A Study Of Modern Characterization Through The Works Of Salinger And Woolf

Literature has always relied on techniques to catch the reader’s attention and format the story, and “the Catcher in the Rye” is no exception. Salinger brought many different writing styles into his novel to make it a bestseller. With his knowledge, Salinger was able to depict the persona of Holden to the reader without directly stating his characteristics. Salinger proves Holden is a lonesome figure who wanted to fit in but struggles to be accepted. The Catcher in the Rye depicts Holden as one who struggles with his sexuality and adulthood and wants to save children from adulthood because of the difficulties that it has brought himself. Salinger greatly expresses Holden through the use of metaphor, imagery, symbolism,

Throughout the novel, Holden attempts to find the true from of himself as he struggles with the social interactions around him. Due to the struggle and confusion that arouses from it,

In J.D.Salinger’s novel, Catcher In The Rye, Holden Caulfield, the main character of the novel, is a walking paradox who desires to hold onto his innocence and ,in his mind, thinks that people who lose their innocence will either turn into a “phony” or a “jerk”. During his journey towards trying to preserve his innocence Holden affected his desire to hold on to his innocence through his action, such as his experience with a prostitute named Sunny, his interaction with Sunny shows him that most of the world of adults is just an illusion. Another person who affects Holden desire is his 10 year-old sister Phoebe Caulfield, his interaction with his sister phoebe shows how it’s ok to lose your innocence because with the loss of that innocence you

In The Catcher in the Rye, J.D. Salinger tells a story of a young boy, Holden, who never quite understood his stance on life. Throughout the novel, Holden struggles to adapt to the inevitable transition into adulthood, often worrying more about others than himself. In The Catcher in the Rye, J.D. Salinger uses connotative diction, repetition, and specific diction to convey Holden’s struggle of accepting life changes that led him to becoming mentally unstable.            To start off, Salinger illustrates Holden’s nature by using connotative diction.

In J.D Salinger’s The Catcher in the Rye, the first person narration played a critical role in helping the reader to know and understand the main character, Holden Caulfield. Salinger also uses symbolism to help portray the theme that not everything that glitters is gold. Holden, in his narration, relates a flashback of a significant period of his life, three days and nights on his own in New York City. Through his narration, Holden discloses to the reader his innermost thoughts and also helps to introduce the reader to many of the symbols strategically placed throughout the novel. He thus provides the reader with not only information of what occurred, but also how he felt about what happened. In the Catcher in the Rye, Holden views the

Throughout J.D. Salinger’s quintessential novel, The Catcher in the Rye, the protagonist is a self-proclaimed habitual liar. Holden Caulfield admits early on in the story that he rarely ever tells the truth when he says in his narration that he is “…the most terrific liar you ever saw in your life. It's awful. If I'm on my way to the store to buy a magazine, even, and somebody asks me where I'm going, I'm liable to say I'm going to the opera. It's terrible.” (Salinger 9) This single statement throws everything in the entire story into doubt. However, there are very specific occurrences of story elements that provide a sort of window to Holden’s true thoughts on his surroundings. These particular symbols are the only real way to gain an insight

Many novels cannot be fully understood and appreciated if only read for face value, and J.D. Salinger’s The Catcher in the Rye is no exception. The abundant use of symbolism in Salinger’s The Catcher in the Rye is of such significance that it “proclaims itself in the very title of the novel” (Trowbridge par. 1). If the symbolism in this novel is studied closely, there should be no astonishment in learning that The Catcher in the Rye took approximately ten years to write and was originally twice its present length. J.D. Salinger uses copious amounts

Holden’s date with Sally Hayes exhibited his difficulty at cooperating with others. At first he gives us a dire impression of Sally, “I wasn’t too crazy about her, but I’d known her for years.” (p. 105) Later, he wants to marry Sally and says he is in love with her. The biggest mystery of all when it comes to women is with Jane Gallagher. Constantly mentioning Jane, Holden recalls playing checkers with her before he got sent to boarding school. When his roommate, Stradlater, has a date with Jane, Holden asks him a peculiar question, “Did you ask her if she still keeps all her kings in the back row?” (p. 42) Holden, jealous of Stradlater’s date with Jane, longs to see Jane but never has the courage to call her. Interactions with other people especially women perplex and overwhelm Holden. He therefore resorts to isolation, illustrating a characteristic of his mental state.

As humans we sometimes seek isolation rather than human interaction for fear of being overwhelmed emotionally. For some people, comfort comes with the knowledge that alone, they are the masters of their own emotions, free from the pain of the world's occasional bitterness and sting. In the coming-of-age tale "Catcher in the Rye," J.D. Salinger explores this phenomenon through the voice of the narrator, Holden Caulfield. Although Holden possesses a voice of intelligence, sensitivity and insight he is also bitter with the hypocrisy and ugliness that he perceives in the world around him. The vividness with which he expresses his discontent is seen manifested in the criticisms that Holden aims at various characters throughout the story. As the

Jerome David Salinger’s The Catcher in the Rye, is a work of fiction and a

In the bildungsroman Catcher in the Rye, J.D. Salinger employs the struggle of individuality, inevitable maturation, and the childhood corruption of adulthood to reveal Holden’s alienation from society.

It is a worldwide known concept that communication among different people is a necessity of one's life if it is to be a happy one. Human companionship is something everyone will do anything for. Yet, some people have difficulties in communicating with others especially when they see problems among the people they try to communicate with. In this novel, "The Catcher in the Rye," the author, J.D. Salinger, illustrates the protagonist's difficulty in communicating with other people, especially with the women he encounters throughout the novel. The reader can see Holden Caulfield's failed attempts to communicate with people. In the conversations Holden has with people, he usually makes up lies

Then, when the dough runs out, I could get a job somewhere and we could live somewhere with a brook and all and, later on, we could get married or something. I could chop all our own wood in time in the wintertime and all. Honest to God, we could have terrific time! Wuddaya say? C’mon! Wuddaya say? Will you do it with me? Please” (Salinger 132). Holden’s id is in the sense of having someone by his side and is in a rush to have the feeling of a buddy. The explanation for his love of a companion is because of his brother Allie. Holden is denied by Sally. As for Salinger, he got married but his union with her was a short one, just eight months long. He married a second time in 1955 to Claire Douglas. Salinger as well had a desire to find someone else to be his companion because in just eight short months he finds someone new. Through Freud’s explanation of when the desired need is not available, the id creates and image of the desire as a substitution. Later, the mind is required to cope with frustration due to the default substitution. This is the stage that, Freud calls the ego. Holden does not have the ego for he struggles on facing the fact that his companion is in a better place and forever gone. Sadly, Holden is not able to develop the full understanding of the ego and with that he is far from developing the final mental entitles of Freud’s theory which is superego. With Holden’s lack of development he doesn’t reach the superego,

Irving, Poe, and Hawthorne were arguably some of the most popular writers of the 19th century (Dincer 223; Lauter 2505). All three of them are known for their short essays and their advocacy to make writing a full-fledged and legitimate profession. Their writings show that they were hugely influenced by the Romantic Movement (romanticism); ‘a movement in art, literature, music, philosophy, politics and culture towards focusing on the individual, the subjective, and the spontaneous’ (Dincer 218). Romanticist writing “encouraged contemplation and self-awareness, direct contact with nature, and a focus on and an exploration of inner feelings” (Dincer 223). Yet, they had distinct writing style, focus, and theme. While Irving was more of a light romantic writer, a writing style characterized by optimism, Poe and Hawthorne are widely considered dark romantic Authors whose writings were characterized by pessimism that sees the world as full of dark, evil, suffering, horror, and mystery. While Irving’s writing focused more on satire and humor, Poe & Hawthorne’s writing was more about evil, crime, sin, and mystery. Moreover, Irving seem to be nostalgic aristocrat with huge ‘interest in the landscape, folklore, and the past’ (2506), whereas Poe and Hawthorne had a contrary view of the past (Liptak).

The self-narration of Holden’s life is what gives the reader an insight into the way he thinks and feels. It helps you understand why Holden is the way he is. Without this explanation from him, you wouldn’t empathise with him, or like him very much at all. It’s the little stories he tells, like the story about Allies baseball mitt, “…Allie had this left-handed fielders mitt… he had poems written all over the fingers and the pocket and everywhere. In green ink.” (Salinger, 1945-6, p.33) or about how he knows Jane Gallagher, “You were never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were” (Salinger, 1945-6, p.72) that make you see the softer side to him.