sugarhill Gang then ending with Kanye West, Eminem and other modern artists. While this book does focus more on the lyrics of certain songs, the authors, Adam Bradley and Andrew DuBois, mention the song’s samples and how the artist used them within the song. This book provides a great understanding of how the use of samples have changed over the course of hip-hop history. Comparing my findings with other references such as “Creative License: The Law and Culture of Digital Sampling annotation” I can find out exactly how the use of samples changed during and after the result of the trials listed in the

Mo Tzu’s “Against Music” Has a strange opinion on music, he believes that music should be condemned, and not be listened to. When he was alive from (470-391 BCE) Mo Tzu was not like all the other philosophers of his time in ancient China. He believed that music was only good for a very small number of people, the rich which conflicted with Confucianism which said it was a force of good. In the essay he uses various examples of why music in not good and should be condemned. One of Mo Tzu’s many reasons for condemning music includes, that it does not benefit the common people and only looks to entertain the rich. Mo Tzu also talks about taxing people for music is a waste of resources and asks why the common people should pay for

Music has a powerful influence on society, like mass media and television. In our society today, music has the ability to define our culture. Many people around the world listen to music while driving, at work, doing housework, or even studying. Music may be seen as simple and unproblematic, but looking at the structure behind it is very important. One of the key features of music is music copyright and what that means to the music industry. Defining what this means in the historical context is of great significance. Music and copyright is a vital aspect of the music industry. The question that remains, however, is what happens with motivation or intension when samples of music are not originally controlled in a larger network.

Nothing is more enjoyable than listening to your favorite song. All over the world, people listen to music on a daily basis. Music plays a major part in a tremendous number of people’s lives. While they are enjoying the music, they do not think about how the song came about. Music is not just the sound you hear or the voices in the background. People do not think about what is behind the scenes of where music comes from. Before the song is completed, someone has to make it happen. In music, there are different careers which are the song writer, the manager, the marketing executive, and the produced. Each of these careers play a huge role in how music is brought to the public.

Sights, sounds, and tastes are apart of everyone’s day to day life. The music industry alone is a multi-billion dollar industry, feeding off of our wants or needs. Music is a mood alternator, it alone can relax someone or fire them up (Seinfeld et al. 2016). Music has been around since the turn of the century, and there is no wonder why. We the people, the consumer, keep asking for more in different genres, tunes, and frequencies.

In this article, Peterson and Berger show how the organization of the popular music industry affects the music that America hears.

No one can deny that technology is actively changing the music industry. Production, distribution and sales of music have been affected dramatically within the last 10 years along with artists, composers, and technicians. Most of the changes have been great for consumers, but vastly negative for professionals in the music industry, however a few artists have found ways to adapt to the changing atmosphere of digitally downloaded music and use it to their advantage. We’ve seen music change form from physical, tangible products like records and CD’s to electronic single tracks stored in an invisible cloud. Two major factors in this sudden revolution are online music stores (specifically iTunes) and file sharing websites that allow music to be downloaded illegally.

Nowadays, teenagers are living constantly surrounded by technology. Even if the younger generation may not see it, technology has had an impact on different factors. The widespread use of digital technology in the music industry has allowed consumers to reproduce digital versions of copyrighted songs inexpensively, with the help of many software and websites. There has been an increase in digital copying activities and those are most of the time claimed responsible for producers’ loss in revenues. While some people claim that the increase of digital technology has killed the music industry, in fact it has lead to innovation and new ways of consuming and sharing music, such as