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A Streetcar Named Desire by Tennessee Williams Essay

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Motifs of the Play In the play written by Tennessee Williams, "A Streetcar Named Desire", the use of his remarkable writing tactics and motifs are used to develop the main character Blanche throughout the play. As the play progresses, we gradually gain knowledge pertaining to Blanche and the type of individual she actually is in juxtapose to the facade she puts on. With clever usage of motifs such as lighting and flirtation, we can draw countless conclusions about Blanche throughout the play. Using the fore mentioned motifs we can contemplate that Blanche is developed into a deceiving, narcissistic and seductive being because of the use of motifs Williams amalgamated throughout the play. Tennessee Williams uses motifs to help …show more content…

There can be honest associations built amongst what Blanche wants others to think of her, what Stanley believes and who Blanche really is just being herself. Stanley is very suspicious of Blanche since the beginning of the play and says, "Look at these feathers and furs she comes here to preen herself in". Blanche and Stanley are antagonistic characters as Stanley originates from a working-class Polish background where "what you see is what you get". Blanche on the other hand attempts to be very proper and pure. Stanley sees right through her facade of flirtations and trickeries. Nevertheless Blanche putting on her front that is purity and innocence, she really is just another fraud who cannot get the courage to stand up to the light because she fears she will be uncovered for the individual that she honestly is. When Blanche is by herself we uncover an abundance of character where we can see that Blanche frequently lies about her problem with alcohol in order to come off as a clean woman. Blanche drinks a lot as well as having a shot while accompanied by Stella when no one is around. Stella gives Blanche yet another drink as she utters this saying, "No, one's my limit". Later on when Stanley tries to give Blanche some more alcohol, she claims that she "rarely touches it", which is a complete lie because to Blanche, deception equals personal security. We can conclude with great certainty that what Blanche is like by herself is in direct antithesis to the

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