A Sense Of Similarity Between The 1950s And 1980s

The 50s and 60s were mostly the best time to live in because everyone in the family would do things together. There were no games or phones or social media like Instagram, FaceBook, Twitter, Snapchat, etc. This was the time kids went outside and played a game of football or soccer. Families were closer together. Kids weren’t always on a device or watching TV. Some traditions in the 50s and 60s were…

In An Argument for Being a Poser, Liz Armstrong describes the crucial dilemma every young person faces about their identity, and to which subgenre do they belong to. Armstrong argues that such question can be both totally ridiculous, and actually very important; which leads to beginning of the process of discovering “who you are.” Furthermore, she describes the fictional subculture that you chose for your escape; within your chosen subgenre you don’t have to pretend to be different, and people understand you. In other words, your chosen subgenre is your place of escape, it is the place where acceptance and freedom is present. Besides, the fact of looking for a hidey-hole, she informs us with a life changing situation at the age of 16 years old. She describes the experience as being life changing, the kids she came across were simultaneously were role-playing and professing as being someone which they weren’t part of. Consequently, Armstrong used that moment to adapt to new change, which she describes as “not dressing up or being normal again.” She describes herself looking like a punk one day with a spiked collar, a crushed-velvet mini skirt the another day. Thus, for that reason she couldn’t fit in with honor students, nor the art kids. She couldn’t fit in with the honor student because for them she was too weird, but for the art kids she couldn’t draw. For this reason, she went from being a straight-A student to a what she describes a poser. Furthermore, Armstrong argues

The definition of a subculture is a culture within a culture where a group develops distinctive norms and values that are different from those of the mainstream culture.

Above an image of a group of punks with customised clothing including rips, studs, chains, safety pins, leather and denim. In addition to this body modifications such as multiple piercings and tattoos were increasingly popular for

Women’s fashion in the 1960s rejected previous traditions of the past and became symbolic of the changes women were gaining through the feminist movement. During this period, women concluded that they would not accept the feminine mystique, which generally accepted views that an ideal

According to the article the original skin head movement started in the late 1960s. The movement was organized around a mixture of cultures which were based off of fashion and music. The first wave of skinheads were British. The “mod” as they are referred to in the book was a music lover that took a liking to dancing to American soul music. These mods also showed appreciation for black culture. They modeled themselves after young Jamaican immigrants that modeled themselves after authority defying “rude boy” from the Kingston ghettos. Skinheads and the Jamaicans had a sort of symbiotic relationship. The skins embraced the reggae music so the reggae artist targeted the young white kid as their audiences. This helped in jump starting many of the

Culture can be created under imagination, and citizens can live in the past and fantasy. “Imperialistic nostalgia” creates ideal spaces that do not really exist in real life. For example, Olvera Street is an imagined and stereotyped Mexican space created by public memory that Mexicans do not even recognize. Materiality usually delivers strong political information about culture, and it sometimes includes strong racist messages that cannot be ignored. On the contrary, the zoot suit culture negotiates the Pachucos’ identities through clothing, fighting against the stereotypes and conventional definitions of Pachucos.

There is something about the ideology of a subculture that sparks an interest in me. Maybe it is intriguing due to its members’ originality, courage to stand up for beliefs, or freely expressing their own self- identity. A subculture forms by individuals taking a risk, separating themselves from the mainstream, and forming their own distinctive norms, not caring what the “normal” members of the mainstream society think of them. Or do they care? Maybe that is the exact statement a subculture is making. Maybe these individuals are forming these groups so that people will care. Maybe their rebellious attitude is a final, somewhat desperate approach to getting that response. The images being portrayed in most subcultures are

In the article “Fashion in the 1960s”, Paul Phipps describes the fashion trend and style of each year from 1960 to 1969. It mainly talks about the ‘trend’ of each year and how the ‘trend’ impacts art, music and problems. It contains how women were showing more skin than ever. They wore incredibly short skirts. The topless bathing suit also created lots of problems. A woman got arrested for wearing it in public. In the beginning of 1960s, the fashion was all bipolar. But later in the 1960s, people wore brightly colored, tie-dyed clothes. In 1950s, everyone was pressing themselves down, then they exploded in 1960s. Paul Phipps’ purpose of writing this article was to learn more about fashion in 1960s himself, but to let the readers know how fashion has evolved through the 1960s. Paul Phipps’ work is important because his article lets the readers to gain knowledge about the fashion through 1960 and 1969. Paul Phipps’ article describes how people’s fashion trend and the idea of fashion changes through time.

Subculture refers to a minority of individuals who adhere to different rules, dress codes and lifestyle choices from mainstream culture. Throughout this essay the traditional definitions of subcultures, that mainly concentrate on class and style as their main features, will be looked at and explained. It will then be demonstrated how these ways of thinking are no longer relevant to the 21st century therefore the term 'subculture ' needs to be rethought for it to be an applicable category in the 21st century.

During our life we construct many different identities of who we want to portray ourselves as to the rest of society; fashion plays a vital role in generating who we are. With the ideas from Storry and Childs they state that “the way that we dress can either serve to confirm or to subvert various facets of our identities, such as our gender,

While watching the movie “This is England” as “the other”, I was able to experience a culture that was socially, culturally, politically, and ethically different from that of my own. It was interesting to see a story unfold through the perspective of a young boy named Shaun. The director showed Shaun’s experiences dealing with serious issues England was facing at the time such as racism, gangs, immigration, and unemployment. Losing his father at an early age, Shaun lacked an older figure to guide him towards the right path which ultimately causes him to join a gang called the Skinheads. Based on the movie, gangs seem to be one of the major problems within England’s social economic political system. At first the gang Shaun

It wasn’t until the revival of the skinhead movement in the late 1970’s that the associated image portrayed by the skinhead culture become related with far right movements such as the British movement and the national front. From 1979 onwards, skinheads that were inspired by the punk culture,

The teddy boys in the 1950s and 60s wore Edwardian suits and cropped hair, and created violence on the streets. Next were the Mods and the Rockers of the 1960s, the former dressed up in tailored suits and desired to be the upper class whereas the latter wore leather jackets and went against the upper class principles. Britain’s declining economy and the immigration of foreigners led to the emergence of the violent Skinheads who were extreme nationalists and racists. British media theorist and sociologist Dick Hebdige wrote in his book subculture: the meaning of style that “we are interested in subculture , the teddy boys and mods and rockers, the skinheads and the punks – who are alternately dismissed, denounced, canonized; treated at different times as threats to public order and as harmless buffoons (1979,

Why study something as acquisitive as denim when examining theories of popular culture, particularly when trends come and go? British media theorist and sociologist Dick Hebdige is distinguished for his popular culture studies, as he is labeled as the primary popular culture reference-maker. His research via sociological analysis has paved the way for proceeding theorists to further explore the complexity of popular culture movements. Denim, however, is unique in the sense that the evolution of this single garment has disrupted orthodox societal structures not only in its country of origin, but also globally. Its invention and circulation epitomize the exchange and intersection of cultural studies, allure a wide audience, and exemplify both political and economic societal shifts.