A True War Story Analysis

War changes the lives of each and every soldier who participates. It continues to change the way they experience events and the way their perception of the simplest things. Many veterans do not realize what truly happened until much later in life, if at all. Many live in denial of the truth, consciously or subconsciously, and many continuously remember their darkest moments. This is the case in “Salem”, written by Robert Olen Butler. The short story is about a man, late in life, recalling a past event from the Vietnam War. He remembers a man, alone in a clearing, whose life he ended. He starts to understand his actions and their true outcomes. The author uses symbolism, setting, and character to enhance the idea that one should always be aware of how his/her actions affect others.

The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.

Within the chapter “How to Tell a True War Story,” O’Brien writes about a story that Mitchell Sanders recounts to be true. The surrealist part is when Sanders talks about how they heard noises within the forests of Nam. Sanders says, “...but after a while they start hearing -you won’t believe this- they hear chamber music… Then after a while they hear gook opera and a glee club…” (Pg. 71). When he says this he is really adding details to pad the story up. Like when Sanders say, “The whole country. Vietnam. The place talks. It talks. Understand? Nam - it truly talks.” (Pg. 71). He means to say that he added those things that they heard because there were sounds they heard that couldn’t be explained. Later on he says that those things they heard

Throughout the book, O’Brien repeatedly states his struggles in telling “a true war story.” One of the obstacle he faces in telling “a true war story” is the readers’ misconception that “truth” must be an event and not an emotion. To begin, O’Brien claims “A true war story is never moral… If at the end of a war story you feel uplifted… then you have been made the victim of a very old and terrible lie… you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (68-69) and “All of us… like to believe that in a moral emergency we will behave like the heroes of our youth” (38). In these two statements, O’Brien has shown us that people want not a

When men go off to fight a war, they often carry more emotional baggage than actual, physical baggage. “They carried all the emotional baggage of men who might die. Grief, terror, love, longing - these were the intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight.” (page 20) The war messes with their heads, causes them to become paranoid, scared, and anxious all hours of the day and night. Ted Lavender, who was terrified of his own shadow in Vietnam,

Tim O’Brien uses two narrative techniques in “How to Tell a True War Story”. First he splits the story into three different sections. The first part being Rat Kiley writing his letter to Curt Lemon’s sister about the relationship they had. The next section is describing the correct way of writing a “true war story”. And the last is O’Brien looking back on stories and his story telling techniques. O’Brien separates the story into three different parts to give the reader an example of a story that is “true”. The next section would about the truth about writing a true story and the last section is his personal reflection on the whole situation. The other narrative technique is that O’Brien retells certain events. He retells how Curt Lemon died, he retells Mitchell Sanders telling a story, and he retells how women react when you tell them stories about the war. Tim O’Brien retells stories and

     In “How to Tell a True War Story” O’Brien explores the relationship between the events during a war and the art of telling those events. O’Brien doesn’t come to a conclusion on what is a true war story. He writes that one can’t generalize the story as well. According to O’Brien, war can be anything from love and beauty to the most horrid

Wars are a difficult place to be. “THE VIETNAM WAR transformed a generation” (Roberts 1). With all that happened during the war such as exposure to

For countless of people today, the Vietnam war is just something from the past, but for Tim O’Brien, the Vietnam War will endlessly be with him. This one year in Vietnam changes the lives of this platoon from emotional pain, physical pain, as well as muscle pain will commence to cloud their vision. The weight of the things that they carried takes great effect on them that they have to continue to endure on this one year trip in Vietnam and remember these memories for the rest of their lives..

Some were true while some were just to portray heroism and were filled with false facts. The story “How to Tell a True War story” written by Tim O’Brien illustrates the difference between true and fictional war sorties. To show this O’Brien used two different stories and compared them. In both the stories, the common theme is that war brings melancholy and pain to everyone. The first story was about two friends Curt Lemon and Rat Kiley. Curt Lemmon accidently dies by stepping on a barbed wire. The second story was about a military troop which was sent to check the enemy movements. Both the stories are based on real war situations. The book was published after the Vietnam

     According to the author Tim O’Brien, people tend to readily accept the ‘facts’ presented of what happened during a war. People do not consider the existence of fallacies regarding the actual stories of what happens in wars, few consider that the ‘facts’ of an incident often change through people’s words. The film ‘Saving the Private Ryan’ by Steven Spielberg features both facts and seemingness part of the war story. Since it is so difficult to fully describe a war using human language, Spielberg ended up revising his stories to make sense out of it. Spielberg included parts that did not occur or exclude parts that did occur in order to make their stories seem more credible. According

First, the reader must understand just what makes a good "war story". The protagonist of the novel, Tim O'Brien, gives us his

The short story that will be discussed, evaluated, and analyzed in this paper is a very emotionally and morally challenging short story to read. Michael Meyer, author of the college text The Compact Bedford Introduction to Literature, states that the author of How to Tell a True War Story, Tim O’Brien, “was drafted into the Vietnam War and received a Purple Heart” (472). His experiences from the Vietnam War have stayed with him, and he writes about them in this short story. The purpose of this literary analysis is to critically analyze this short story by explaining O’Brien’s writing techniques, by discussing his intended message and how it is displayed, by providing my own reaction,

Why is it so hard to tell a true war story? There is never really a true war story, people put their own facts and what others want to hear. A true war story is not about the killing and war itself, it is about what you gain and what you lose during war.

It can be hard to fully comprehend the effects the Vietnam War had on not just the veterans, but the nation as a whole. The violent battles and acts of war became all too common during the long years of the conflict. The war warped the soldiers and civilians characters and desensitized their mentalities to the cruelty seen on the battlefield. Bao Ninh and Tim O’Brien, both veterans of the war, narrate their experiences of the war and use the loss of love as a metaphor for the detrimental effects of the years of fighting.