A Unique Perspective of The Yellow Wallpaper

"The story was wrenched out of Gilman 's own life, and is unique in the

Charlotte Perkins Gilman’s, “The Yellow Wallpaper”, published in 1899, is a semi-autobiographical short story depicting a young woman’s struggle with depression that is virtually untreated and her subsequent descent into madness. Although the story is centered on the protagonist’s obsessive description of the yellow wallpaper and her neurosis, the story serves a higher purpose as a testament to the feminist struggle and their efforts to break out of their domestic prison. With reference to the works of Janice Haney-Peritz’s, “Monumental Feminism and Literature’s

Berenji, Fahimeh Q. "Time and Gender in Charlotte Perkins Gilman’s “The Yellow Wall-Paper” and Kate Chopin’s “The Story of an Hour”." Journal of History Culture and Art Research, vol. 2, no. 2, 1 Jan. 2013, pp. 221-234, Database: MLA International Bibliography -- Publications. kutaksam.karabuk.edu.tr/index.php. Accessed 18 Nov. 2017.

“The Yellow Wallpaper” by Charlotte Perkins Gilman takes the form of journal entries of a woman undergoing treatment for postpartum depression. Her form of treatment is the “resting cure,” in which a person is isolated and put on bed rest. Her only social interaction is with her sister-in-law Jennie and her husband, John, who is also her doctor. Besides small interactions with them, most of the time she is left alone. Society believes all she needs is a break from the stresses of everyday life, while she believes that “society and stimulus” (pg 347, paragraph 16) will make

     The plot of “The Yellow Wallpaper” comes from a moderation of Charlotte Perkins Gilman’s personal experience. In 1887, just two years after the birth of her first child, Dr. Silas Weir Mitchell diagnosed Gilman with neurasthenia, an emotional disorder characterized by fatigue and depression. Mitchell decided that the best prescription would be a “rest cure”. Mitchell encouraged Gilman to “Live a domestic life as far as possible,” to “have two hours’ intellectual life each day,” and to “never touch a pen, brush or pencil again,”(Gilman 20) as long as she lived. After three months of isolation, abiding by Dr. Mitchell’s orders, Gilman realized she was becoming insane. She abandoned Dr. Mitchell’s advice and,

The Yellow Paper is a symbolic story written by Charlotte Perkins Gilman. It is a disheartening tale of a woman struggling to free herself from postpartum depression. This story gives an account of an emotionally and intellectual deteriorated woman who is a wife and a mother who is struggling to break free from her metal prison and find peace. The post-partum depression forced her to look for a neurologist doctor who gives a rest cure. She was supposed to have a strict bed rest. The woman lived in a male dominated society and wanted indictment from it as she had been driven crazy by as a result of the Victorian “rest-cure.” Her husband made sure that she had a strict bed rest by separating her from her child by taking her to recuperate in

In the grips of depression and the restrictions prescribed by her physician husband a woman struggles with maintaining her sanity and purpose. As a new mother and a writer, and she is denied the responsibility and intellectual stimulation of these elements in her life as part of her rest cure. Her world is reduced to prison-like enforcement on her diet, exercise, sleep and intellectual activities until she is "well again". As she gives in to the restrictions and falls deeper into depression, she focuses on the wallpaper and slides towards insanity. The Yellow Wallpaper by Charlotte Perkins Gilman is a story written from a first-person perspective about a young woman's mental deterioration during the 1800's and

In the nineteenth century, women in literature were often portrayed as submissive to men. Literature of the period often characterized women as oppressed by society, as well as by the male influences in their lives. "The Yellow Wallpaper" by Charlotte Perkins Gilman presents the tragic story of a woman's descent into depression and madness because of this oppression.

As I started reading this short story, it clearly introduced who the characters are and where it took place. The narrator is a woman; she has no name, remains anonymous throughout the story. She lives with her husband John in a house. This house is isolated from society, since the short story indicates that it is far from village, roads or any means of communication. It also contains locks and gates throughout. The woman is ill and this illness has placed her in a weak position with her husband and everything around her. We know that she likes to write, but her husband doesn’t let her, so she does it in secret. Although this type of writing is mainly to show mild personality disorder in dealing with life,

These "things" are sinister vestiges of ancestry in the natural history of this supposed nursery: barred windows and rings mounted on the wall are more evocative of imprisonment and even torture than they are of children's recreation. Other signs of duress that emerge-the gnawed bedstead, the wallpaper that is stripped at arm's length around the bed, the "smooch" of a shoulder rubbed "round and round and round" at the base of the wall-are all evidence of the behavior of the room's earlier inhabitants and provide evidence of previous habitat adaption for the narrator to study. The feature that is most immediately provocative, and initially aversive, is the room's wallpaper, which appears to grow in fetid ribbons. First the narrator sees only curves in the pattern, but then she finds they "commit suicide" by their motion, and soon she fills the curves with human features-"two bulbous eyes" (6) that have a "vicious influence" (7). Thus far she is resisting her surroundings, pitting herself against its energies and apart from the system of the room.

Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through

"There comes John, and I must put this away -- he hates to have me write a

In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the narrator, Jane, is struggling to deal with her depression that she is suffering in a confined room that her husband, John put her in. John believes that this will cure Jane and make her better from her depression. Instead, Jane is slowly losing herself within the yellow wallpaper in the room causing her to become insane. Jane is not able to express her feelings with her husband or anyone else, but instead she bottles it up inside of her until she could no longer resist. The outsider theme is forced upon Jane from her husband’s way of treatment. “A Rose for Emily” by William Faulkner also portrays the outsider theme

Throughout history and cultures today, women have been beaten, verbally abused, and taught to believe they have no purpose in life other than pleasing a man. Charlotte Perkins Gillam uses her short story, "The Yellow Wallpaper" as a weapon to help break down the walls surrounding women, society has put up. This story depicts the life of a young woman struggling with postpartum depression, whose serious illness is overlooked, by her physician husband, because of her gender. Gillman 's writing expresses the feelings of isolation, disregarded, and unworthiness the main character Jane feels regularly. This analysis will dive into the daily struggles women face through oppression, neglect, and physical distinction; by investigating each section

“He told me all his opinions, so I had the same ones too; or if they were different I hid them, since he wouldn’t have cared for that” (Ibsen 109). As this quote suggests Charlotte Perkins Gilman, in “The Yellow Wall-Paper” and Henrik Ibsen, in A Doll House dramatize that, for woman, silent passivity and submissiveness can lead to madness.