A comparison of poems by Wilfred Owen “Dulce et Decorum Est” and “Anthem for Doomed Youth” Wilfred

Wilfred Owen's war poems central features include the wastage involved with war, horrors of war and the physical effects of war. These features are seen in the poems "Dulce Et Decorum Est" and "Anthem for Doomed Youth" here Owen engages with the reader appealing to the readers empathy that is felt towards the soldier. These poems interact to explore the experiences of the soldiers on the battlefields including the realities of using gas as a weapon in war and help to highlight the incorrect glorification of war. This continuous interaction invites the reader to connect with the poems to develop a more thorough

From the earliest records of history, accounts of war have been portrayed as valiant acts of heroism. Children and adults alike have gathered together to hear tales of war and its glory. From the stories of Alexander the Great to recent-day movies like Saving Private Ryan, war has been praised and exalted with words such as bravery, honor, and freedom. However, Wilfred Owen's poem "Dulce et Decorum Est" shows the ugly, horrible side of fighting. By use of gripping words and vivid descriptions, Owen paints incredible pictures of what World War I was really like. He tears away the glory and drama and reveals the real essence of fighting: fear, torture, and death. No

In Wilfred Owen’s poem “Dulce et Decorum Est” the speaker’s argument against whether there is true honor in dieing for ones country in World War I contradicts the old Latin saying, Dulce et Decorum Est, which translated means, “it is sweet and honorable to die for the fatherland”; which is exemplified through Owen’s use of title, diction, metaphor and simile, imagery, and structure throughout the entirety of the poem.

Throughout the ages, poetry has played--and continues to play--a significant part in the shaping of a generation. It ranges from passionate sonnets of love to the gruesome realities of life. One such example of harsh realism is Wilfred Owen 's "Dulce et Decorum Est." Owen 's piece breaks the conventions of early 20th Century modernism and idealistic war poetry, vividly depicts the traumatizing experiences of World War I, and employs various poetic devices to further his haunted tone and overall message of war 's cruel truths.

One is to think of war as one of the most honorable and noble services that a man can attend to for his country, it is seen as one of the most heroic ways to die for the best cause. The idea of this is stripped down and made a complete mockery of throughout both of Wilfred Owen’s poems “Dulce Et Decorum Est” and “Anthem for Doomed Youth”. Through his use of quickly shifting tones, horrific descriptive and emotive language and paradoxical metaphors, Owen contradicts the use of war and amount of glamour given towards the idea of it.

Wilfred Owen can be considered as one of the finest war poets of all times. His war poems, a collection of works composed between January 1917, when he was first sent to the Western Front, and November 1918, when he was killed in action, use a variety of poetic techniques to allow the reader to empathise with his world, situation, emotions and thoughts. The sonnet form, para-rhymes, ironic titles, voice, and various imagery used by Owen grasp the prominent central idea of the complete futility of war as well as explore underlying themes such as the massive waste of young lives, the horrors of war, the hopelessness of war and the loss of religion. These can be seen in the three poems, ‘Anthem for Doomed Youth’, ‘Dulce Et Decorum Est’ and

‘Dulce et Decorum Est’ is another of Wilfred Owen’s poems that conveys inner human conflict, in terms of past doings in World War I. The poem was written in 1917 at Craiglockhart (Owen’s first battle after his rehabilitation due to ‘shellshock’). It portrays an inner change in his approach to war and it’s gruesome environment:

Wilfred Owen’s poem “Dulce et Decorum Est” makes the reader acutely aware of the impact of war. The speaker’s experiences with war are vivid and terrible. Through the themes of the poem, his language choices, and contrasting the pleasant title preceding the disturbing content of the poem, he brings attention to his views on war while during the midst of one himself. Owen uses symbolism in form and language to illustrate the horrors the speaker and his comrades go through; and the way he describes the soldiers, as though they are distorted and damaged, parallels how the speaker’s mind is violated and haunted by war.

“Dulce et Decorum Est” is a poem written by English soldier and a poet, Wilfred Owen. He has not only written this poem, but many more. Such as “Insensibility”, “Anthem for Doomed Youth”, “Futility”, “Exposure”, and “Strange Meeting” are all his war poems. (Poets.org) His poetry shows the horror of the war and uncovers the hidden truths of the past century. Among with his other poems “Dulce et Decorum Est” is one of the best known and popular WWI poem. This poem is very shocking as well as thought provoking showing the true experience of a soldiers in trenches during war. He proves the theme suffering by sharing soldiers’ physical pain and psychological trauma in the battlefield. To him that was more than just fighting for owns country. In this poem, Owen uses logos, ethos, and pathos to proves that war was nothing more than hell.

Wilfred Owen exhibits dehumanisation at an early stage in the poem 'Anthem for Doomed Youth'. The first line already connotes such idea, "What passing bells for these who die as cattle?" This metaphor represents the soldiers as cattle for they are slaughtered like cows, and at a much too young age. Dehumanisation is also indicated through the improper celebratory send-off they receive after death, where there is a lack of appropriate commemoration. "No mockeries now for them; no prayers nor bells". These factors demean the value of the young lives lost, therefore showing dehumanisation.

army when he was 22 years old. He was injured in a shell explosion in

Throughout the poem, Owen makes clear two major tones. Anger and Disgust. To establish this point, the poet says “ Knock-kneed, coughing like hags, we cursed through sludge” (lines 2 & 3). This reveals how the poet was angry about being in the war because he wasn’t experiencing the romanticism of war he was experiencing suffering of fighting. An additional example is when Owen adds “ But limped on, blood shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots” (lines 6-8). These lines imply Owen’s disgusted tone towards the war because the soldiers were worked to death. However the title has a completely different tone. The translated title states “ It is sweet and fitting to die for one’s country.” This is a huge contrast to the rest of the poem because all the poet describes is the horror of being in the war, when the title puts a glorified image in your mind that serving is heroic and honorable. For instance, Owen states “ My friend, you would not tell with such high zest To children ardent for some desperate glory, the old Lie: Dulce et decorum

<br>There are several image groups used in this poem, two of which I will be reviewing. The first image group is "Sleep or Dreams". Owen often refers to many subconscious states like the afore mentioned one, the reason why he uses these references so frequently is that war is made apparent to the

War is not heroic. War is sickness, struggle, and death. This is the message that poet and World War I soldier Wilfred Owen wanted to instill in his people back home. Those back home talked of glory and national pride and rooted for their soldiers, however, they were unaware of the horrors these soldiers witnessed and experienced. The soldiers and their people back home were not only separated by distance but by mental barriers, which Owen showcases in his poetry. Owen’s use of personification in “Anthem for Doomed Youth” degrades the soldiers to objects to show how the war dehumanized them to intentionally create a disconnect between the audience and the soldiers.

Owen’s poem has the clear intention of showing the true nature of war to the reader, which is mainly achieved by contrasting reality against the ways in which war is so