A Sorrowful Woman Theme

Here opening line is “Once upon a time there was a wife and a mother one too many times” (Meyer 39). Here we find a stereotypical opening for a fairy tale but soon readers immerse themselves in an atypical tale. The first hints that she has an idea life start to resound in the very first sentence. “One winter evening she looked at them: the husband durable, receptive, gentle; the child a tender golden three.” Then the striking line, “The sight of them made her so sad and sick she did not want to see them ever again.” (Meyer 39). Unlike Melville, Godwin, quickly states the dissonance between the character and the character’s family.

Though fulfilling love, happiness and trust in a relationship can be comforting, couples often are unsuccessful in finding or keeping the love that their relationship need; even if issues may interfere within the relationship, couples should find a way in working through their problems. Once a couple's happiness, trust and love have been fulfilled, they can experience unconditional love. Although they would need to make every possible step to heal their relationship, if and when their relationship breaks down, there is still much they can learn. With this stated this idea holds opposing views among the two females in A Secret Sorrow and "A Sorrowful Woman."

He sees that by doing so, Richard will not only please the preacher, but he will demonstrate the strong love he has for his mother. This finally makes him do what he was trying to avoid most. Although he has a rough childhood, it is clear that love remains in his heart, but as he begins to be deprived from it more and more, his hunger for it becomes less intense.

In "A Sorrowful Woman" the wife is depressed with her life, so much so, "The sight of them made her so sad and sick she did not want to see them ever again"(p.1). This wife and mother has come to detest her life, the sight of her family,

Early on in the novel, the reader begins to learn that the The Man and The Boy have a very close and intimate bond. Rather than causing a strain on the their relationship, the isolation that constantly follows the pair on The Road actually made their bond as father and son stronger . Traveling along The Road by themselves causes The Man and The Boy’s relationship to become extremely codependent. The Boy relies on The Man like any child would rely on their father. The Boy completely counts on The Man for everything, including food, shelter, clothes, and everything else that is needed to survive on The Road. The Man keeps them safe from the “bad guys” and keeps them alive and as healthy as he can. The Boy’s needs are always put before The Man’s needs. However, The Man depends upon The Boy just as much as The Boy depends on him. If it weren’t for The Boy, The Man would have been dead a long time ago. The only reason that he has survived this long is because of The Boy. Making sure The Boy survives is the only meaning that The Man has to his life. The Boy’s continued existence is the most influential motivation

In a world usually depicted as a “man’s world,” a woman’s role is not considered as significant and thus can be repressed. It is why a feminist perspective or criticism comes into place, especially in literature. By definition, a feminist criticism consist of scrutinizing “the ways in which literature reinforces the economic, political, social, and psychological oppression of women.” (Tyson) In Gail Godwins’s A Sorrowful Woman, the leading female character is concentrated in her efforts in distancing from her structured lifestyle. A feminist would critic Godwins story by as the female character is in pursuit of peace and happiness and wants to escape from the role she has been implanted. The critic would concentrate on the experience woman

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

The son however is the ‘faith’ within the story. He is the hope for a better future. The son is more trusting towards others and therefore becomes upset and quiet when his father doesn’t agree with him. “I’m afraid for that little boy” – The son has never seen another young boy and is frightened for him but his father shrugs off his pleas to help him and says “I know but he’ll be alright”. Towards the end of the book it appears that the father and his son become distant to each other due to their diverse personalities. It could however be seen that the son is a lot more knowledgeable about dangers and therefore does not need his father as much.

A life as a wife and/or a mother, is usually appreciated and is a happy life as well. A relationship between two people should consist of joy, commitment, responsibility, and most importantly love. For the two main characters in both stories ( “The Story of An Hour”, and “A Sorrowful Woman” ) this was not the case. The stories go against societies view with marriage roles and happiness.

Her marriage also causes her to lose control. Even within the one thing that is supposed to hold strong, she is alone. Her husband, leaving her on a daily basis to work, insists that she cannot write nor visit friends and family. Thus, he leaves her alone during the day to sit

This is very significant in this story, because the narrator also feels guilt for how his brother is turned out. We find out that the narrator had promised his mother to look after his brother but he abandons his brother in his time of need.

I also felt sorry for “the man”, one, because he has to tell his child where his mother is “For the love of God woman. What am I to tell him?” (McCarthy 58), and two, because his love and best friend was in such despair and there was nothing he could do to impel her to stay. As a mother, in some ways, I also felt sorry for the mother in this book, because most women dream of the day she will have a child of her own to love, care for, and teach, but this mother had to give birth to her son after the great catastrophe, and instead of bringing her tears of happiness, it brought tears of sorrow. She now knows that she has to raise her son in this dark and barley habitable world and that it will be a constant struggle to survive. “My heart was ripped out of me the night he was born…” (McCarthy 57). On the other hand though, I am also disgusted with the mother for the one reason that she gave up, and now her family, especially her child, has to suffer the consequences due to her actions, but again, given that I put myself in her situation, would I do the same thing? While reading I also felt deep sadness in many parts, for one instance, when “the man” dies, at this point in the book I had tears streaming down my face. “He slept close to his father that night and held him but when he woke in the morning his father was cold and stiff.” “He sat there a long time weeping...”(McCarthy 281). “He knelt beside his father held his cold hand and said his name over and over

However, at the end of the story this stereotype is completely contrasted following the passing of the mother. When the boy, who is now a grown man and father, returns home to his newborn daughter it is he who displays a nurturing and affectionate relationship between a father and his daughter. This role reversal developed by Munsch effectively casts aside the stereotype that women are better suited to raise a child, and demonstrates that affection and the ability to nurture are not qualities that are able to be defined by a persons gender. Munsch instead shows how these qualities are learned by a person and are displayed as they mature with age. Munsch effectively represents this progression though maturity when showing, the love the boy has for his mother is not absent during his childhood, but simply something he does not display as well as he does when he becomes an adult.

From a feminist critical perspective, it is clear to perceive that her husband’s death was a release of freedom from her marriage. The text describes that at times, she did and did not love her husband. However, love had not mattered anymore because she was now free. Whether they loved each other or not, she would have still been his property. This restriction of freedom was no longer her cross to bear. The death of her husband would pave her a path for a new life.

The story that is A Sorrowful Woman seems to be a story told from the point of view of a narrator who focuses only slightly on the inner conflict of one of the main charters in the story. The character of which I am speaking is never referred to by name, instead is called she, the woman, mommy, and wife throughout the entire story which lends credence to the conclusion of the viewpoint as being told from the outside. The first indication that the focus of the story will be not of a warm and loving nature is the line “The sight of them made her so sad and sick she did not want to see them again”(1). This is where a hypothesis can begin to be formed as to who the antagonist of the story is, bearing the statement above in