A Summary of Franz Kafka's 'Metamorphosis'

“The Metamorphosis” is a surreal story by Franz Kafka surrounding the transformation and betrayal of Gregor Samsa, who wakes up one day, reborn into a large insect. Along with the bizarre and nightmarish appearance of his new hard back, brown segmented belly, and many legs, Gregor only desire is to live a normal life, unfortunately, this is impossible because he struggles to even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing human form, Gregor is automatically deprived of the right to be a part of society. Franz Kafka could relate to Gregor because he too was mistreated/neglected by his father and worked a job that he was unhappy doing. Franz and Gregor both were providers for their families. Alienation, isolation, and loneliness were not hard to recognize during the Modernity and Modernism time period.

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

Often times, when someone is down, their family will bring them up. In Gregor Samsa’s case his family wants nothing to do with him. In “Metamorphosis”, by Franz Kafka, Gregor goes through a change with his body and himself. Gregor changes from a human to a giant beetle. This causes Gregor to feel very alone and doesn’t know what to do. He stays in his room because if he leaves no one will accept him. Before he was a beetle, he would help his family, he worked for them to help with living costs. His family doesn't appreciate his help or him for that matter. This leads to Gregor feeling rejected or alienated from his family, society and himself.

The Metamorphosis, a story written by Franz Kafka, is about the sudden transformation of Gregor Samsa into a bug. The narrator describes how Gregor’s transformation negatively affects his work, family, and social relationships; it also takes readers through Gregor’s journey of trying to regain his humanity. Throughout the story, Gregor denies his loss of humanity and attempts to preserve his previous work and family relationships because these relationships make up a great deal of his identity. Throughout his life as a bug, Gregor realizes just how much of an influence his work and family have on who he is, and life becomes difficult for him now that he is letting down both his family and his

Franz Kafka’s twentieth-century classic, The Metamorphosis, shows the changes of the Samsa family after their son, Gregor, turns into a vile insect. Even though Gregor has turned into the most disgusting of creatures, this “metamorphosis” is ironic compared to the transformation that his family endures. While Gregor still sustains his humanity, the lack of any compassion and mercy from his family, is what makes them the disgusting creatures rather than Gregor. The changes of Gregor’s father, mother, and sister prove that the theme of metamorphosis is not exclusively present within Gregor.

A metamorphosis can be described as a change in structure, form, or appearance, or as a change in form from one stage to the next in an organism’s life. In Franz Kafka’s novella, “The Metamorphosis”, change is a major theme. The theme of change is significant as the main character, Gregor Samsa, a traveling salesman, undergoes a metamorphosis of his own as he experiences changes living as a giant insect. However, Gregor’s journey through his new life is not subjective, as his transformation provokes significant changes in his family’s dynamics. In fact, Gregor’s transformation into an insect is not the main focus of the novella. Kafka uses Gregor’s metamorphosis as a way to emphasize the more significant metamorphosis within the Samsa

Growing up, Franz Kafka questioned his father’s use of power not only at home but also in the workplace. Kafka’s father referred to his employees as “paid enemies.” Upon noticing “the submissiveness expected of [workers] toward their superiors” in his own asbestos factory, Kafka found this true for not only his father but also most of the upper class (Speirs and Sandberg 7). Disappointed by this class hierarchy, Kafka attended anarchist meetings and referenced communist writers in his diaries (Cohn). These meetings led him to develop a similar ideology to Karl Marx, who attributed “all… [of] history [to] class struggles.” In The Metamorphosis, Kafka channels a Marxist viewpoint through Gregor Samsa’s life before his metamorphosis and his family’s life after the metamorphosis.

In Franz Kafka’s “The Metamorphosis” Gregor Samsa dreads his daily grinding of working as a traveling salesman in order to provide for his family. Gregor endures the burden of carrying the financial responsibility of taking care of his family. While his family enjoys the fruit of his labors and live comfortably because of him. Gregor is not allowed to live for himself, this suppresses him into a shell. The family’s lack of appreciation for Gregor leads to his physical change which is his first metamorphosis. This first metamorphosis results in Gregor transforming into a hideous insect. One morning Gregor awakes late for work in his new body. Instead of being concerned about his appearance Gregor is more worried about getting to work as

The very first line of one of the most famous novellas of the 20th century, Franz Kafka’s Metamorphosis, is puzzling. It tells us that the main character awakes one day and finds himself turned into “ungeheueren Ungeziefer” (Gooderham par. 4). It has proven difficult to translate the line into English, as there is no precise translation. Meaning some “enormous or monstrous kind of unclean vermin” (Gooderham par. 7), it denotes “something nasty, but not specific” (Robertson 2:31). The meaning of the whole story remains similarly uncertain, and numerous readings of it have emerged in literary criticism. In our paper, we will make an attempt to give a possible interpretation of the novella, supporting it with some arguments, and then we will discuss the story’s ambiguity further.

Much of Franz Kafka's story “The Metamorphosis” spends it's time talking about Gregor as he struggles to live his new life as a bug. Gregor tries to find a analytical reason as to why he has taken upon this form but later on finds on that he has to accept the truth. From being an ordinary travel salesman and provider for his family to a abomination, Gregor becomes hopeless as he can't work or provide for his family. His new life as an insect causes a hardship as he is faced with isolation from his family, transformation, and guilt. Gregor discovers himself when he sees how the world looks at him from his transition from a human to an insect. Gregor's death illustrates the cruelty of society and denial of his family when they can't obtain the things they want in life anymore because of his new form.

Living a relatively monotonous life, Gregor Samsa has his world change one morning when he discovers his transformation into an oversized insect. In Franz Kafka’s short story, “The Metamorphosis,” Gregor struggles with not only his physical devolution into a vulgar organism, but also the condemnation and revulsion from his family. Gregor’s metamorphosis ultimately illustrates a disturbing fact: once Gregor is no longer the provider for the family, he loses all significance to his family. This in turn raises the question of who the real parasite is in the family, which the reader soon sees is anyone but Gregor, despite his physical, superficial metamorphosis.

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

“...with great earnestness...” (Kafka). In doing so, Gregor works as a traveling salesman in constant working stress; a dead-end job where his coworkers and boss don’t respect him as an individual, much like countless other working class people. “He was a tool of the boss, without brains or backbone.” (Kafka) It’s clear that Gregor has a subconsciousness predisposition to the results of his metamorphosis; identifying himself figuratively as a human bug working at a human hive for no personal fulfillment.

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

The psychologist, Sigmund Freud, states that every human has a conscious and unconscious mind. In the unconscious mind it is said the people suppress their hidden feelings which may affect the way they think. Freud says one way humans express their hidden feeling is through dreams. This idea is the foundation for the dream interpretation of “The Metamorphosis.” Dreams have the capacity to encapture events that never happen in reality. They connect with how people reflect their true feelings about a situation or themselves. Throughout “The Metamorphosis”, the author, Kafka, uses Gregor’s repressed feelings incorporated with the dull setting and Gregor’s transformation to support the idea that Gregor is dreaming.