A Sunday Afternoon On La Grande Jatte Seurat

In Berthe Morisot’s painting, she uses colors ranging from blue to green to yellow to orange. She uses paint thinly but in big brush stroke but her color was dull. Her brush strokes are in a cross hatching manner. This method of cross hatching creates depth and shadows on the foreground. Intermixed, in her piece are signs of dry brush strokes. Morisot’s figure is enticing to the viewer by staring back at the onlooker. Morisot’s painting looks very freeing as that is what she longs for. She has a sketch like quality about her painting.

I remember viewing Portrait of Dr. Heinrich Stadelmann by Otto Dix during an eleventh grade field trip to the Art Gallery of Ontario, and being completely entranced by the painting—unable to look away from it. At the time, I was not fully aware of the world of art and did not have the vocabulary and knowledge to articulate my interest in this particular painting. Now, after returning to the painting three years later, the experience is quite different. Being recently exposed to a fairly wide range of art last semester has allowed me to experience the painting under a more knowledgeable light. During this most recent viewing of the painting I paid more notice to the painter’s decisions regarding the paint application, the textures, the colouration, the lines, the composition, etc. The core of this different experience during this viewing is due to a newfound consciousness of artistic choice.

All summer, I had been practicing for wrestling. I was getting better every day, it seemed like. So I decided, to go to a wrestling dual in La Junta. The excitement, was pumping through my body like blood.My coach asked me, “are you ready for today.” I replied “yes coach I always am.”So we start going on the road, it was a fun trip like it usually is. We arrive, and It was as hot as a stove outside. And we have a couple hours to relax, so I lay down and talk to my teammates for a while.

Three weeks ago I visited the Art Institute of Chicago. It was established in 1879 and has since expanded its collection to approximately three hundred thousand works. Attracting over one and a half million visitors annually, it is one of the largest art museums in the United States. The reason I chose this site is that I read that it displayed Georges Seurat’s A Sunday Afternoon on the Island of La Grande Jatte, and I wanted to see it in person because it is so iconic.

He was brimming with excitement as he dusted off a blank canvas and set it on a stand. He turned the lights up to their brightest. Carl worked with precision late into the night, listening to music and the rain pattering outside the whole time. He painted a park at sundown. The trees, lamps, and the ground were all standard colors easily perceived by the human eye, but the sky was bursting with multicolored cubes; a fantastical glimpse of Carl’s unique perspective. When he was finished he took a few steps back, scanned his work like any good artist, and finally nodded, pleased with his outrageously colored

The primary focus of this section is to explain the “act of painting.” Flack begins her book with notes on the creative process and what it means to be an artist. Everything from the perception of color to confronting a blank canvas is addressed in this section. Audrey Flack briefly touches on the spiritual

The Paintings A Sunday Afternoon on the Island of La Grande Jatte and The scream have several similarities and difference between them, but one difference that can be easily seen is the painting techniques. A Sunday Afternoon on the Island of La Grande Jatte is made of oil paint on canvas and its dimensions are of 6’91/2’’ by 10’11/4’’. The artist of A Sunday Afternoon on the Island of La Grande Jatte uses the technique of “Divisionism” or “Pointillism”. The artist uses small multidirectional strokes of colors in his painting

Jan Vermeer was a Dutch painter who fascinated by the use of light in his paintings. “Unlike Caravaggio and Rembrandt, who used light for dramatic emphasis, Vermeer concentrated on the way light reveals each color, texture, and detail of the physical world” (Preble 307). Vermeer

Gauguin studied how each dot created an overall color. This technique was briefly touched upon by Gauguin. He never used the stippling technique, however he strategically placed colors in such a way that separately, they could create forms and texture. Furthermore, during his studies and findings of Seurat, Gauguin stumbled upon a Turkish quote which acted as somewhat of a doctrine for color and its

Art Critique | A Sunday on La Grande Jatte by Georges Seurat | Emma Steinbrecker     Seurat is known and recognized for his attention to detail and intricate designs. His famous painting, A Sunday on La Grande Jatte is no exception. With the intricacy and detail devoted to this image, it is a favorite of mine. He created an intriguing design with a variety of people existing in an open space surrounded by a plethora of trees and encapsulated by the edge of a river.

The art world has been host to a vast menagerie of talent, intellect, and creativity for about as long as human culture has existed. It has grown, developed, and changed just as humanity has. Naturally, with such an impressively expansive history, various avenues of art are visited time and time again by new artists. Artists seek not only to bring their own personal flavor and meaning to timeless concepts, but to find new ways to approach them. While not every single creator and craftsman can make such a great impact on art or the world, their efforts have given birth to some truly magnificent and unique works. In an effort to create a more meaningful understanding, as well a deeper appreciation, of the nuances, techniques, and design choices employed in these attempts, a comparison will be made between Edouard Vuillard’s Interior With a Screen (1909-1910) and Henri Matisse’s Blue Nude (Souvenir of Biskra) (1907). In this essay, each artist’s approach to the subject of the female nude will be closely analyzed, compared, and contrasted, as will their styles of painting, handling of visual elements, and their use of the principles of design. An interpretation of each work and what the artist intended when creating it will also be provided.

When one looks at the painting White light, an array of colors spring off the canvas and permeate one’s senses. The primary and intense color of red is softened by the primary colors of yellow and blue. While the tertiary color of green subtly takes its place among the hues to give some balance. The perceivable tones of black and white add value and seem to give some

From the time periods of late1904 to early 1906, Pablo Picasso, one of the most renowned oil painters in history, explored the theme of Saltimbanques upon his canvas medium during his famous Rose Period. Previously, Picasso suffered from depression, which resulted in the era known as the Blue Period, but in 1904, Picasso met Fernande Olivier, who some speculate was the transition from his Blue Period to Rose Period. During the Rose Period, Picasso’s used of warm color oil paints, primarily pink, highlighted the artistic style of Saltimbanques as he depicted circus performers, harlequins, and acrobats that he observed when living in France. For much of his artwork, “Picasso’s eye would also require the stimulus of a visual experience,” and for him, the idea of being visually stimulated by circuses, caught his attention. In order to gather inspiration, Picasso would frequently visit the Cirque Médrano in Montmartre so that both his mind and eyes could be visually stimulated. As his infatuation with Saltimbanques increased, he dedicated a series to them and in 1905, he created his most famous painting of the Rose Period “Family of Saltimbanques.” This painting, standing at 7x8 ft, was considered to be the biggest painting ever produced by Picasso. Using these influences, Picasso was able to create his most impressive works of the Rose Period, “Family of Saltimbanques.”

This essay looks at the time in history beginning in the 1400’s to the mid-1700’s which we identify in art history as The Renaissance, Baroque, and Rococo periods. Focusing on the influence new scientific knowledge had in the art produced during this time with specific examples from each period and artists of the time.

Science played a great role in artworks in the Renaissance, Baroque, and Rococo periods in history. This essay will explain how the knowledge of science was used when creating works of art.