A Way You Ll Never Be By Ernest Hemingway

One of the most important themes, masculinity, is portrayed directly at the start of Hemingway's short story collection starting with "Indian Camp." In the first short story the reader sees the novels protagonist, Nick Adams', "response to violence and suffering inflicted on others will ultimately define his own sense of masculinity" (Frazier). Witnessing this dramatic event at such a young age will define Nick's life and change the way he views certain aspects of life just from watching a woman give birth. Nick's maturity and responsibility are also themes that are greatly exploited just as well as his masculinity.

Readers tend to look closely at the chapter structure and interpret them as individual pieces without stepping back to see them as a whole; yet, Hemingway notes that there is, in fact, a sense of unity between the chapters and vignettes. An obvious unifying thread is the presence of the Nick Adams stories. “Indian Camp” introduces the reader to a young, impressionable Nick. What follows are several interspersed stories that trace his coming of age in pieces such as “The Three Day Blow” and “The Battler.” The book concludes as the post-war Nick Adams provides an account of a fly-fishing adventure, bringing a sense closure to this central character. What complicates the book are the vignettes that are interspersed within the story sequence. This structure works to juxtapose thoughts and ideas, perhaps even disorient the reader, thus challenging the reader to find new interpretative strategies, much like a perspective one might need to look at modern art. Hemingway carefully chose this structure (just as he so mindfully chose his prose) as a way of framing Modernism through the written

The reader receives the impression that Nick’s self analysis of his own character tries to influence their opinion of him. Therefore the reader becomes inclined to question his judgements. Nick Carraway’s narration takes the reader into his confidence; he describes significant experiences in an almost voyeuristic way. Nicks narrative style uses elaborate and very mature vocabulary that gives extra depth and description to his account; drawing the reader further into the story. Additionally Nick’s tone creates a sense of authority and immediacy which encourages the reader to read on.

n the book In Our Time, by Ernest Hemingway, rather than him describing the setting and characters, Hemingway uses vivid stories to give a series of impressions and memories that may at first confuse the reader, but eventually adds a deeper understanding of what Hemingway is trying to convey through the repetition of birth and death . The author uses repetition of the cycle of life [beginning and end] to convey masculinity as it relates to empathy and hope through Nick’s character development throughout the book. Nick’s father often demonstrates masculinity and empathy which is unlike the other male characters. As Nick matures throughout the book, he witnesses traditional male roles being challenged by his father which ultimately provides a deeper understanding of human nature.

In Hemingway’s The Sun Also Rises, we are taken back to the 1920’s, accompanied by the “Lost Generation.” During this time, prohibition was occurring in America. Hemingway uses alcohol as an obstacle that causes distresses between the main character, Jake and his life. Along with alcohol, promiscuity is prevalent throughout the novel. The heroine of the novel, Brett, displays the theme of promiscuity throughout the novel. She uses her sheer beauty and charming personality to lure men into her lonely life. The themes of alcohol and promiscuity intertwine with the Lost Generation in this classic love saga.

The author uses Nick Carraway as the narrator of the story to describe the thoughts and feeling of Nick about everything he experiences for the purpose of contrasting his actions to his ideals.This stand, however controversial it may seem, is in total coherence with the whole story. Even though Nick constantly judges the actions of those around him, he chooses to involve himself with those he so greatly despise. For some people he may appear to be greatly tolerant, however he crosses the line between

Nick presents himself in way that can persuade the readers that he is an honest, true individual in the beginning. He demonstrates that he is the innocent bystander who is simply just observing everyone around him, and describes himself as “one of the few most honest people that I have ever known” (Fitzgerald 59). He is immensely charismatic and can make friends with almost everyone, therefore his narration can be described as unbiased and he seems to be merely telling the story as it is. He begins the novel as stating that “In my younger and more vulnerable years my father gave me some advice that I 've been turning over in my mind ever since. "Whenever you feel like criticizing any one," he told me, "just remember that all the people

The world of Ernest Hemingway’s “Big Two-Hearted River” exists through the mostly unemotional eyes of the character Nick. Stemming from his reactions and the suppression of some of his feelings, the reader gets a sense of how Nick is living in a temporary escape from society and his troubles in life. Despite the disaster that befell the town of Seney, this tale remains one of an optimistic ideal because of the various themes of survival and the continuation of life. Although Seney itself is a wasteland, the pine plain and the campsite could easily be seen as an Eden, lush with life and ripe with the survival of nature.

Hemingway was explaining that Nick was using this to help himself cope with things in life as an example of what Nick’s wants in life or self-realization. Hemingway writes later in the story when Nick sees the big trout in the river and decides not to go after it. Perhaps Nick sees it as the swamp is the misery in his life and the trout is the feeling way down deep that he does not want to obtain until he is ready. It seems that memories are the only hindrance that would keep him from getting closer to being fulfilled.

     In Hemingway’s collection of short stories, In Our Time, we follow a character by the name of Nick Adams. We are introduced to Nick in “Indian Camp” as a young boy, and follow him to adulthood in both Parts I and II of “Big Two-Hearted River”. Through this we see Nick develop and learn about some major facts of life. Nick is a character who changes through the effects of war on many different levels. Although Hemingway hardly mentions the war, he uses the stories to express different effects and emotions caused by the war.

The focus of this essay will be to analyze Nick's transition as he moves from mental isolation, to physical isolation, to maturation and self-discovery.

Most importantly, Hemingway’s “heroes are not defeated except upon their own terms” (Warren, 55); what matters to them “is the stoic endurance, … the stiff upper lip” (Warren, 55) which represents victory in their own ways. Hemingway then masterfully shows how these principles affect the character’s lives in a positive light. Santiago, the protagonist of The Old Man and The Sea, shows how the code hero principles help him gain peace despite his failure to catch the large fish. The struggle may also be arduous and testing, as shown in The Nick Adams Stories. We the audience see Nick Adams, the protagonist and code hero, evolve from a naïve child in the beginning of the story, all the way to a fully realized code hero at the end. Hemingway maps Adam’s journey as one with both blessings and hardships; however, in the end, these learned principles give Adams peace and understanding with his life. These heroes all face different forms of defeat or death; however in the end, they “all manage to salvage something” (Warren, 35) out of these excruciating circumstances. Ernest Hemingway utilizes Santiago from The Old Man and the Sea as a fully developed code hero and Nick Adams

“Big Two Hearted River”, a semi-autobiographical short story by Ernest Hemingway, is a story about the main character, Nick, returning to Big Two Hearted River in order to recover from his inner wounds. Nick Adams goes on a journey alone in nature for a therapeutic purpose as he suffers from PTSD. However, Hemingway purposely avoided any direct discussion regarding to Nick’s mental wounds. The absence of the discussion is contributed by Hemingway’s writing style, the Iceberg principle. Hemingway focuses explicitly on what occurs on the surface without mentioning actual theme. This indicates that the theme of self-healing cannot be uncovered by simply looking at the text itself. In order to comprehend the actual theme of the story, the character development of Nick must be examined. This is possible since Nick Adams is a recurring character of Hemingway’s stories. The two preceding stories of “Big Two Hearted River”, “Now I lay me” and “A Way you’ll Never Be”, directly discusses Nick’s suffering from shell-shock and how he comforts himself by returning to Big Two Hearted river in his mind. The two short stories will be analyzed and connected to “Big Two Hearted River” in the essay first. This will provide a strong understanding of Nick’s psyche and the reason behind his return to nature. Then, “Big Two Hearted River” the short story itself will be carefully analyzed.

Everyone is born to live and to die. People go through life fearing the inevitable which in the end is always death. Ernest Hemingway wrote two short stories that examine this idea of life and death through the use of a variety of different symbols. In both “Indian Camp” and “The Killers”, Hemingway examines these ideas by putting forth a character named Nick Adams. Nick Adams develops as a character throughout these stories ultimately learning lessons about life and death that will better his understanding of the world. Nick goes from having an imperfect immature understanding of death in the “Indian Camp” to a more mature and grown up understanding in “The Killers”. In “Indian Camp”, Nick believes that the only way one will die is if they kill themselves. Nicks father also brings Nick to the Indian Camp where his father will deliver a baby. Nicks father wants Nick to watch the birth and learn the importance of life, but instead the procedure takes a turn for the worst and Nick becomes disturbed by what he sees. In “The Killers”, Nicks understanding of death becomes more understood when he notices how Ole Anderson has given up on life and has ultimately taught Nick the lesson that death is inevitable. By his use of light and characters lying down in bed facing the wall in both “The Killers” and “Indian Camp”, Hemingway is attempting to show us how Nick develops a better understanding of light and death.

As one re-reads the story, it is evident that Hemingway has chosen this style for a particular reason.  Hemingway did not have Ole executed, because in doing so the reader would focus all the attention to his tragic death.  The murder does not occur, and the reader is forced to focus on the reaction of Nick, Sam and George, and the nonchalant attitude of "The Killers."  "One has to read it two or three times before he realizes that Nick Adams is the central figure" (Walcutt, 305).  The story can be broken into four scenes; first, "The Killers" are introduced; second, Nick warns Ole; third, Nick speaks to Mrs. Bell; fourth, Nick returns to the cafe.  Nick is the only character present in each scene, and in returning to the cafe his final statement to George is, "'I can't  stand to think about him waiting in the room and knowing he's going to get it.  It's too damned awful."'  George replies, "'You better not think about it'"(Hemingway, 252).  It is obvious Nick is unwilling to accept defeat, and give up his delusion of a world without evil.  To maintain his delusion, he is willing to escape the reality that is presented to him.  "So, of the two boys, it is obviously Nick on whom the impression has been made.  George has managed to come to terms with the situation.  By this line of reasoning, it is Nick's story" (Brooks, 195).  Nick is the only character that evolves; Nick is a round character.  The other