A Study On Ruins Conservation On The Urban Landscape Values And Significance Of Heritage Conservation Essay

Rd 145 soon became an integral part of everyday life in Birdseye, Indiana. Home to multiple general stores, a variety of hometown restaurants,and a hall for the Modern Woodmen of America (Huff 1), this edifice served as a gathering place for all residents, past and present, throughout its 123 year lifetime. Now nearing the end of its lifecycle once again, this unique building awaits the chance to undergo an extensive restoration to reveal its former grandeur, because as Helmut Jahn once said, “Every building is a prototype. No two are alike,” (Demakis 12). Preserving this crumbling Italianate gem will not only provide a cultural hotspot for the town of Birdseye; it will give residents the opportunity to learn about the structure’s illustrious past and the history of the town itself while also telling the stories of many past residents and the challenges they

Important health decisions are made by the entire family. It is not uncommon for three generations to live under one roof and the oldest father is in charge. The people of Vietnamese culture tend to hide their true feelings or fears as it is considered rude to speak up or offer frank honesty (Kemp,

When we study old cultures we learn how people adapt to their environment and cope with natural disasters. We learn how patterns of immigration affect languages and why civilizations thrive or die out. Studying the remints of culture, help us understand how people lived long ago, and helps us understand our own civilization. However, not all of the world heritage sites are ancient ruins; also included are Australia’s modern Sydney Opera House, the Tower of London, in England, The Statue of Liberty, in New York Harbor, and other recognizable structures. These are all impressive places of outstanding value to people around the world.

The Oregon Historical District is a twelve city block area in Dayton, Ohio that is registered with the National Register of Historic Places. This reasonably small area has both commercial and residential land uses. Though mixed use space, commercial and residential, is seen as a modern phenomenon, this area of land is quite old for an American city with the original plat recording in 1829. However, the homes in the area developed over a period of 100 years which allowed for them to development with different architectural features with the most common being Classic Revival. This different architectural development could also be seen throughout the business district. Intriguing ideas held within the historic value of the Oregon Historical District are the ideas of preservation and protection. Instead of requiring its residents to rehabilitate the homes to original status the requirements are that the home look authentic and have the appeal of authenticity. The aesthetic nature of the homes should be less museum-like and more home-like with the intention of preserving the architectural character of the past.

Walking down gradually from University Avenue to the park area is a descent from industrial buildings to a picturesque landscape. This green space on the east bluff of the river is mature and beautiful. The topography of the soil is varies and the ancient tree trunks lift the ground up with them. The meandering concrete paths lead you beside the river, and ultimately to the Stone Arch Bridge. Where the land and vegetation open up to carve out the bridge, a grand vista emerges. The bridge leads my eye and curves smaller and smaller over the Mississippi until the rise of the Mill ruins leads my sight up and the skyscrapers eventually lift my head to the highest point of the city. Here our entire history is visible, our artifacts are in the limestone and sandstone that is manipulated to build these old structures. The wealth of the flour industry is seen reincarnated to the present day through the thriving corporate businesses in the sky. This aesthetic relationship of the Mill Ruins and new wealth is so pleasing to the eye, the interest never ends. It is mind boggling, to live in an envelope of two eras, to see what was and what has now become. How would we know our modern buildings and societies are so grand without the memory of the old?

Millions of people go up and down its steps, some of them knowing their past, others taking pictures in it while knowing little of the cultural importance. The landscape itself is a city, and should not be forgotten. A city welcomes people, and allows for many cultures to be living together in one location. In the case of Teotihuacan, it is not enough to debate who owns it, the debate should entertain ways people could work together to conserve the site, and allow everyone to have a similar knowledge of what each step means. The indigenous should not be pushed away, and the tourists should still be encouraged to visit. After all, the indigenous economy also depends on tourist activity, and the sale of their art and work to a curious other. Much like this symbiosis on the grounds of the site, the cooperation of all parties should be promoted on a facilitative level. The government knows the ins and outs of efficiently running the tourist site, yet the indigenous have alternative knowledge to offer the visitors. Whether their participation comes in the form of workshops, culturally immersive tours or seats at the administrative table, the indigenous should be welcomed into playing a more active role in the tourism that takes place at Teotihuacan, to ensure the wellbeing of the site. The tourist still seeks what is authentic, and the actions taken by the indigenous will allow for Teotihuacan to once again be transformed

In this compelling book talk, Andrew S. Dolkart, the Director of the Historic Preservation Program and Professor

Jane Jacobs compared old buildings to a “necessary ingredient in city diversity,” which emphasizes the essentiality to city’s aesthetic value and economic vitality. Jacobs believes that both characters are indispensable to city’s public life and people’s social life. In addition to more discussion on the implication of building preservation in terms of economic vitality, Jacobs also believes that communities often develop a physical attachment to the people, places, and events in the past. Therefore, retaining the “sense of old places” becomes even more critical to generate the “sense of community”, especially along with the fast pace of globalization and urbanization, building preservation also means to preserve the heritage for the future

In 79 AD Pompeii, a city of architectural triumphs, was destroyed by Mount Vesuvius. The volcano’s eruption ended Pompeiian civilization and for a long time it was thought to have destroyed the city. However in 1748 the city’s ruins were rediscovered and Italy made quick work of excavating the site. The city retained much of it’s former beauty even after it’s destruction making it an immediate tourist trap. Despite the hours of work my parents put into planning our Italian adventure, my brother and I had our own plans. My parents expected this and planned for it but my brother and I are overachievers of a sort. We fought constantly throughout the first week, but it was in no way comparable to our day-trip to Pompeii.

“Learning to read architecture-an ability that centers on a kind of visual and spatially oriented analysis-is not easy” (Carter & Cromley, 2005, p. xvi).The short history of the field makes this guide a valuable tool for emerging scholars as it introduces the field, guides them to conducting research on vernacular buildings, and invites them in participating in shaping the field by adding their own scholarship. What is significant about this guide for young researchers is that is explains how fieldwork lacks categorical clarity and can be messy, and it is in this confusion that researchers can reveal the priorities, values, and lifestyle of the users. Renovations and additions are part of the built form and it results in making it difficult to categorize material, roof type, and windows resulting in the struggle to categorize as the field work becomes more descriptive than prescriptive. It can and does indicate social hierarchies and power dynamics within the culture, by reading this guide young scholars can begin to understand how to read buildings and understand what they tell us. Material culture and vernacular architect explores the relationship between objects and/or buildings with people, and both

During the 1980s-2010s, many urban conflicts which towards many formation of institutionalization of legalization the Treasure Hill urban landscaping. The many struggles of informal forces which drove the recognition of this "slum ugly" visuality, especially through e-participation, until the city government accepted it by many sectors' efforts. I will sort out the vital occasions of the events, and discovered the networking of the process on the issues. And the turning concepts which ever developed in order to tolerance the "new" landscaping among the the media winning the reckon credit of this vernacular (key) city landscape, e.g. parallel to "101" a ever been worldly highest skyscraper (2006, NY times). In 2013, the site has been registered

Even today, looking at ruins of ancient sites causes people to stop and consider how much our modern architectural approaches owe to this ancient civilization. To look at those art pieces is to take a step back into a world and culture that is very different much like today. We have the chance to learn history from various pictorials and get a sense for the culture that prevailed for most of the ancient. When it comes to ancient Rome, the esthetics of the artist are seen in every piece and sculpture and the design of every building. Learning more about those underlying principles makes us to appreciate and enjoy the Pantheon that are still around today.

Imagine you’re at an art gallery and suddenly you see someone tear a century old masterpiece to pieces and put up a five-dollar poster simply because it was no longer in optimum condition, you’d question that decision more than likely and try and stop them. Now imagine that painting is a house or a structure in your town, it’s been abused throughout its life and now a wrecking ball sits ready to demolish the place to pieces? Would you stop them or would you simply ignore the destruction? What I speak of is not some hypothetical situation every year, I’m here to tell you the reasons you should support historic preservation, firstly I will be debunking many myths regarding historic preservation, and I will explain why it’s

I have been chosen, as the employee of a house museum, to lead the task of rehabilitating a historic structure so that it will retain its historic integrity. This form of rehabilitating differs from restoring, preserving or reconstructing a structure, because there is the field of thought that structures need to retain their original integrity and be returned to the way in which they once stood. The following are a list of ways in which I would take this historic structure, and work to research and rehabilitate it to be an image of its original self or more closely visible to what it may have looked like in the past. The research will conclude what basic elements of the structure are the most important to maintaining the original integrity of the building, and which take precedent over other criteria.

This paper will attempt to argue why the act of preserving and restoring historic structures is a much better option than demolishing them. The essay will use the powerful tool of reliable and relevant sources to support the essay’s claim about historic restoration. In addition, this argument will present the opposition’s claims and why they may or may not be correct in the process of improving a historic structure. The essay will separate the ideological differences between demolishing structures and restoring them. Initially, this paper will introduce the main underlying problem with the opposing argument. Then, the paper will establish two main points as to why the restoring of these historic structures is a much better option.