A Shameful Affair Essay

First, numerous people especially women in the early 1900s fall into others’ expectations upon and before their marriage. In “A Pair of Silk Stockings” and “A Shameful Affair”, two of their main characters are women, and they both fall into societal expectations about them where they later lose their freedom. For example, in “A Pair of Silk Stocking”, Chopin targets the social expectation upon one’s marriage where she describes the usual mother’s responsibilities by saying “A dollar or two should be added to the price usually paid for Janie’s shoes, which would insure their lasting an appreciable time longer than they usually did” () As Chopin utilizes imagery, this infers an image of what Mrs. Sommers plans to do as a mother, who she carefully plan her money to buy new clothes for her children. Moreover, the word “insures” means to arrange compensation for damage that is done to the event, whereas the word “appreciable” means large enough to be noticed. Yet, both connotes a stable lasting which further reveal that one of the mother’s roles that is expected by the society is to know how use the money wisely for their children without falling in debt. Thus, the responsibilities of a mother have overloaded her where she later turn in self-indulgent. Likewise, Chopin not only portrays how women fall into others’ expectations upon their marriage yet they also fall into it before their marriage. In the short story “A Shameful Affair”, the author describes the primary character as Mildred Kraummer, who she falls in love with the one of the farmhands. While Mildred meets him fishing, they accidentally give a kiss where the author narrates “He kissed her lips… Shame

“On the outskirts of town, within the verge of the peninsula, but not in close vicinity to any other habitation, there was a small thatched cottage. It had been built by an earlier settler, and abandoned because the soil about it was too sterile for cultivation, while its comparative remoteness put it out of the sphere of that social activity which already marked the habits of the emigrants. It stood on the shore, looking across a basin of the sea at the forest-covered hills toward the west.”

Bonnie Steinbock in her essay “What’s Wrong with Adultery?” starts by quoting the data from studies to show that the number of women who have committed adultery has significantly increased. Despite this increase in female adultery, it is in some degree due to the attitudes changing toward sex and sexuality, but Steinbock thinks that people should use rational justification to evaluate the disapproval of adultery. Then in the rest of the parts of Steinbock’s essay, she is generally arguing against adultery based on the plausible claim that our views toward adultery are varied, and these views are bound to be connected to important conventions about marriage, fidelity, romantic love ( Romeo and Juliet’s case ), the

The objects people keep in their homes can tell a story about who they are or were. Each item possessed by the residents of a house is evidence of how these people may have lived. Ted Kooser’s poem “Abandoned Farmhouse” takes the reader on a walkthrough of the remains of a farmhouse where a poor family once lived. In “Abandoned Farmhouse,” Kooser selects seemingly insignificant relics left behind by each family member to illustrate who these people were and how they lived. The picture he paints is a bleak one and reflects the impoverished life which the residents lived within this now lonely and desolate building.

Shaping my sexual behavior was generally influenced by my mom. I learned to be dependent on men and use safe sex through media. Gender sex roles also placed me to be secretive with my sex life and nurturing. My body image makes me insecure when it comes to intimacy. There were no specific sexual guidelines that my family made me follow. I was raised in a family where I was able to explore and have my own opinions about sexual situations. Not having guidelines or a path made me lost and confused once I obtained sexual behaviors. My experiences from friends, my mom, religion, and media influenced the development of my sexuality.

73). However, when Guy asks her if her 'family ' loves her with "all their heart and soul," (pg. 77) she is at a loss for words. Much like what happens when Clarisse asks Guy whether or not he is happy, this question forces Mildred to think strictly about what is real. It reminds her that deep down, she knows that her 'family ' consists of fictional characters who cannot harbor real emotions and thus, cannot requite her love for them. This is part of the awareness that she refuses to acknowledge, and she is stunned when Guy 's question catches her in her disguise. Unfortunately, she does not accept that she has a problem and proceeds to change the subject in response to his question. Towards the end of the book, when Mildred leaves the house as the firemen arrive to burn it, it can be inferred that technology does not have the effect on her that she desires, and that it cannot save her from her reality. One can recall that earlier in the story, an old woman chooses to stay in her house and burn along with her books, causing Guy to realize that books can help people to find in their lives a meaning that does not exist in his or Mildred 's. Mildred does not stay to burn with the parlor that she makes such a big deal out of throughout the course of the book. In this way, she inadvertently proves that the parlor and the other forms of technology she attaches herself to, do not provide her life with any

‘Desiree's Baby’ is southern feminist writer Kate Chopin's emotional short story and most well-reputed piece of work. The story takes place in southern Louisiana and her writing reflects her Creole-French heritage. Chopin was a southern feminist writer who often entwined her stories with the struggles of social injustices and her writing style is deep, eloquent and rife with symbolism. She seemingly tethers each element of her stories with elements she faces every day. In this story, Chopin uses symbolism to imbibe the seemingly simple imagery of Armand’s home, the field in which Desiree and the baby departed, and the fire which consumed the evidence of their existence with deep, powerful connotations to convey her themes of the injustice of

Mildred’s friends, Mrs. Bowles and Mrs. Phelps, don’t talk that much because they don’t want to know the truth about others. In order for Mrs. Bowles to become happy, Mildred suggests to go back to watching television. " 'Come on, let's be cheery, you turn the 'family' on, now. Go ahead. Let's laugh and be happy, now, stop crying, we'll have a party!' "(Bradbury 97). When someone is sad or depressed or want to numb their emotions, their immediate reaction is to watch TV or turn their family on. They run away from their feelings and hide them. People in their society are addicted to the technology. Instead of talking to each other or talking to Montag, Millie and her friends would like to be left alone and have the parlor turned on."The three women fidgeted and looked nervously at the empty mud-coloured walls"(Bradbury 91). Mildred’s friends would rather do anything else than talk to Montag. Technology is also manipulating Mildred in many sections of the book, and she is acting like the characters on television. Millie is influenced by the white clowns and wants to hit innocent animals for fun."' It's fun out in the country. You hit rabbits, sometimes you hit dogs. Go take the beetle' "(Bradbury 61). Mildred said that it is fun to hit animals, like how the white clowns chopping their limbs off. She is a violent person because she see’s that

Commonly explored throughout her works, the idea of marriage inhibiting a woman’s freedom is the driving force behind Kate Chopin’s contextual objections to propriety. In particular, The Awakening and “The Story of an Hour” explore the lives of women seeking marital liberation and individuality. Mrs. Chopin, who was raised in a matriarchal household, expresses her opposition to the nineteenth century patriarchal society while using her personal experiences to exemplify her feminist views.

She doesn’t feel anything anymore. Mildred overdosed on drugs and had to get her stomach pumped and her blood pumped to be replaced with fresh blood. She overdosed to have more vibrancy in her life or real entertainment. She doesn’t remember anything about it either. She just follows what everyone else does. In the test Mildred says, “Their my family.” She thinks the people in the walls of the parlor are her family. Her friend has four walls to watch “ the bunch” so she wants four walls in their parlor too. She is showing no signs of emotion or that she cares about anything anymore. Mildred doesnt know what’s right or whats

Mildred as his wife represents the static character generalization through her euphoric lifestyle mirrored by television walls and her selfish tendencies. She is unwilling to change and so she is trapped within the societal struggle of “true living” and just existing. When questioned about their young neighbor Clarisse, she even absentmindedly states that she forgot to tell Montag four days ago that she was dead. If this wasn't cold enough she then shrugs off the death of the teen casually, showing further deterioration between herself and reality (Bradbury 44-45).

“Human connection is the most vital aspect of our existence, without the sweet touch of another being we are lonely stars in an empty space waiting to shine gloriously” (Joe Straynge). Humans, in general, crave connection. Specifically, thorough interpersonal and intrapersonal relationships. We long for real, genuine relationships with others. In Fahrenheit 451, Ray Bradbury expresses the value of these relationships by showing us Mildred and Montag’s rocky relationship.

A particularly strong theme that runs through the entire novel is the unusual power that women play over the men in their lives. Rather than simply being passive to the impulses of men, Mildred takes charge of her life and decides which men she will be with and leaves those that she no longer has an affection for. Cain dives into more controversial territory by having Mildred use men for her own sexual satisfaction. Cain also moves women into the role of successful ‘breadwinners’ during a time where men generally held financial power further blurring traditional roles of gender.

   In Kate Chopin's time traditional patriarchal notions about women and sexuality deemed sexual passion a negligible, even improper, aspect of women's lives. Yet Chopin boldly addresses a woman's sexual desire in her short story "The Storm". This story shockingly details a torrid extramarital sexual encounter between Calixta and Alcee` in the midst of a raging storm. While this story line could have been presented in a traditional light, perhaps as a lesson about the evils of uninhibited female sexuality, Chopin maintains a non-judgmental stance by refraining from moralizing about the sanctity of marriage or impropriety of Calixta's actions. In failing to condemn and even

The film Dangerous Liaison, directed by Stephen Frears remains just about faithful to the epistolary novel, Dangerous Liaisons, by Choderlos de Laclos. Stephen Frears does "betray" the novel towards the end of the film but, it makes the ending that much more better and enticing. The film represents what the epistolary novel only hints at us readers. The novel is composed of letters where we only get a sense of the characters thoughts and emotions. The film tries to put those words into action but only showing one version of each scene. It is different in which the writer of the novel is using words while the film maker is using pictures to describe what's happening.