A Streetcar Named Desire Analysis

However, as Scene Ten begins, Stanley is on the verge of regaining his dominant stance. He has discovered details of Blanche's past that discredit her in Stella's eyes as well as putting an end to a potential marriage between Blanche and his friend. His victory over her influence is sealed when he gives her a bus ticket back to Mississippi and insists that she use it. He is also only hours away from becoming a father, a physical manifestation of his virility and manhood. His confidence in himself is palpable as the scene unfolds in the way he plays along with Blanche, pretending to believe her story about

Similar to Stanley, Blanche also faces a power struggle. Her ultimate downfall is a result of Stanley’s cruelty and lack of understanding for human fragility. Comments about Stanley’s ‘animal habits’ and ‘sub-human’ nature act as the agent of Blanche’s downfall. Stanley cannot deal with her mocking him in his own home and is fed up with her lies. During the final scenes his

It was not just her self that put her in the lime light of being a victim; it is also her new change of environment and people. Stanley is Stella's husband; he is described to be very masculine and aware of his sexual magnetism. “Strongly, compactly built”. He is mostly at ease with people however, if they lack loyalty and affection to him, he will bully them. Especially women, as he believes them just to be easy conflict. It is seen in scene 3 that Stanley has little respect for women. “I said to hush up!” This is addressed to his wife who is seen emotionless and impassive in this play. As for Blanche how is fussy and at edge, she would be very effected by the crude attitude that Stanley presents and so tries to hysterical take Stella away from her husband. Stanley does not forget of this act of interference and makes him all the more determined to be rid of Stella’s “charity case”. The real reason for Stanley’s bulling is that Blanche immediately received all Stella’s attention. “How about my supper huh? I’m not going to no Galatorires’ for supper” This made Stella dominant in power over Stanley and Blanche, something Stanley was not used to. “I put you a cold plate on ice”.

A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.

Tennessee Williams born in 1911 in St-Louis, Missouri, passed away in 1983, was one of the greatest playwrights in the American industry. He worked as a journalist because of his incredible writing. He wrote multiple award-winning plays, including, "A Streetcar Named Desire". Williams was self-destructive when alcohol and drugs came into effect just like the characters in the play. His play is mainly focused after the WW2 and the American Civil War that happened between 1861-1865. Just like in the play, race and social class is being issued throughout the New South era. Stanley's dominance through violence is being portrayed throughout his background behavior revealing his masculinity. Blanche DuBois exhibits the use of alcohol as a way to

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

A point for Blanche is that she is fear of aging and get lost of beauty. She is scared on  appear on bright light which will reveal her look to Mitch. In scene one, the author Williams make Blanche life of sexual going down like when her husband’s suicide result from her disapproval of his homosexuality which lead to a unwanted end. In scene nine, where the Mexican woman appears selling “flowers for the dead” which made Blanche reacts with panic feeling inside of her like she don’t know what to do. The author uses Blanche experience of sex and death are link up together.

In the classic fairytale of Cinderella, the main character is trapped in an abusive household. However, Cinderella’s self-perception of optimism and hope, enables her to believe that ultimately, her life will naturally improve with these attributes. True to her convictions, Cinderella gets her happily ever after by going to the ball where the prince falls in love with her. Cinderella is saved from her evil. On the other hand, Cinderella can be viewed as a victim who does nothing to enable herself to escape her abusive reality, insteads helplessly waits for fate to intervene. She does not confront the situation nor independently strive to improve her circumstances. Correspondingly, how individuals act when faced with conflict is strongly influenced by their self-perception. It is possible to become confused between reality and illusion, which is determined by their level of self-awareness. In Tennessee Williams’ play, A Streetcar Named Desire, the character of Stella struggles between the control of her husband and sister. Throughout the play, this conflict is demonstrated as she struggles with becoming aware of her abusive household and the contrast to the fairytale illusion she desperately clings to. Ultimately, Stella’s choice to maintain her illusion, rather than confronting her reality, is due to the self-perception of her need to depend on others and desire for idealism, which overall controls her fate.

Stanley overhears these comments as they are ‘unaware of his presence’ (S4:pg.164*; and wants to dispose of Blanche to protect his marriage as Blanche has a hysterical determination to urge Stella to leave Stanley. Stanley refuses to accept Blanches’ conduct as she had no right to intervene and arbitrate as a guest in Stanley’s home supporting the idea that Stanley was preparing her downfall all along.

Blanche's devistating past is just one of the reasons I felt sympathy for her. Troubled from her past, Blanche has a sence of falseness, which increasingly becomes apparent to Stanley. Her secrets are revealed, and this unveals a haunting past, and insecurities which were unknown to Stella. It would appear that the lies and desperate clutches to hold onto

Finally, Stanley rapes Blanche because “he has tried and tried to keep her down to his level” (Kagan 26) but she cannot go there.  The rape is his way of getting her there.  In the powerful scene where Stanley loses total control of his actions and strikes the person whom he has sworn to protect, love and cherish, William's shows Stanley's lack of control and hatred of the new threat in his life, Blanche.  What makes this scene so important to the topic is the way that the three characters react once the party has broken up.  Blanche is in her usual state of panic; Stella has retreated upstairs, while Stanley stumbles around calling out 'Steeelllaaa' in a drunken sweaty animal-like manner.  Surprisingly Stella answers her mate's calls and embraces him, the two of them exchanging words of compassion and kisses.  Stanley then picks up Stella and carries her off to his den to make love, which is Stanley's way of apologizing.  Stanley has to be the dominant male figure in all his relationships, not only with Stella and Blanche, but with his friends as well.  He is a leader and instantly rises to the challenge whenever his status is threatened.

The author, Tennessee Williams, does a phenomenal job of portraying Blanche Dubois as a deceiving, manipulative, arrogant person in his book “A Streetcar named Desire”. Williams first showcases these characteristics during the arrival of Blanche. This introduction not only sets a mood and tone but it gives us our first impression of Blanche. Overall this impression leaves the audience with a sour taste in their mouths and ill feelings towards the new girl. However, don’t be so quick to jump the gun. What if I said Blanche isn’t the villain she’s depicted as in this story?

Stanley first name is “stone-clearing” while his last name in Polish means “blacksmith”. He appears to be a gentleman in front of Stella until Blanche arrives “I pulled you down off them columns and how you loved it, having them coloured lights going! And wasn’t we happy together, wasn’t it all okay till she showed here!” (137). This belief maybe related to the meaning he has the power to consume others. Stella was mistakenly fallen for his charm and manner.

Furthermore Stanley can suggest that his animalistic behaviour is down to Blanche Dubois. She is Stanley’s sister-in-law and lived at ‘belle reve’ which means beautiful dream, nevertheless it also ironic as she has had to mortgage the house and most of her family has died whilst living there. Her name means white one from the woods and the connotations of her name is innocence, which is an exemplar of dramatic irony as she displays many acts in the play that contrast to that of innocence and purity. An example of Blanche not being pure is when she says “I’ve got to keep hold of myself” this statement from Blanche shows she has mental flaws and is addicted to the drink. She also shows she is not innocent and dependable “your sister hasn’t turned into a drunkard” this shows she is prepared to lie to her sister and it could also foreshadow future tragedy as comparable behaviour towards Stanley could result in enemies being created “liquor goes fast in hot conditions” this shows she is also prepared to deceive Stanley as well. As Stanley believes he is a misogynistic as he feels men are far superior to women as did most men in the 1940’s. So if he has any suspicions about being deceived by a woman then he would want to get revenge because Stanley doesn’t like to be manipulated,

This 1950's theatrical presentation was directed by Elia Kazan and written by Tennessee Williams. It is about a southern bell by the name of Blanche Dubois who loses her father's plantation to a mortgage and travels to live in her sister's home in New Orleans by means of a streetcar called Desire. There she finds her sister living in a mess with a drunken bully husband, and the events that follow cause Blanche to step over the line of insanity and fall victim to life's harsh lessons.