A Visual Pilgrimage The Gloucester Cathedral-Cloister : South And West Alleys

Growing up near a city filled with museums, I was lucky enough to be exposed to amazing works of art. My visits to the Frick Collection, housed in one of the only remaining Gilded Age mansions in New York, have clearly been my favorite throughout the years. In that special ambiance, I discovered the glowing and extraordinarily clear tranquil paintings of Johannes Vermeer. I was drawn to the three Vermeer masterpieces in the permanent exhibit. The personal qualities of both the mansion and the paintings captured my fascination and I returned frequently. With extraordinary clarity, Vermeer was able to capture objects precisely through light and space. At first I wasn’t sure why his paintings appeared so different from the other works of his time, but I soon realized they were infused with light and

Museums add new context for artworks, since historical items were not made to be in modern museums. A Pair of Sensing Angels by Circle of Bernaert Orley are two ‘one by three foot’ oil painting on wood from 1535-1540 that depicts two angels. When looking at “A Pair of Censing Angels” we can infer the subject, the value the painting held, and how the meaning alters in its present setting. This visual analysis will describe the artwork, analyze the formal elements used, and how the formal elements of the work and display affects the viewer.

After reading through Cathedral many times, and highlighting multiple passages, I decided the excerpt above is where I found the most meaning, and a great conclusion for the narrator. The fist line, “It was like nothing else in my life up to now.” is the first time we see the narrator show anything beyond ignorance to the blind; there's a feeling of true understanding. He has been presented as a very close-minded person up until now and it seems like he may have just shown his first form of consideration for something beyond his own realm of beliefs. “But I had my eyes closed. I thought I’d keep them that way for a little longer. I thought it was something I ought to do.” I believe this part shows a major theme of this story, that you don't

These Cathedrals I believe represent people, so this shows that even the narrator realizes that he’s never been able to see any further than someone’s outer look and has always been the type of person to judge someone or interact with someone solely based on what they look like on the outside. while Robert is the opposite and even though he’s interested on what the Cathedrals look like architecturally he is more interested on what they look like on the inside and what they represent which is how he views people as well. Robert realizes that the narrator has had trouble not being able to see people for how they truly are and wants to help him see them as he does. It is when Robert has the Narrator close his eyes and draw a cathedral with him that the narrator is focusing on something other than what it looks like and more so on what it “feels” like for the first time in his life. I believe that Robert’s hope for him is finally realized when the Narrator keeps his eyes closed when told to look at the drawing and exclaims “it really is something” showing that he is really looking at

Columbus, Indiana is known for its stunning modern designs and Kogonada ensures that we are given a wonderful tour with many highlights which results in some of the most beautiful imagery in a film this year. Every building, from the public library where Casey works to a tall-spired church to bridges and archways and walls made of glass, inspire the conversation. They are as much a part of the narrative as they are a backdrop. The detailed nature of discussions is at times informative and points to a filmmaker who understands the artistry of these unique

Nestled among the modern skyscrapers of Midtown Manhattan, you could be forgiven for mistaking the striking Gothic architecture of St. Patrick’s Cathedral as a medieval artifact in the heart of New York City. Though not quite that old, the storied cathedral is renowned for its beautiful Neo-Gothic design and rich history. Not too many people, however, realize the true story behind one of New York City’s most iconic and celebrated landmarks. Here’s a quick look at the hidden history of the famed St. Patrick’s Cathedral.

The drawing of the cathedral will bring comfort to many readers, yet many readers will say that it stood out on its own to perceive the vision of art. But many others will say it evolves the sustained guardianship for a moment to try to occur between a stubborn man and a man who lacks vision but has a contained and elaborate mindset. Even with the narrator seeing cathedrals visually on TV, but he falls short to describe the visual image of said cathedral to Roger who lacks the sight. “How could I even begin to describe a cathedral? But say my life was being threatened by an insane guy who said I had to do it or else(Carver)”.

The construction of the picture space, impeccably correct from a mathematical point of view, is characterized, first, by the extreme shortness of the perspective distance which, if the room were drawn to natural scale, would amount to only about four feet; second, by the lowness of the horizon which is determined by the eye level of the seated Saint; third, by the eccentric position of the vanishing point which is little more than half a centimeter from the right margin. The shortness of the distance, combined with the lowness of the horizon strengthens the feeling of intimacy. However, the vanishing point prevents the small room from looking cramped and box-like because the north wall is not visible; it gives greater distinction to the play of light on the embrasures of the windows; and it suggests the experience of casually entering a private room rather than of facing an artificially arranged stage.

Corresponding to how the Salisbury Cathedral is the epitome of English Gothic Architecture, the Amiens Cathedral is the essence of French Gothic Architecture, the difference however is that with the Amiens Cathedral it is rather uniform in its appearance compared to the contrast of conflicting architectural styles of the Salisbury Cathedral. Amiens Cathedral serves as a testament to the beauty and grace of the French Gothic movement in the 13th century. This stunning cathedral stands in the once thriving and bustling town of Amiens, France, located roughly 140 kilometers north of Paris. The Amiens Cathedral was commissioned by Bishop Evrard de Fouilloy to replace a smaller church dedicated to St. Mary and St. Firmin that had burned down in 1218. The destruction that the fire had wreaked over the city was so disastrous that nothing remained from any of the former churches. Construction of the nave began in 1220 and finished in 1288, a period of sixty eight years. The master of the work was named Robert de Luzarches. Master Thomas de Cormont came after him and eventually his son, Regnault, succeeded him. There were several additions made at the times, and repairs and restorations have been carried out from time to time; but Amiens and its main features stands accurately to that of a thirteenth-century French cathedral. In 1258, another fire broke out that threatened to undo the work that the architectures spent so many years working on. Luckily the building survived, but not

In Washington Irving’s short story Westminster Abbey, he recalls a personal visit to this great English church. He described this historical building in several ways, including, sight, sound, touch, and smell. While he did not specifically name the smell and feel of things, he described these objects with sensory words to convey how they may have smelled of felt. Overall, this adds to the description very much. He clearly notes the sounds, such as the “reverberating” of the clock in the midst of the quiet of the church. He also recounts amazingly specific details in the objects he beholds as well as how they make him feel. This visit to Westminster Abbey involved every aspect of the humanities from the arts and history to theology and philosophy.

As suggested by the title, this piece of literature attempts to highlight the importance of sensory experience in architecture. It is indeed a response to what the author terms as ‘ocularcentrism’ of Modern Architecture. Ocularcentrism is the act of prioritizing visual stimuli to all other sensory stimuli available to a human perception. He quotes famous German poet, Goethe, in his defense, “the hands want to see, the

In Wright and An alto's houses, a powerful sense of insides is generate by opacity. Which, in Falling water is express in roughly dressed stone masonry walls and, in Villa Mairea. By white-painted, solid walls. The transparency of glass windows in both houses thereby connect the two. In both houses, the architects created a strong sense of insideness yet, at the same time, devised ways to connect inside and outside and thereby create a robust continuity between the two. This inside-outside relationship can be translate into environmental and architectural experience in four different ways: (1) in-betweeness; (2) interpenetration generated by inside; (3) interpenetration generated by outside; and (4)

St. Paul’s Cathedral, in London, England, was designed by architect Sir Christopher Wren. Approval of this most significant architectural project took six years just for the plan. Construction, which began in 1675, took thirty-five years until finally complete in 1710. It was built to replace a church that had been leveled by the Great Fire of 1666. St. Paul's is the largest cathedral in England, and said to be Wren's masterpiece. He brought a range of new forms, and architectural combination into English architecture. Masonry, brick, timber, and cut stone were used to form the structure of the cathedral. St. Paul’s Cathedral has been one of the main socially significant buildings in London. Cathedrals all around, have always played a

All over the world, people still come to admire the beauty of European cathedrals. Many of the cathedrals are fragile due to age, neglect, pollution, and insufficient funds available to restore these historical and magnificent buildings. Nevertheless, visitors to these architectural masterpieces are fascinated by the design and structure of these churches. The cathedral builders using their own ingenuity, expertise, and limited resources were able to defy the laws of gravity and time. (Icher 30)

Centered in the house is a ramp that takes you on a journey from the underbelly of the house on the ground floor to the main body on the first floor and then on to a roof garden. Throughout the house views of the surrounding nature are framed, your mind is free marvel, as the forms evoke a sense of exploration and delight. Villa Savoye is better experienced than viewed through an image, only then can you understand the greater meaning and purpose that informs its beauty. One might argue that this is not beautiful architecture and a poor example, however upon visiting this house you cannot deny that the house is beautiful in its own right, evoking a response from the occupant. Le Corbusier’s masterpiece is moving; therefore achieving what he believed architecture to be about. This experience and the emotion that is felt can only be described in words. Shapes play a big role in the architecture but clearly the meanings behind are more important.