A Streetcar Named Desire Analysis Essay

Williams presents conflict between old and new in Scene Two by the way in which the scene is structured. Scene Two has a tripartite structure with tension increasing progressively throughout the scene up until Blanche discovers Stella’s pregnancy. The first part of the scene comprises of Stanley and Stella talking about Blanche and Belle Reve. Stella is portrayed to the audience, at the beginning of the scene, as some sort of ‘peacekeeper’. She is trying to keep Stanley and Blanche happy, and this makes the audience feel sympathy for her as it seems like Stella is the one doing all the hard work. Also, tension and unease is built up during Stella’s polysyndetic listing, when Williams introduces dramatic irony. Stella tells Stanley, ‘don’t mention the baby’ to Blanche, giving the audience a sense of deceit and builds up the tension as some characters of the play have no idea about the baby. Also in the first part of Scene Two, Stanley has a great disregard for Blanche’s privacy as he rummages through all her belongings, and this makes the audience feel awkward as Stanley has no respect for Blanche, or her belongings, whatsoever.

The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies, reality and illusion, and by the end of the play, most of these conflicts have been resolved.

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

Stanley overhears these comments as they are ‘unaware of his presence’ (S4:pg.164*; and wants to dispose of Blanche to protect his marriage as Blanche has a hysterical determination to urge Stella to leave Stanley. Stanley refuses to accept Blanches’ conduct as she had no right to intervene and arbitrate as a guest in Stanley’s home supporting the idea that Stanley was preparing her downfall all along.

A Streetcar Named Desire is a socially challenging play in light of the way in which Tennessee Williams depicts the capacity of human nature for brutality and deceit.  He takes the viewpoint that, no matter how structured or 'civilized' society is, all people will rely on their natural animal instincts, such as dominance and deception, to get themselves out of trouble at some stage in life.  William's has created three main characters, Blanche Dubois, Stella Kowalski and Stanley Kowalski. Each of these characters is equally as civilized as the next, yet all are guilty of acts of savagery on different levels.  Throughout the play Williams symbolically relates these three characters to animals, 'savages,' through the disclosure of

Stanley is a character in this play, whose perspective is clearly reality based. Since Blanche’s outlook on life is fantasy based, there is a lot of hostility between the two characters. Stanley is the one that always exposes the lies that Blanche is always hiding behind. He is constantly trying to get her to accept his perspective. When she finally begins to understand him, it’s too late. With such a huge change, she loses her mental state. Her personal beliefs get interchanged between fantasy and reality, to such an extent, that it seems as if she no longer realizes what is true or what is malign.

In the beginning of the play A Streetcar Named Desire by Tennessee Williams, Blanche first arrives from Laurel Missouri and immediately becomes the antagonist. As the play goes on Stanley starts to go against Blanche. At the end of the play Blanche becomes the victim. In the end, Stanley sent Blanche off to a mental asylum. This plays demonstrates domestic violence. In the beginning of the play A Streetcar Named Desire, Tennessee Williams shows how society accepted it and ignored it.Stanley, one of the characters in the play, found domestic violence to be a positive and very sexual part of him and his wife, Stella's, relationship. Throughout the play, Williams shows that he believes that it is wrong.

This essay will discuss how Williams portrays relationships and conflicts between his characters in A Streetcar Named Desire, and how this has an impact on the audience's first impressions of Stella, Blanche and Stanley in the first scenes of the play. Williams introduces Stanley and Stella as a traditional couple who are deeply infatuated with one another. Stanley, in particular, demonstrates a sense of pride in being Stella's partner and isn't hesitant to announce this to anyone who's listening; '(bellowing) Hey, there! Stella, Baby!' conveys this affection towards his wife. Williams uses short syntax to display Stanley's unruly, headstrong personality which is shown later in the script, when he confronts Blanche about what really happened

Blanche’s unexpected arrival at the entrance of the play is what stirs an even bigger monster in Stanley. Upon her entrance, she immediately causes trouble due to her and Stanley’s differences. Blanche is a southern belle from a very wealthy background. She is very proud of being brought up in the upper class while Stanley is proud that he lead his own life through the working class. This makes him a very rude and animalistic man with a lower level of education. Even their first conversation

In A Streetcar Named Desire, Tennessee Williams, uses symbolism and different elements to establish the theme. The theme being illusion vs. reality and it’s mainly associated with Blanche because she can't distinguish the difference between the two. This leads her to living a lonely life full of lies. Stanley knows that from the very beginning and their differences lead to a play full of mind games. Stanley and Blanche have many differences.

A Streetcar Named Desire written by Tennessee Williams is about a girl named Stella who lives with her husband Stanley. Her emotionally unstable sister, Blanche comes into town and stays with them. With her visitation she brings up family drama as well as lies and deceit to who she is and her actual purpose of visiting is. This causes a rift in Stanley and we get to see the true emotional stableness of him. His constant need for power becomes evident as the play continues and it is shown through his relationship with Stella and Blanche.

In Tennessee Williams play a Streetcar Named Desire, Blanche and Stanley's relationship is one of conflict due to their contrasting upbringings; which further highlights the divide among classes and creates social barriers. Their contradicting personalities and morals stem from their opposing class ranks, thus causing the lack of mutual respect and understanding. Blanche’s Old South ideals differs from Stanley’s rough New Orleans perspectives create the characters' inability to respect each others contrasting upbringings.

Blanche appears as a character who may possibly jeopardize his position of authority in the household. Williams casts this image of excessive aggressiveness and cruelty upon Stanley not only to form the primary conflict which fully entangles itself in the plot of the play but also to force the reader to look at Stanley's character from different perspectives. In one sense, the audience sees Stanley as a character who commands respect and watches out for himself and his wife, while, in another light, he appears as an overbearing brute. "His cruel intolerance of Blanche can be seen as a justifiable response to her lies, hypocrisy, and mockery, but his nasty streak of violence against his wife appalls even his friends." (Masterplots, 6316). These opposing views of the character add to his essence in the play. The absolute epitome of Stanley's aggression culminates in his rape of Blanche. The utter brutality of Stanley comes forth in this scene as he takes out his aggression with an assault on Blanche. Again, some readers feel that his vicious attack on Blanche comes about as warranted due to the preceding acts of Blanche. "…for Williams, Blanche is, nonetheless, guilty of abusing and using 'sensitive men' so that her 'punishment'-her rape-fits her crime." (Drama Criticism, 399). Nonetheless, this final exhibition of hostility by Stanley leads to the emotional downfall of

Music and literature in collaborative form allow authors to expand elements of themes, plot, and characters in a way accessible to readers. Although the book, A Streetcar Named Desire by Tennessee Williams, is essentially the dialogue and stage directions for the adorned Broadway play, reading it allows for insight into Williams’ reasoning in constructing the story and its characters. Truly, Williams’ particular choice of music not only fits the setting of the story, but also allows him to construct complex characters and establish the mood for the scenes of the play.

Throughout the whole play of Streetcar Named Desire, several different characters including: Stella, Stanley, Blanche, and Mitch struggle with family acceptance, marriage, abuse and love. Stella and Blanche are most often seen as the receivers of all the negativity from the much stronger masculine men. Tennessee Williams portrayed the women as very weak and submissive to Stanley following almost anything he said. All the characters we are introduced to in Streetcar suffer from their own weakness or their non authentic lives. If all these foreign personalities are brought together and cause problems, what is the purpose Williams wanted to make?