A Sunrise on the Veld by Doris Lessing Essay

Immediately after we are born, we start picking up sounds; the sound of our mother’s voice, the music playing in the elevator on the way to the car, and the happy cheers from a small child seeing their new sibling for the first time. We are always listening–picking up on conversations not meant for our ears, eavesdropping on the gossip of the adult world, and finding the meaning in the portentous silence. From all these auditory stimuli, we piece together the world around us to better understand what is happening to us, around us, and the secret happenings that were not for us to know. Great writers are the ones who listen and say nothing–who take it all in and save their classified information for a day when all the right words flow and form one epic story of the wondrous world we live in.

and gaining valuable details making it something of a myth. People write differently depending on the recipient and what their motives are. As we look at the writings of

The standard impression most people have of writers is that they can sit down and just let a perfect composition flow from their heads onto paper. In her writing career, Lamott has observed how “writing is not rapturous. In

Writers that take an extensive amount of time describing details often disrupt the fluidity of the story they are trying to tell, and cause the reader to become disinterested due to the fact that he or she "lost sight of his priority" as King mentions. I am conscience of the speed at which the story is being told, and can often "get bored" of a piece of writing if the writer's decision of over explaining everything slows down the telling of the actual story. A reader can learn from reading such material "to keep the ball rolling", and to avoid getting caught up in describing unnecessary details. Anything that strays away from the actual story and slows down its speed causes the reader to become disinterested and conscience of "the craft."

In doing this, if the author is effective in their craft, they can appeal to the reader on an

In this report you will see the comparisons between the novel Dawn and the life of Elie Wiesel, its author. The comparisons are very visible once you learn about Elie Wiesel’s life. Elie Wiesel was born on September28,1928 in the town of Hungary. Wiesel went through a lot of hard times as a youngster. In 1944, Wiesel was deported by the nazis and taken to the concentration camps. His family was sent to the town of Auschwitz. The father, mother, and sister of Wiesel died in the concentration camps. His older sister and himself were the only to survive in his family. After surviving the concentration camps, Wiesel moved to Paris, where he studied literature at the Sorbonne from 1948-1951. Since 1949 he has worked as

In The Sun Also Rises, during the transition of society from World War I to post-war, values transformed from the “old-fashioned” system of what was morally acceptable to a system that held the basic belief that anything of value, whether tangible or intangible, could be exchanged for something of equal value. This novel specifically pinpoints the transformation of the values of money, alcohol, sex and passion (aficion), friendships and relationships, and even one’s pain.

The Awakening by Kate Chopin introduces the reader to the life of Edna Pontellier, a woman with an independent nature searching for her true identity in a patriarchal society that expects women to be nothing more than devoted wives and nurturing mothers.

William Fox is inviting German filmmaker F.W.Murnau to Hollywood and gives him a whole access to the Fox Studio (Allan and Gomery, 97). As a result of this, in 1927 Murnau has an opportunity to direct a film, Sunrise: A Song of Two Humans, which is a first American film that is made by using two popular movements of the 1920s, German Expressionism and Hollywood realism. The film tells the story about the men from the farm, which has a romance with a woman from the city. After a failed attempt of killing his wife, the man tries to piece up a quarrel. Using a mixture of these two styles, Expressionism, which is characterized as a depiction of reality that is widely distorted for emotional effect, and Realism, Murnau permits an audience perceiving the subjective experience of the characters while hiding the reality and shows to them struggle between the frenzy of the city and peacefulness of the country. He applies the joining of expressionism and realism through mise-en-scene, en-framed images, cinematography particularly remarkable tracking shots and other camera technique very professionally.

“That Evening Sun” by William Faulkner is a good example of a great emotional turmoil transferred directly to the readers through the words of a narrator who does not seem to grasp the severity of the turmoil. It is a story of an African American laundress who lives in the fear of her common-law husband Jesus who suspects her of carrying a white man's child in her womb and seems hell bent on killing her.

One of the major themes of Osamu Dazai’s The Setting Sun is the socioeconomic fall of aristocracy in Japan following World War II. The title itself reflects these core themes: when the Japanese write down the name of their home country in Kanji (one of its three alphabets), it  roughly means “land of the rising sun”. The Setting Sun is an allegory that the glory days of Japan have come to an end, specifically their ancient aristocracy and their old families, as well as Japanese culture. The comfortable bourgeoisie becomes the hard-working proletariat and the historical situation changes as the material circumstances changes. This social and economic change is both subtly and unsubtly shown through the main characters’ flashbacks and stories; Kazuko and her family come from a long line of aristocrats but now face the reality of living without power or status. Following three major events -- the death of Kazuko’s father, Kazuko’s divorce to her wealthy husband, and the nation-wide economic crisis caused by the war -- the family finds themselves out of money and out of luck, challenging the way they formerly viewed the world, themselves, and their class. Through their mother’s incompetence, Kazuko’s difficulty in working, and Naoji’s existential crises, Dazai deconstructs the classist ideals that claim the wealthy gained their status and capital because of hard work, strength, intelligence, and personal superiority while remaining sympathetic toward the upper classes.

In “On the Pulse of Morning”, Angelou uses visual imagery and symbolism to argue that people must learn from the past to eliminate racial injustice in society today. The vivid descriptions found in the poem evoke feelings of injustice through the emotionally painful pictures that they paint. Americans as a whole are described in the poem to have “crouched too long in / The bruising darkness, [...] / Face down in ignorance” (“On the Pulse of Morning” 15-18). The speaker of the poem insinuates that “humans have been hiding, [...] afraid of what they might learn” from history (“On the Pulse of Morning”, 1998, 3: 276). The bestial visual of a person “crouching” takes away the humanity of the subjects, and the description of “bruising darkness” calls to mind the dark times of slavery over a hundred years prior. The image evokes a feeling that Americans have made terrible mistakes in the past that have not yet been corrected. They have committed terrible, animalistic acts in the blackened cover of history. These people refuse to look up and accept what has been done. The shadows of slavery and the pain caused by it are still ubiquitous in modern society, and if humans do not stop hiding from the truth, they cannot right the wrongs that have been committed. In order for the ignorance to end, people must accept the continuing prevalence of injustice. Not only does Angelou use detailed descriptions, but her use of symbolism allows the reader to see the injustice in society through

which he can better his own writing. This makes the reader go away with a good

In That Evening Sun, William Faulkner approaches the story through an anecdotal style that gives meaning to the story. The narrator uses the anecdote that happened to him to convey the story’s underlying meaning that people are restricted by social class and race, not realizing this meaning himself at the time. The era of racism pertains to the meaning of the story, discussing the aversion of southern white people to help those different from them, focusing on the restrictions that society has placed on social class and race separation and the desire to maintain the division.

"Never shall I forget that night, the first night in the camp, which has turned my life into one long night, seven times cursed and seven times sealed. Never shall I forget that smoke. Never shall I forget the little wreaths of smoke beneath a silent blue sky. Never shall I forget those flames which consumed my faith forever. Never shall I forget that nocturnal silence which deprived me, for all eternity, of the desire to live. Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God Himself. Never." (9)