A Theme of the Opera in Bel Canto by Ann Patchett

In William Shakespeare’s drama, Othello, a reader does not need to search tirelessly to find one of the numerous victims of the tale. While it is true to state that many characters in this story endure great suffering and sorrow during their arcs, it is natural to wonder, “Who is the ultimate victim of this tragedy?” Is it the title character himself? Othello, mercilessly betrayed and emotionally tormented by his friend, Iago. Perhaps, it is Othello’s wife, Desdemona; she pays the ultimate price for Iago’s deeds at the hands of her beloved. Emilia, Desdemona’s handmaiden, could also be considered the most tragic character. Still, there is one man who rises above the others in his suffering; a man whose own daughter was stolen from him before he even knew she had been taken. Ultimately succumbing to his grief, only one character can truly be deemed the ultimate victim of this play, Desdemona’s father, Brabantio.

Castiglione's The Courtier presents a set of female and male indications for being ideal or well-rounded persons, spread across four books of what was to become a Renaissance-specific manual for achieving the human etiquette ideal. A parallel is to be traced between these precepts that were drawn five centuries ago, and the current situation.

subject and told me of how we came to the island. My father has tried

In the play by Federico Garcia Lorca, The House of Bernarda Alba, a recurring theme throughout the play is freedom. Lorca expresses freedom using characters, situations and objects. The characters in the story are Bernarda’s daughters who are under her control and have extremely little freedom and privacy by being forced to abide by her rules. Freedom and Repression are most significant themes conveyed throughout the play, the two opposing themes together are important to understanding both the characters and the story as well.

Norma Elia Cantu’s novel “Canícula: Imágenes de una Niñez Fronteriza” (“Canícula: Snapshots of a Girlhood en la Frontera”), which chronicles of the forthcoming of age of a chicana on the U.S.- Mexico border in the town of Laredo and Nuevo Laredo in the 1940s-60s. Norma Elia Cantú brings together narrative and the images from the family album to tell the story of her family. It blends authentic snapshots with recreated memoirs from 1880 to 1950 in the town between Monterrey, Mexico, and San Antonio, Texas. Narratives present ethnographic information concerning the nationally distributed mass media in the border region. Also they study controversial discourse that challenges the manner in which the border and its populations have been

Othello by William Shakespeare raises the issue of how rampant beliefs and attitudes in a society can cause a person to question their sense of self. In a society where racial equality is near non-existent, Othello, a black skinned foreigner in the Venetian society, is constantly reminded of his status as an outsider. Othello, however, is not depicted in a stereotypical manner and despite occupying a highly respected position he is often confronted with blatant racism throughout the play. The prevailing attitudes and beliefs of Venetian society towards Othello are exploited by Iago in order to manipulate Othello’s self confidence and emotional state.

Giacomo Puccini has written a number of operas, including Turandot, Gianni Schicchi, and Madama Butterfly. La Bohème is said to be “one of the most successful and enchanting operas ever written.” Written in the romantic period, the text and score interrelations play an important role in an overall aesthetically and historically pleasing opera. In a story of love found and love lost, Puccini uses text and score to create empathy for the characters of La Boheme. Puccini does so particularly in the aria Donde lieta uscì, sung by Mimi towards the end of Act III.

The choice of the “Three women of Don Giovanni” can give a good understanding of the type of music which was used to create an opera in the 18th century Italy. The opera buffa was a comic opera with a funny story line and light music. Mozart wrote at different levels.

In the novel Bel Canto by Ann Patchett, a diverse group of international businesspeople, politicians, and diplomats are all gathered to celebrate the birthday of Mr.Hosokawa, a Japanese business man. During the performance by opera singer Roxane Coss, the party was crashed by a group of rebels, who held the males and Mrs. Coss hostage. While trapped in the house the rebels and hostages learn to coexist and create normalcy to their very abnormal situation. Friendships and more intimate relationships form as the story progresses. Jane Marcus-Delgado’s essay “The Destructive Persistence of Myths and Stereotypes: Civilization and Barbarism Redux in Ann Patchett’s Bel Canto” believes the relationships formed in the novel reinforce the stereotypical

Giving Character's character is one of the most interesting challenges in operatic composition; another is composing for all the specific characters. A composer has to distinguish between characters through his music. Jan can't sound like Fran, and Dan can't sound like Stan. Each character must have his/her own traits. Mozart's opera, Don Giovanni, provides us with many different characters to compare and contrast.

Opera in the Romantic Period was a time when opera changed drastically, especially in the country of Italy. The recognition of singers as being important, almost irreplaceable, in the art of “bel canto” opera changed the idea of a vocalist in opera forever. A singer’s voice was prized and Italian composers, like Rossini, Donizetti, and Bellini wrote operas and works to showcase the voice, it’s color, range and agility. These Italian composers were moving away from the normal style of composition of the time, and the composer Rossini, who set the stage for many other followers. Many of the operas written during this time are still performed today and are highly acclaimed. For the most part, before Italy became a main player, France

   The Shakespearean tragedy Othello contains a number of themes; their relative importance and priority is debated by literary critics. In this essay let us examine the various themes and determine which are dominant and which subordinate.

Imagine you are in a darkened theater and on stage are the actors. Behind the actors you can see the scenery. Down in front of the stage, in what is called the pit, is an orchestra and a conductor. As the orchestra plays, the actors on stage do not speak their lines they sing them!

Act I of Verdi’s Otello starts without a prelude. It starts directly with the storm. This opera has an aggressive starting which is represented by strong music. The opera begins outside a castle in Cyprus, near the shore in the midst of an unleashed evening storm full with queasy violin and horn undulations and high-woodwind lightning flashes (Hepokoski, 1987). Verdi represents the storm with trumpets, cornets, and trombones. Then, followed by Cassio, Montano, and his full train, Otello enters the castle.

Bottega Veneta was established in 1966 by Michele Taddei and Renzo Zengiaro in Vicenza. The name Bottega Veneta means “Venetian shop” in Italian. Bottega Veneta prided themselves on craftsmanship. They developed a leather weaving technique called intrecciato that remains a signature of the brand. In the beginning of the 1970s, Bottega Veneta built its reputation around the irreproachable quality of their work and advertising with the tag line “When your own initials are enough" - the discretion of their designs. The motto “When your own initials are enough” conveys a concept of individuality and confidence that now applies to women and men’s leather goods, ready-to-wear, shoes, jewellery, furniture and more. By the early 1980s, Bottega Veneta