A Structuralist Reading of Austen's Sense and Sensibility Essay

Thesis: Throughout the text of Pride and Prejudice, Jane Austen challenges gender and social norms in the Georgian Era through the development of Elizabeth Bennet as she interacts with characters in the novel.

Jane Austen's 1811 novel "Sense and Sensibility" puts across an account involving two English sisters who come across a series of hardships in their endeavor to find their personal identities in a relatively hostile environment. Elinor and Marianne Dashwood are forced to leave their home, the estate at Norland Park, consequent to their father's death. The two experience economic problems and come to see the world with different eyes as they move in a small house and as they interact with people who are primarily motivated by finances. Even though the two sisters have diverging personalities, they go through similar experiences and they come to have similar perceptions of society.

Jane Austen composes the main protagonist, Elizabeth, as a mature and haste thinker with the purpose of juxtaposing Lydia's brashness and lack of foresight. The most obvious place that Austen instills this juxtaposition is when the author presents readers with a comparison between the events leading up to Lydia's marriage, to those of Elizabeth, readers find that Austen crafts Lydia

Austen’s representation of reading epitomises the excesses of the imagination exhibited by sentimental readers which effectively led to their disconnection from reality. Austen’s employment of the gothic reflects Catherine’s transition from the excesses of her gothic fantasies to reality, which fundamentally enables Catherine to develop independent judgement through her exploration of human experience and to reject her projection of idealist imaginations influenced by her gothic readings (move up). Although Austen satirizes the excesses of sensibility through the characterisation of Catherine’s absorption of the gothic, Austen does not completely ridicule or dismiss the truth behind the gothic or the imagination. Richardson (2005:399) explains

The analysis will cover three aspects. First of all, in her book, Jane Austen expresses the view that both genders possess equal creative and intellectual qualities, and thus women are born to be equal to men. Second, she expresses her skepticism towards the degree of rationality and justice of the common social norms about female behavior. The third aspect is that Austen also insists that women should act for themselves in a rational way rather than merely trying to impress or to please the other sex.

Jane Austen's groundbreaking novel Sense and Sensibility is a relationship-driven account of female protagonists. Sense and Sensibility shares much in common with other novels by and about women. Themes like autonomy versus independence and the role of women in a patriarchal society are explored in Sense and Sensibility. Using two sisters to symbolize the different directions the female spirit can be pulled, Austen shows the variable ways women respond to political, social, and economic oppression. The women of Sense and Sensibility are both trapped by, and breaking free from, the conventions of marriage and motherhood. Marriage and motherhood are portrayed ironically as the natural course of women's lives, but also as the chain that prevents their self-fulfillment. The social norm of patrilineal inheritance leaves Elinore and Marianne Dashwood, and their mother, penniless and dependent on distant male family members. Marriage and motherhood are restrictive roles for women, and yet Austen never provides a satisfactory alternative for Marianne. Marianne seems willing to break free from patriarchal social norms, but she ends up being a slave to heterosexual romance. The message in Sense and Sensibility ends up being rather bleak: women remain socially, economically, and politically oppressed because they cannot envision or enact suitable independent alternatives.

Jane Austen’s Pride and Prejudice examines and critiques a society built upon gender roles. Austen does this by examining the obstacles women experienced in the Regency Period. Austen expresses how women were controlled, and objectified by men through their need to get married to a man. Additionally, the novel ridicules how women who could not afford to live without men were shadowed by their partner. This commentary is seen through the portrayal of the Bennet sisters. The females of the family are forced to marry because they do not inherit any wealth. The family is forced to comply with the same boundaries Austen was governed by. Therefore, Austen focuses on how the Bennet sisters overcome a society that suppresses them. This allows the reader to comprehend the strength, perseverance, determination, and assertiveness of the women in this time. Overall, Jane Austen addresses gender issues throughout the story. This is seen in the progressive image of Elizabeth, as she combats the inequality women experience. Although it was not common for women to criticize the patriarchy, the overall depiction of females is progressive. Elizabeth represents Austen’s feminist views, and the depiction of women in the novel is seen through her feminist image as she deals with Mr. Collins and Mr. Darcy.

Through the writing, Austen makes each character unique and different. This technique is clearly shown in her novel, Pride and Prejudice. Therefore, Austen identifies the voices of characters, such as Elizabeth and Mr. Darcy, through the dialogue. Both characters use a complex structure in dialogue. For Mr. Darcy, this shows his intelligence and high class. Whereas for Elizabeth, this shows her insecurity within her social class. Elizabeth competes with Mr. Darcy by using the same structure to showcase her intelligence and wit. Elizabeth’s rejection of Mr. Darcy’s first proposal demonstrates this concept. She says, “From the very beginning, from the first moment I may almost say, of my acquaintance with you, your manners impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form that the groundwork of disapprobation, on which succeeding events have built so immovable a dislike” (Austen 131).

Austen creates a scenario where she allows the reader to identify a variety of persons, each of

Sense and Sensibility was first published in 1811, by Jane Austen, Sense and Sensibility represents the neoclassical, dualistic moral world where values and exclusion values will ultimately be successful in a painful, romantic feeling. Not only that, he was making serious cynicisms of society's eighteenth centuries in which the aristocrats were praised and indirectly influencing young people's minds, not the love of love but to betray it just for Wealth. In the novel, Lucy and Willoughby symbolize this kind of people of society

Austen has set out to save the rising art form of the novel. In this address to the reader she glorifies what a novel should be: the unrestrained expression of words conveying the wide range of raw human emotion. This veneration of the novel is necessary to the development of Catherine's fiction-loving character as it justifies the narrator's right to remain fond of this flawed heroine.

In the early 1800s Jane Austen wrote what would be her last novel, Persuasion. Persuasion is set during the “Georgian Society” which greatly affects the character's views and actions throughout the novel. Anne Elliot and Frederick Wentworth quickly fell in love when Anne was just nineteen years old, but because he wasn't wealthy enough, Anne was not given the permission by her father, Sir Walter, to marry him. Eight years after this incident, the roles have reversed; Sir Walter has lost all of his money and Frederick Wentworth is now known as Captain Wentworth. Throughout the novel, Anne tries to overcome struggles with social class in order to fulfill her longing of being with Captain Wentworth. Therese Anderson's statement about the

Rachel :)))) Mrs. Keyes AP Literature 12 8 December 2015 A Literary Analysis of Emma by Jane Austen In Jane Austen’s novel, Emma, protagonist Emma avoids her own transformation by her attempts to transform others. However, Emma experiences her coming-of-age through the stable characters of those around her.

When Charlotte Bronte said of Jane Austen’s novels ‘I should hardly like to live with their ladies and gentlemen, in their elegant but confined houses’ she was referring to the physical confinement of an interior versus an exterior setting. This confinement of the setting mirrors the social confinement of a woman versus a man in the societal structure at the end of the 18th and beginning of the 19th century. While Austen studies the societal position of women in most of her novels, her early work Sense and Sensibility, is perhaps the most interesting to take into consideration when reviewing the issue of confinement. In it Austen juxtaposes the freedom of the countryside exteriors with the confinement of the city’s interiors. These settings serve as a backdrop for the exploration of two female characters whose social status has been set back as a result of the primogeniture of the time.

Jane Austen lived from 1775 until 1817, a span of four decades that saw significant changes in English social, political, and economic life. At the time her birth, England was embroiled in a bitter struggle with its American colonies, the loss of which, several years later, proved to be a tremendous blow to English political and military prestige. Under the rule of George III, England's political climate became increasingly unstable with constant struggles between the King and Whig politicians. Ireland received its independence in 1782, although the violence that had long plagued the country continued to rage. Across the Channel, the French Revolution had begun and the English aristocracy watched in horror as royal heads began to roll.