A Successful Theatre Production Essay

Overall, this farce is an excellent example of how to use the design process. The first scene I choose to examine highlights the design process of lighting. The second scene explains the importance of costume design. Even though only two examples are listed in this paper, the play as a whole has multiple examples of these two design principles, as well as multiple

The set used for Vernon God Little was highly symbolic and simplistic; when we walked into the theatre we could visually see that there were flowers, cards and memorable items attached on the audiences seats above our heads, which already created a sombre atmosphere around the theatre.

The designers’ availability allows the play to provide admirable performance. Whatever differed in their jobs, their performance in these design worthy to admire. Also, The director was the one how encourages them to determine the precise time in the

remain committed to make bold, enthusiastic and outstanding theatrical performances. They at times want their performance to be physically dynamic and fierce however even at times to be tender and fragile depending on the circumstance. Frantic assembly have always been about more than the work on the stage. It is about their team work,enablement and constant desire to improve also about finding talent in places they wouldn't always look.

Theatre is a collaboration of various forms of fine art which utilizes live performances presenting before the audience on a stage at a specific place within a scheduled time (Dugdale 10). The message is communicated through a combination of various channels like songs, speech gestures or dances. Stagecraft skills are combined with elements of art to make the performance more physical and near to real life experience. Theatre is categorized broadly into drama, musical theatre, comedy, tragedy and improvisation. Any form of these accepts integration of various production modes and collective reception to influence the artwork being presented. As a result of this cooperation of items in the theatre

This show being a musical the actors are dancing during each number. In some numbers there are men wearing around 6 inch heels and short dresses while doing more complicated dance moves than there co-stars in jeans and tennis shoes. Encountering this difficult mix the chorography had to take this into account when coming up the routines that would be done. The music that is created by Cyndi Lauper allows for excellent dance routines that are a mix of upbeat and very slow. The men who were playing the drag queens performed to this music impressively. With the help of the chorography creating a routine that these actors could do with the obstacles that they were faced with, each number turned out perfectly. Not only did the Jerry Mitchel, the director and choreographer, created numbers that worked with the costume department, he also created movements that functioned with the set design. This simple layout created few issues to have the actors move around except for the main staircase in the center of stage. This item could have caused the issue of hiding actors behind it if they were to move there during a scene. If this would have happened the audience could have become confused on were the actor went and if they were suppose to be in another setting. Mitchel made sure this confusion didn’t happen during the show. He kept the staircase a fair space from the background, which allowed actors to

The scenes and props complimented the attire of the performers, blending together create a magnificent display. The scenery was realistic enough to afford the viewer an escape into depths of the show. The setting was beautiful and the structures almost lifelike, excepting the absence of a front screen door. It seems that almost all plays and television shows I have viewed neglect this detail. The stage lighting played a key role in the show by setting the mood of the performance during soulful, pensive songs. In contrast, the lighting proved to be a detriment by overbearing the performance of the artists, in that one’s attention was drawn to the glare of extreme quantities of makeup rather than the actions of the characters. This was most notable during the final portions of the production.

The set design was simple throughout the entire play, yet it delivered a meaningful theme to the performance. Consisting of a raised platform, fabric for acrobatics and the pool, the actors used each element of the set design to enhance the overall experience for the show goers. The best example of the

The case titled The Theatre Budget was a short journal about a frustrated Vice-President of a performing

‘skene’ there was a large double door for the actors to make their entrance. Actors could also enter through the ‘parados’ if they were acting as characters from foreign lands or who had just arrived (University Press Inc). There were three areas where the actors could act; the platform in front of the stage building, the orchestra and the roof of the stage building. The roof of the stage building was often

Theatre has been a prevalent form of entertainment for centuries. As time has progressed, the meaning behind theater has shifted to adapt with society appropriately. Different genres of theater have been emerging all throughout history and continue to emerge even today. There are so many different genres of theatre that any individual can relate to it. One can easily recall the major genres of theatre: drama, comedy, musicals. However, it is the sub-divisions within these major genres that evoke unique performances and experiences.

In Dead Man’s Cell Phone there were a lot of design elements in that helped express the time, location, and underlying theme of this play. They were shown through the set and costume design. However, costume design is different as to where it is more personal and gives us more information about the character and how he or she contributes to the play. These elements are space, line, shape, form, color, texture and Light. Through using examples from the play, these elements will be used to describe what the set and the props say about time, mood, season, place and character.

In the words of Gay McAuley, “for an activity to be regarded as a performance, it must involve the live presence of the performers and those witnessing it…” (McAuley, 2009, cited in Schechner, 2013, pp.38). This statement recognises the importance of both the actor and the audience for something to truly function as a performance. In addition, Lloyd Llewellyn-Jones highlights the significance of the theatrical space and how it can influence an audience stating that “on entering a theatre of any kind, a spectator walks into a specific space, one that is designed to produce a certain reaction or series of responses” (Llewellyn-Jones, 2002, pp.3). The relationship between actor, audience and theatrical space is no less important today than it was at the time of theatre during the Spanish Golden Age and the creation of Commedia dell’arte in Italy. Despite being very close geographically with theatre thriving for both in the same era, sources that explore the social, cultural and historical context of these countries and the theatre styles will bring to light the similarities and differences. This essay will analyse the staging, the behaviour of the audience as well as the challenges the actors faced, and how this directly influenced the relationship between actor, audience and theatrical space.

Some of the divisions in the chapter 9 is ‘How to give feedback to actors about their work’ (127) and ‘how to sit in the rehearsal room’ (131). These divisions might make the readers feel rather over-detailed, but for a first director, it would be helpful when he/she encounters any trouble during the first few rehearsals. Also the chapter 10 and 11 discusses “how to divide up” rehearsal schedules by time and how to deliver the detailed table work “materials” that a director have prepared before the rehearsal (142). The researched given circumstances that happens before the play begins such as “back history facts and questions” should be well discussed with the crew and actors (143). These given informations that the director researched ahead of rehearsals should be read together with the actors and the production team, and they are encouraged to to the research works on their own perspective for a proper and deep understanding on the play. At this stage of the production, actors are more encouraged not to determine their characteristics until they have thoroughly investigate and deepen their understanding of their characters’ world (146). When the research process is done, the actors are invigorated to shape their world and the specific blocking and action as to clarify their ideas toward

The essay investigates how a director should communicate and work with actors during rehearsal and on set to produce engaging performances. The essay investigates different acting styles, the rehearsal process, directing on set and communication between actors and director. The essay assumes the actor has formal training and basic experience. The essay then proves effective communication achievable through the “actor’s vocabulary” is key not to over-direct and building trust with the actor.