A Study of Bladerunner Essay

The result is that the dystopian future becomes a realistic possibility to the audience. This has two effects, in the first it makes the events of the film more plausible. Technological development and the creation of robotic life could eventually occur in our own reality. In this regard, the film is using image as presence by setting up this believable world. However, in the second arena it makes the audience reflect on the questions of urbanity and development that exist in our current paradigm, thus inviting discussion about the way human and planning elements are being merged together in our own technology driven world. These concepts are as relevant now as they were when the film was first released two decades ago. The camera continually roves over this world creating spatial continuity that implies that there is virtually no escape from this smoky, polluted, society. The landscape provides a site for making metaphor about the socioeconomic divide that characterizes the Blade Runner universe. The skyscrapers of the wealthy are clear symbols of how the poor are at the bottom of the socio economic

In contrast, the context at the time ‘Blade Runner’ was made was more concerned with the fragility of nature and the devastating effects the greed of the multinational corporations which were focused on the economical gain will have on the environment. The polluted world is shown through the

Blade Runner, the classic sci-fi noir movie by Hampton Fincher and David Peoples, is a futuristic perspective on slavery, humanity, and the rights of thinking beings. In the movie, Deckard, a blade runner and the main character of the story, hunts down Nexus 6 replicants: androids imposed with superhuman strength and nearly human intelligence who have gone rogue (2, 10). These androids are given a four-year lifespan to prevent them from developing human emotions which way throughout the movie to further complicate the balance between androids and humans (6). Throughout the movie, the line between humanity and inhumanity becomes thinner and better, causing problems for Deckard and Tyrell Corporation. In its entirety, Blade Runner is attempting to get the audience to decide whether replicants deserve the same freedom and rights as humans. To help the audience in their decision, the movie proved information about the supposedly "inhumane" replicants and their human creators.

The Representation of Genre and Narrative in the Opening Sequence of the Film Blade Runner

The film text Bladerunner is rich with confrontational ideas about human nature and technology. Made in 1982 and set in 2019, Ridley Scott the director uses clever cinematography and soundtrack to develop his ideas; successfully illustrating a harsh but feasible future. The most significant and vital theme that Scott incorporates is the theme ‘what does it mean to be human’ best encompassed by the famous phrase ‘I think therefore I am’. The relationship between technology and human nature is also shown under this theme as Scott tries to challenge the audience with some of the ethical and social issues faced in the world he has created, a world where the line between real and fake has been blurred.

The goal of a movie is to make you think. Simple as that. No matter how trivial the topic, it should challenge some previous notion you’ve held. Even a movies like comedies should complete this goal. One genre of film that often challenges the viewer is science fiction. Considered to be the pinnacle of science fiction movies, Ridley Scott’s “Blade Runner” questions our definition of what is human. Based on Philip K. Dick’s book Do Androids dream of Electric Sheep?, Blade Runner’s portrayal of a dystopian future, with large class/wealth disparities and intelligent AI, certainly does its job of making you think. The replicants struggle to deal with their “humanity” and harsh treatment by humans. Though

Blade Runner is about creating artificial life in a laboratory to produce replicates which have been made for specific purposes off planet. All of them had the same human drives such as motivations, greed, ugliness and everything else all built in; however, their life span is limited to no more than four years.

Hard-boiled detective fiction and film noir are extremely prevalent in the 1982 film Blade Runner. In his article “Blade Runner. Science Fiction and Transcendence,” David Desser gives multiple examples of elements of the hard-boiled universe in Blade Runner: Deckard is an ex-cop, an ex-blade runner, doubtless in part because of the corruption of the system as seen in Captain Bryant, who calls replicants “skin jobs” (the equivalent of calling black people niggers), and in Gaff, who dresses like a dandy. Most importantly, however, Deckard is alienated from his fellow man, divorced that is, not only from his wife (who he tells us, thought of him as “sushi – cold fish”), but from all of humanity. It is ironic and significant that when Deckard does finally fall in love, does finally make a genuine emotional commitment, it is with a replicant – a woman who is not a human.

Blade Runner is known to be the most influential science fiction film coming from the neo-noir genre (Leggett). People claim it is an instant science fiction classic (Savage). The sequel Blade Runner 2049 follows up with further interesting visualization but on a greater scale than its predecessor created thirty-five years ago. Science fiction films have undergone major changes the past few decades due to the visual advancements in the field. A big part of the sequel’s success is due to its ‘tonal and visual similarities’ as well as what John Nelson, the film’s Oscar-winning visual effects supervisor, explained as, “Using all of the visual effects to make something feel very organic” (Marshall).

¬¬¬¬¬¬¬¬Blade runner is a classic cyberpunk film noir, which today is classified as a cult classic in its time and is a fore runner today for many other dystopia sci-fi films that are following in the same direction, such as the most recent Sci-fi films like I Robot. Disparate from other science- fiction movies, which look to the future with optimism and hopefulness, Blade runner decides to take a gloomy nihilistic approach for what is to come. Blade Runner is based on the interestingly aristocratic short novel by the famous Philip K. Dick, Do Android Dream of Electric Sheep. Blade Runner

Blade Runner a film adapted from Phillip K Dick’s “Do Androids Dream of Electric Sheep”, was produced by Micheal Deeley and directed by Ridley Scott. This science fiction classic explores the concepts, issues and morality behind the use of artificial intelligence (Replicants) in the futuristic world to support the human race. Scott uses the main character (Deckard) to investigate issues such as life expectancy for Replicants and humans and what it means to be ‘more human than human’ (Tyrell company slogan). Scott clever filming techniques; lighting, music and sounds have combined to have an impact on the audience to communicate the issues of the text.

Ever wonder what the future would be like? If it consists of robots? Flying cars and being able to live in outer space? The movie Bladerunner is set in the year 2019 in the city of Los Angeles where a man named Deckard, who is an ex-cop hunts down Replicants or androids that have tried to take over the world. The replicants Pris, Zhora, Leon and Roy, whom are being hunted by Deckard try to expand their life span from four years to longer. Deckard is a “bladerunner”, a killer of androids who encounters pain, grief, and fear. Throughout the movie we see Deckard face the contradiction of what he doesn’t know is real and what is artificial in the dark and depressing city of Los Angeles. As Deckard goes on his forced mission of killing the four

For this essay, I have chosen a Warner Bros production film called `Blade'. In this essay I will discuss the Mise-En-Scene, Sound, Editing, Special effects, camera angle, shot, movement and position.

The movie that I chose to analyze for this section is Blade Runner. This movie takes

The original Blade Runner is a 1982 film directed by Ridley Scott, depicting the future of life in Los Angeles in 2019. A company called the Tyrell Corporation has created a line of intelligent androids, known as replicants, who are virtually identical to human beings and are titled as the Nexus series. These replicants are only used on off-world colonies for fighting and working in extreme working conditions on the other planets. The replicants are declared illegal on Earth after a mutiny by Nexus-6 models in an off-world colony. Four of the Nexus-6 model replicants have managed to get access to Earth. The story focuses on Rick Deckard (Harrison Ford), who is part of a special police squad known as blade runners, whose task is to hunt down and “retire” (kill) any replicants on Earth.