A Streetcar Named Desire and Top Girl; How Is the Past a Limiting Factor for the Charachters?

The reader may view Blanche as someone who tried to escape her sordid past in Laurel and wanted to start a new life with her sister, yet due to the continuous investigations from Stanley, was unable to do so. Stanley reveals Blanches’ lies and deceits, commenting on them as her ‘same old act, same old hooey!’ This tells the reader that his research of Blanches’ past is way of stopping her from finding a new life. Blanche attempts to redeem her life by finding love with Mitch, yet Stanley again reveals to Mitch that she was not ‘straight’, resulting in Mitch not wanting to be with her and also contributing to her fate. Stanley, after mercilessly divulging all her truths and bringing her to the edge of her mental capacity, rapes Blanche which brought about her final collapse. The reader may view Stella as someone at blame for her sisters’ fate, as though she shows some moral support of Blanches’ situation and listens to what she has to say, Stella continuously throughout the play neglects to notice Blanches slow mental deterioration and ignores Blanches’ outcries and incessant need for attention. Stella chooses Stanley over Blanche, despite her warnings about him being ‘volatile, violent and sub-human which represents not

Similar to Stanley, Blanche also faces a power struggle. Her ultimate downfall is a result of Stanley’s cruelty and lack of understanding for human fragility. Comments about Stanley’s ‘animal habits’ and ‘sub-human’ nature act as the agent of Blanche’s downfall. Stanley cannot deal with her mocking him in his own home and is fed up with her lies. During the final scenes his

“If the human race didn’t remember anything it would be perfectly happy" (44). Thus runs one of the early musings of Jack Burden, the protagonist of Robert Penn Warren’s All the King’s Men. Throughout the story, however, as Jack gradually opens his eyes to the realities of his own nature and his world, he realizes that the human race cannot forget the past and survive. Man must not only remember, but also embrace the past, because it teaches him the truth about himself and enables him to face the future.

It was not just her self that put her in the lime light of being a victim; it is also her new change of environment and people. Stanley is Stella's husband; he is described to be very masculine and aware of his sexual magnetism. “Strongly, compactly built”. He is mostly at ease with people however, if they lack loyalty and affection to him, he will bully them. Especially women, as he believes them just to be easy conflict. It is seen in scene 3 that Stanley has little respect for women. “I said to hush up!” This is addressed to his wife who is seen emotionless and impassive in this play. As for Blanche how is fussy and at edge, she would be very effected by the crude attitude that Stanley presents and so tries to hysterical take Stella away from her husband. Stanley does not forget of this act of interference and makes him all the more determined to be rid of Stella’s “charity case”. The real reason for Stanley’s bulling is that Blanche immediately received all Stella’s attention. “How about my supper huh? I’m not going to no Galatorires’ for supper” This made Stella dominant in power over Stanley and Blanche, something Stanley was not used to. “I put you a cold plate on ice”.

He likes to possess and control everything around him, he almost ‘owns’ Stella, and he has changed from her days at Belle Reve, pulling her “down off them columns and how [she] loved it”. But the arrival of Blanche, and her aristocratic ways annoys Stanley, as Stella begins to revert to her old ways. Blanche encourages her to stand up to him, and continually stresses the difference in their levels, although Stanley is not ashamed that he “was common as dirt”. Therefore, the only way that he can overcome Blanche and restore his authority is to beat her and triumph over her physically, which he eventually does. Although ironically, it is the effect of Stanley and his actions on her mind that finally provokes her downfall.

Blanche’s fear of becoming undesirable has caused her to create an illusion in an attempt to revive her youth. Throughout the entirety of the play, Blanche is constantly worried about her appearance and looks for compliments from others. When she is first introduced, “her appearance is incongruous to this setting. She is daintily dressed in a white suit with a fluffy bodice, necklace and earrings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district”

The contrasts in character emphasised here show that Blanche’s flirtatious attempts to manipulate Stanley are marked out to end in tragedy. Furthering this point Blanche herself recognises what is expected of her as a woman “It was the other little – familiarity – that I – felt obliged to – discourage”[9]. But the disjointed nature of this utterance, by use of hyphens, suggests that she is uncomfortable with these conventions; which is further suggested by her “affection of demureness”.[10]

The way this theme contributes to Stanley destroying Blanches’ mental health is that his necessity for reality intrudes on Blanches’ desperate attempt at surviving illusions. Stanley is ‘simple, straightforward and honest’ (S2:pg.137*) and incapable of understanding Blanches’ delicate

Williams uses a different type of savagery in Blanche's character. Blanche is more deceptive and exaggerated than Stanley, trying to hide the effects of her hard life from others through constant bathing, avoiding bright lights and by lying, and from herself, by drinking.

Stanley is a character in this play, whose perspective is clearly reality based. Since Blanche’s outlook on life is fantasy based, there is a lot of hostility between the two characters. Stanley is the one that always exposes the lies that Blanche is always hiding behind. He is constantly trying to get her to accept his perspective. When she finally begins to understand him, it’s too late. With such a huge change, she loses her mental state. Her personal beliefs get interchanged between fantasy and reality, to such an extent, that it seems as if she no longer realizes what is true or what is malign.

Blanche already throws a “low punch” at Stanley’s credibility without him even knowing. She is even more motivated by the fact that he travels sometimes, which could give her many opportunities to sulk to Stella about her problems and slowly disintegrate Stanley’s control of the apartment. Throughout the play, she continues to harp on Stanley's qualities, for instance, pointing out that she has not “noticed the stamp of genius even on Stanley's

     Stanley shreds the dreams of Blanche DuBois, revealing her ugly past to her sister and her beau. He refuses to

Blanche’s unexpected arrival at the entrance of the play is what stirs an even bigger monster in Stanley. Upon her entrance, she immediately causes trouble due to her and Stanley’s differences. Blanche is a southern belle from a very wealthy background. She is very proud of being brought up in the upper class while Stanley is proud that he lead his own life through the working class. This makes him a very rude and animalistic man with a lower level of education. Even their first conversation

to be deceived (ex. - he doesn't like it when Blanche doesn't want to tell

Stanley is who really introduces to Blanche is by revealing her past. Williams writes “And turn that over-light off! Turn that off! I won’t be looked at in this merciless glare!” (1819) Stanley goes snooping around into Blanche’s past and soon learns that she is living in a fantasy world. Stanley does not fall for Blanche’s lies and sets out to destroy her. Stella feels torn between her sister and Stanley but eventually stands with Stanley. Everyone has rejected Blanche, so when the doctor and his nurse show up to take her away to the hospital she feels accepted once more. “Whoever you are – I have always depended on the kindness of strangers” (1881) Blanche’s constant rejection from Stella, Stanley and Mitch leads Blanche to alienate herself and leads her to escape into her own fantasy.