The Paperhanger

“Mom stood fifteen feet away. She had tied rags around her shoulders to keep out the spring chill and was picking through the trash while her dog, a black-and-white terrier mix, played at her feet. Mom’s gestures were all familiar --- the ways she tilted her head and thrust out her lower lip when studying items of potential value that she’d hoisted out of the dumpster.”

It was also discovered, that there was a lady buried in the backyard, one who passed away 50-60 years prior. She also learned from her neighbors that the lady who had died in the house before they moved in, was a very good housekeeper. She was described as always keeping her house clean. Filban said it might have been her moving the furniture. She also added, since her mother did not keep the house very clean, it might have been the woman’s spirit coming by to clean house.

Throughout history, women have struggled to be seen as equals and have had to fight for their freedom from the roles society placed upon them. Kate Chopin and Charlotte Perkins Gilman both use their literary works to show the challenges women went through, and how they battled for the freedoms they desperately wanted. “The Yellow Wallpaper” is a short story about a woman that goes to a summer home to rest and get well under the supervision of her husband who is also a physician. Her husband decided it would be best if she sat in a room alone and did nothing. In the end, she becomes insane and finally finds her freedom. “The Story of An Hour” is about, Mrs. Mallard, a woman who has just found out her husband has died. Mrs. Mallard

She tells the paperhanger that she will hire him to help her look in the woods for her child's body. The paperhanger tells the mother that her child's body is not in the woods, for it has been searched throughout. The mother insists, and the paperhanger brings her to a graveyard. Confused, the mother wants to know why the paperhanger brought her here and protests that he is a murderer by digging the graves. The paperhanger tells the mother to believe in what she wants to believe of him. The reader will soon see that this scene is foreshadowing for later in the

In a dark grave yard on a chilly night a middle age man and his wife sit there pacing back and forth trying to figure out how to get these creepy mysterious people out of there house. They tried scaring them on multiple occasions but none of it worked because they are ghost and the people cannot see them. There is an exception to the rule that says people cannot see the ghost. The creepy mysterious couple who is in there house has a daughter that can see the ghost perfectly fine. While this middle aged couple is sitting there in the dark grave yard there is a tomb stone that begins to flash. That tomb stone is owned by one of the most obnoxious person on earth who doesn’t work well with people. His name is Betelgeuse from director

“The mother removes her purse from her shoulder and rummages through its contents: lipstick, a lace handkerchief, an address book. She finds what she’s looking for and passes a folded dollar over her child’s head to the man who stands and stares even though the light has changed and traffic navigates around his hips… He does not know his part. He does not know that acceptance of the gift and gratitude are what makes this transaction complete… The mother grows impatient and pushes the stroller before her, bearing the dollar like a cross. Finally, a black hand rises and closes around green” (paragraphs 3-5).

the graveyard of her brother, when she steals: The Gravediggers Handbook, Death tells us the

Marriage has often been described as one of the most beautiful and powerful unions one human can form with another. It is the sacred commitment and devotion that two people share in a relationship that makes marriage so appealing since ancient times, up until today. To have and to hold, until death do us part, are the guarantees that two individuals make to one another as they pledge to become one in marriage. It is easy to assume that the guarantee of marriage directly places individuals in an everlasting state of love, affection, and support. However, over the years, marriage has lost its fairy

In the first scene, the paperhanger is smoothing out air bubbles out of a wide plastic trowel (155). At the same time, the families’ four-year-old daughter, Zeineb, was playing with his hair. The text states, “The paperhanger was accustomed to her doing this and he did not even turn around.” Since, he had worked for the family previously, it is assumed that he was responsible and hard working. Because he let the young child play with his hair, one can assume he enjoyed the child’s company. One would think that having a child play with hair while working would be distracting, but the

The gender roles of the 19th century formed the foundation of societal norms for marriages. The prescribed idea of what marriage should look like focused on the wife’s obedience to her husband and family. This obedience that the speaker has for her husband, John, in Charlotte Perkins Gilman’s short story “The Yellow Wall-Paper” undermined the woman’s mental health, refusing her the ability to express and speak for herself. The speaker’s diagnosis and treatment of her “nervous condition” was completely in her husband’s control, taking away her independence as a person.

After the murder, the narrator hears a knock at the door. He proceeds to open the door to find that it is three policemen, who were there because of a disturbance call. The police tells the narrator for why they are there, which a neighbor heard a scream in the night. When the narrator hears this, he tells the police that it was his scream. Once the narrator welcomes the police to search the home, the narrator goes as far as leading police into the room where he had committed a murder and hid the body. The narrator cleverly comes up with an idea to hide the murder, “The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search-search well. I led them, at length, to his chamber” (Poe, 887). The narrator shows the police that there was nothing abnormal in the house, he proceeds to talk to them while feeling at ease.

An hour after the moving van parked in the driveway of 406 Clybourne street in Clybourne Park the younger family waved at the van when it slowly moved away and they went inside when the van was out of view. The family worked together to put away their belongings and they stood hand and hand and they took a breath of fresh air. Beneatha went first to her room to put away her stuff then Ruth and Walter went next and Travis left to go hunt for his new room. They all left until Mama was left there alone looking out the big window. Mama gingerly stepped to the window and put her plant down smiling in thought. When the door bell rung she jumped and went to the door. At the door was a white woman and when the door opened and saw mama she flinched and said “Hello, I’m your neighbor it’s nice to meet you.” She said “I’m Susan it’s nice to meet you.” She said this slowly, deliberately like she’s talking to a foreign person and Susan put out her hand and mama did not reach for it her face was just a blank stare. Then after a while mama stammered “h-hello I’m Lena Younger its very nice to meet you.” And she reached out and shook Susan’s hand and Susan quickly took it away. Then she said “Well I just came to say,” Susan took mama’s shirt and pulled her face so close to mama’s that their noses were touching. “stay out of our way, we will stay out of your way if you stay out of ours.” She shoved mama into their brand new house and slammed the door so hard that

In the early nineteen century, women were not explicitly part of literature. they were used male pseudonym to publish their works. However, later in the century, there was a shift in women’s implication in literature. women began to be publicly recognized as writers, and they were using their writings to advocate for women’s rights and to reject stereotypes that were commonly associated with them. For example, in the early nineteen century, books and novels were mostly describing “piety, purity, submissiveness, and domesticity” as attributes of a good woman (Fortin). Writings by women were describing women that where rejecting values of the patriarchal society; women that wanted freedom and independence. The writings of Kate Chopin and Charlotte Perkins Gilman exemplify the features of the Feminist phase of female literary tradition. Published respectively in 1892 and 1895, “The Yellow Wall-Paper” by Charlotte Perkins Gilman and “The Story of an Hour” by Kate Chopin are the quintessence of feminist literature. They both used characterization, setting, ad irony to protest a misogynistic society and to request women’s rights and autonomy.

The perception of the Other in literature can take on several forms and on one line of thought it is considered to be “an individual who is perceived by the group as not belonging; as being different in some fundamental way” (The City University of New York). The group sees itself as the standard and judges those who do not meet that standard. The Other is almost always seen as a lesser or inferior being and is treated accordingly. They are perceived as lacking essential characteristics possessed by the group. For an example, Charlotte Gilman’s short story “The Yellow Wall-Paper” portrays a woman narrator as being the Other. The gender division, an important component of the late nineteenth-century society, is exemplified in “The Yellow Wall-Paper” much more significantly than in the typical “American” literary work. It attempts to shed light on the fierce alter egos and divided selves of the dominant tradition. However, the narrator seems to contradict the traditional feminine roles and becomes hysterical as her way of revolting. Gilman effectively uses the narrator’s intuition, obedience, and secret rebellion to challenge the authority John embodies as a husband and physician. This also engages the basic issue of late nineteenth-century assumptions about men and women. In this aspect, this essay aims to explore in detail the gender otherness present within the story and how this contrasts the central idea of what it is to essentially be “American”.

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