A Voice To Be Heard In The Yellow Wallpaper

The rest cure was one of the treatments given to women with hysteria. The narrator in “The Yellow Wallpaper” by Charlotte Perkins Gilman, experienced the treatment and the outcome of the treatment. In my belief, the rest cure was somewhat a form of punishment toward the narrator and other women in the Victorian Era, in the 1900s. From the beginning of the short story, the narrator stated that her husband John was a physician of high standing and that he prescribed her rest, the rest cure. (Gilman 553) Her condition was hysteria a very common diagnosis in women in the 1900s. The rest cure was the one of the preferred treatments in that era. The rest cure meant that she had to stay isolated from family and friends for three months, placed on a fatty, milk-based diet, and forbidden to work. (Gilman 553) I believe all of these things led her to go insane. “The Yellow Wallpaper” took place in the late 1900s. In the Victorian Era, a woman’s sole purpose in life was to bear children and make their husbands happy. Also, women dressed in very tight corsets which would sometimes cut oxygen and women were fainting. Women also, could not show their ankles, and if they did, they were considered a prostitute.

‘The Yellow Wallpaper’ is centred in the writer’s narration, by setting the narrator to be not entirely reliable and an oppressed woman. The character are showed to be feeling trapped and unhappy with

In an article titled, “Why I Wrote The Yellow Wallpaper”, Gilman talks about her personal experience with the rest cure, also denouncing the diagnosis as a whole. “For many years I suffered from a severe and continuous nervous breakdown tending to melancholia--and beyond.”(Gilman). While this ailment would not be handled as heavily today, Gilman would actually be subject to the rest cure by Silas Weir Mitchel himself. Mitchel would tell Gilman to “live as domestic a life as far as possible”, “(to) have but two hours intellectual life a day”, and “never to touch pen, brush, or pencil again.” Like the fate of her stories protagonist, the treatment would almost drive Gilman

In “The Yellow Wallpaper,” written by Charlotte Perkins Gilman, the idea of “true womanhood” is challenged. The white woman portrayed in the story is prescribed what is known as the “rest cure” due to the overwhelming pressure of being the perfect woman, wife, and mother. Driven mad by the smothering of her husband and her inability to do anything for herself, the woman in this story goes crazy attempting to free herself from the constraints. In stark contrast to the woman in “The Yellow Wallpaper,” Sojourner Truth, a former slave, delivers a speech titled, “Ain’t I a Woman,” in 1851 that shakes people to their very core. A little before “The Yellow Wallpaper” was released, Truth shares a message that is astoundingly different from the

Hysteria was the “go-to, catchall diagnosis” for all women, consisting of any “problem” including, but not limited to, nervousness, faintness, loss of appetite, (lack of) sexual desire, headaches, insomnia, muscle spasms, and trouble-making. For centuries, literature portrayed as submissive and obedient to men and oppressed by society, culture, and even men. In The Yellow Wallpaper, Gilman presents readers with a story of a woman suffering from depression, possibly post-partum, but whose remedy is “rest cure,” a treatment invented by Silas Weir Mitchell for neurasthenia involving isolation and rest as a cure for hysteria in all its forms. The Yellow Wallpaper is a narrative concerning the gradual demise of the mental stability of an unnamed, newly married upper-middle class woman in late nineteenth century rural America. Gilman uses psychological terror to not only portray the narrator’s fall to insanity, but also to shed light on the rather unfortunate role of women in the institution of marriage. The narrator’s husband, John, is a physician who firmly expresses disbelief in his wife’s claims of depression. From the beginning of the story, the reader can tell immediately that the narrator has absolutely no voice. John assures her and others that nothing is wrong but “temporary nervous

Introduction: John’s domination over the Narrator is evident from the beginning of the short story. The Narrator remains unknown and takes the identity of John’s wife not an individual human being. This identity, further explored, becomes her personality because she obeys John’s every command.

The short stories, “The Story of An Hour”, by Kate Chopin and “The Jury of Her Peers”, by Susan Glaspell compare two married women who live under the shadow of their husbands. Both of these stories were written in the late eighteenth and early nineteenth centuries during the time when women were treated unequally. Women had limited rights. For example, they could not vote, voice their opinion or work outside the home. Glaspell and Chopin were considered feminist writers who focus their writing on the struggle of women during the time when the Women’s Suffrage Movement was beginning; these short stories reflect women’s struggles under the control of men. Married women were responsible for taking care of the household, children and wifely duties while the husbands were responsible for consistently managing the title of “the breadwinner.” Married women were expected to be discreet and obedient to their husbands, which meant that the wives could not express their opinions because of society’s expectations of women. In the short stories, “The Story of An Hour”, by Kate Chopin and “The Jury of Her Peers”, by Susan Glaspell, Mrs. Mallard and Mrs. Wright share a prominent similarity concerning the loss of their individual identity during marriage and realize that the death of their husbands allow them to regain their self-identity.-

All throughout history there has been a stigma around mental illness and feminism. “The Yellow Wallpaper” was written by Charlotte Perkins Gilman in the 1900’s. “The Yellow Wallpaper” has many hidden truths within the story. The story was an embellished version her own struggle with what was most likely post-partum depression. As the story progresses, one can see that she is not receiving proper treatment for her depression and thus it is getting worse. Gilman uses the wallpaper and what she sees in it to symbolize her desire to escape her depression and the controlling nature of the patriarchal society of the twentieth century. The story shows an inside look into the thoughts and feelings of a person with a mental illness such as depression. Gilman also uses symbolism to showcase how the male figures in her life had control over her well-being more than she did. Both her husband and doctor hindered her from healing by not listening to her when she expressed what she felt would help her. She does not clearly say that she feels overwhelmed by the patriarchal society of the 1900’s; however, one can infer this by her wording and actions throughout the course of the story. Charlotte Perkins Gilman uses “The Yellow Wallpaper” to reveal the truths of a woman’s everyday struggles in a patriarchal society and also the deeper struggles of a woman with depression.

The first example of suppression is the usage of the “rest cure” as a treatment for mental illness, which the author indirectly criticizes by showing the negative impact this treatment has on the narrator of the story. Instead of finding ways to work through her depression, she wasn’t allowed to do any kind of work or leave the house area, which caused her to get lost in her own mind. By not being allowed to work or write, she wasn’t able to deal with her problems. She spent most of the time alone in a room, with just her thoughts. Therefore, it is not surprising that she developed a fascination with the pattern of the yellow wallpaper. Although the rest cure treatment obviously did more harm than good it was widely used in the 19th century to treat nervous illnesses. According to the sciencemuseum.org.uk, patients usually were prescribed the rest cure for six to eight week and it meant that were on a bed

Kessler further explains that Dr. Mitchell’s treatment only made Gilman’s depression worse and that eventually "she ceased to follow his regimen" (158). The character she creates in "The Yellow Wallpaper" also fantasizes about ending her regimen saying, "I wish I could get well faster" (Gilman 81). Both seem to view the rest cure as an unwanted interruption in their lives. It should be no surprise then that Gilman draws from her own experience and Dr. Mitchell’s treatment. She even finds a way to incorporate him into the story as a kind of threat to the narrator. The narrator in the story is thinking about the reaction of her husband, who is also a doctor, to her slow convalescence, "if I don’t pick up faster he shall

In the 19th century, mental illness was an uncommon issue to be discussed. The public would treat the illness only by avoiding the matter and forcing the sick to feel helpless. At that time, the medical profession had not yet distinguished between diseases of the mind and diseases of the brain. Neurologists such as Dr. Silas Mitchell treated the problems that would now be treated by psychiatrists, such as depression. The most accepted cure was Mitchell's “Rest Cure,” which required complete isolation from family and friends. It forbid any type of mental or physical energy, and required total bed rest. The harsh results of the “Rest Cure” are easily seen in the story titled “The Yellow Wallpaper” written by

As the story begins, the narrator’s relationship with her husband, John, is very trusting. Although she does not agree with his belief that isolated rest is the best thing for her, and feels that “congenial work, with excitement and change,” would be better she doesn’t act out in disdain because of the nineteenth century ideology in which the man knows what is best. However, she does at this point believe that he knows best, and feels somewhat guilty for her opinion as later she states “He is very careful and loving,” as John tries to nurse her back to health. These conflicting emotions confuse the narrator and become a cause of anxiety.

Charlotte Perkin Gilman’s short story, “The Yellow Wallpaper” depicts a female narrator descending into insanity as the story progresses. By analyzing the narrator’s decline in health as a direct result of her physician’s actions we can see that Gillman argues that by working with their patients to construct a joint narrative regarding treatment can a physician provide better and more effective care, and that consequences arise when a patient’s claims and concerns are dismissed.

physician who has given her a ‘rest cure’: to resist all intellectual activity. This unnamed

Within the medical community, doctors often neglected women 's health during the nineteenth century. Society viewed women as weak and fragile beings making them more susceptible to illness. Surprisingly some believed that women could consciously control their sickness to gain attention or to avoid their womanly duties (Poirier 16). Silas Weir Mitchell was a well-known neurologist during Gilman 's life. He made many medical discoveries during his career along with creating treatment for locomotor ataxia (a nervous disease), neurotic women, and gunshot wounds that disrupted the nervous systems (Poirier 17). This procedure, called the Rest Cure, consists of the patient resting and exerting as little energy as possible alongside maintaining a balanced diet. Gillman personally visited Mitchell in seek of help during a time of great depression post the birth of her daughter. However, his treatment did not help but, caused her almost to lose her sanity. Gillman addresses Mitchel in her literature "John says if I don’t pick up faster he shall send me to Weir Mitchell in the fall. But I don’t want to go there at all. I had a friend who was in his hands once, and she says he is just like John and my brother (Gilman 197)." Janes husband, brother, and Mitchell are alike in the fact they all believe a woman 's hysteria correlates with their sex. These men also agree in one form of treatment: isolation, rest, and food. Showing that men of