Essay about A Short History Of The Blues

Discuss place and how James Baldwin uses elements of setting to convey Sonny’s Blues’ larger message or theme.

The Blues also became a hit in the 1920s after Mamie Smith recorded “Crazy Blues” and it grew into a huge part of the Jazz Industry. African Americans were given credit for the creation of the Blues industry of music as well. Bessie Smith was known as the “most famous of the 1920s Blues singers.”

Blues is one of the most captivating genres of music. The genre was originated in the late 1800’s as a method used by African American slaves to express the circumstances as well as to put emphasis on their feelings and emotions. In order to create these feelings in this music, blues artists incorporate many of the same techniques used to write poetry. One of the most easily identifiable songs in which it is easy to see the relation between poetic elements and blues music is the song “Empty Bed Blues” by Bessie Smith.

James Baldwin’s, “Sonny’s Blues,” illustrates the story between two different brothers as they struggle to discover the character of one another. “Sonny’s Blues” is narrated through the older brother’s point of view, as he portrays their difficulties in growing up, separation, and reunion. Baldwin purposely picks to tell the story in the first person point of view because of the omniscient and realistic effects it contribute to the story overall. The mother, father, and Sonny all express their accounts to the older brother, making him the perfect character to tell the story. In addition, the first person point of view allows the reader to experience the vicarious feelings that the

The story “Sonny’s Blues” By James Baldwin is about a jazz musician and his brother in 1950’s Harlem. The story centers on Sonny who uses jazz music as an escape from his depression. James Baldwin captures the art of jazz during this time period. The themes in this short story are perhaps varied, but all of them revolve around some form of suffering. One theme shows how music can promote change and understanding within relationships. A second theme reveals suffering caused by guilt. Yet another theme references the results of suffering brought about by searching for ones’ identity and how that leads to misunderstanding. There are also subthemes concerning racism and poverty.

Blues began in the south and slowly made its way into the great cities of the North. As

In any medium the last words of an author, lyricist or screenwriter are the most powerful of the entire piece. An ending can completely ruin a perfectly good piece if it isn't what it should be. It can also redeem a mostly mediocre piece by being exactly what it should be. Often the best endings are ones that do not end the way the reader wants them to, but end the way the reader knows they should. Baldwin is definitely an author who knows how to end a story.

The blues have deep roots embedded within American history—particularly that of African American history. The history of the blues originated on Southern plantations in the 19th century and was created by slaves, ex-slaves, and descendants of slaves. They were created by individuals who endured great hardship while performing endless hours of arduous labor and blues served as a form of escapism. To these individuals, songs provided them with the strength to persevere through their struggles. Blues songs depicted individuals who persevered in the face of adversity. They were symbols of hope to those squandering in the depths of oppression. In relations to the blues, every song has a story behind it and within every story, there is something to be said. Blues artists, through their struggles, detail how they overcame hardship and laughed at the face of oppression. They defied the rules and in doing so, showed African Americans that they too are beacons of hope for the hopeless. The best blues is instinctive, cathartic, and intensely emotional. From irrepressible bliss to deep sadness, no form of music communicates more genuine emotion than that of the blues. Like many bluesmen of his day, Robert Johnson applied his craft as a lonely traveling musician on street corners and in juke joints. He was a lonely man whose songs romanticized that existence. With Johnson’s unique vocal style, haunting lyrics, and creative guitar techniques, Johnson’s innovation embodied the essence of

In the story of “Sonny’s Blues,” by Baldwin, the beginning of the story finds Sonny’s brother on his way to work reading about Sonny’s predicament. Sonny got arrested for “peddling and using heroin.” He didn’t want to believe that his brother was in trouble. While teaching his algebra class he was thinking about the past. He remembered when he first suspected his Sonny of using Heroin. He was always under the impression that Sonny was, “wild, but he wasn’t crazy. And he’d always been a good boy.” So he refused to believe that his brother was in trouble and needed him.

His half brother Charles taught him the basics on guitar yet Johnson’s most influential teacher was the famous bluesman, Son House. Son House was a student of Charlie Patton, one of the first well known Delta Blues musicians. Son also had also learned quite a bit from a gentlemen referred to as Lemon, a name given to him for the fact that he had learned every Blind Lemon piece directly from the phonograph (Blind Lemon is was one of the first Mississippi Delta bluesmen). Son’s playing largely resembled

In the world of Harlem, New York the cruelties of the world become incandescently prominent. James Baldwin’s “Sonny’s Blues” addresses the foreboding power of pain in a world where someone’s coping skills dictate the course of their life. The story depicts a person’s options to ignore pain, create a reason for pain, or accept pain and live within it. Baldwin explains the theme of pervasive pain and parent’s attempt to shield children from it through the characters. Their reaction to pain constructs a motif of pain management.

On the other hand, Blues were basically from work songs of African Americans slaves at the time. “It is a native American music, the product of the black man in this country, or, to put it more exactly the way I have come to think about it, blues could not exist if the African captives had not become American captives”(pp.17), said Jones and Baraka. In Jazz – A History, Frank Tirro wisely analyzes and explains the relationship between the unique background and

Charley Patton is known as the father of the delta Blue. His official year of birth is unknown but is speculated to be between 1887, 1891. He wasn’t born in the Mississippi Delta however, his family moved there and he spent much of his life there. I believe his Blues came from the fact he was of mixed heritage having black, Cherokee Nation and certainly not in the dominant whit culture. His family moved to the Dockery Plantation which was renowned for its favorable treatment of it sharecroppers and lenience on the musical indulgences of its residents. At the Dockery Plantation, Patton and other gave birth to the Delta Blues. He learned from a man named Henry Sloan who played what is viewed as an early Blues style. He influenced many other artists at the Dockery plantation including younger protégé‘s like Robert Johnson and Howling Wolf. Although Patton as of diminutive stature, he had a gritty, growly voice of a much bigger man which is said to have influenced the distinctive raspy voice of Wolf.

I attended a blues concert in Hayward and it was one of the most culturing experiences of my life. I learned a lot about the culture and context surrounding the blues music. I found the lyrics thought provoking especially, B.B. King’s “Why I Sing the Blues” sung by Billy Dunn. Prior to me attending this concert I hardly knew anything about the blues music or historical roots. I never listened to the blues before, so I am unaware of this type of music, but I learned a lot about this style of music and enjoyed it. I also learned about the impact Hayward had on the blues and blues musicians when African Americans migrated from the deep south to the then unincorporated area of Hayward, known as Russell city. Ethnically, the majority of the attendees were African American, the second highest ethnic group attendees were Caucasian. This makes sense, since the blues and jazz were developed in the south of the U.S. and is associated with Africans. For African Americans, the blues and jazz goes a long way back in history, more specifically their history. It is associated with African American history in America, as well as African oppression and liberation.

     The Blues musical move was prominent during the 1920s and '30s, a time known as the Harlem Renaissance. Blues music characteristically told the story of