“A designer’s perspective on the use of lighting to manipulate mood within commercial and domestic

The Egyptians placed great emphasis on family residences, adding small bedrooms as early as 3500 B.C. By 3000 B.C., the Egyptians made ice through evaporation of water at night and then used it to cool their homes. About the same time, they used fans made of palm fronds or papyrus to cool themselves in the day. To light their homes, the Egyptians abandoned the animal-fat lamps humans had used for 50,000 years. Instead, around 1300 B.C., the people of Egypt devised the first oil lamps.

The well-known writer and cognitive scientist/cofounder of the Nielsen Norman Group, Donald A. Norman, in his book, Emotional Design: “Why we love (or hate) everyday things”, he analyzes the design elements in products. Norman’s purpose is to show why products we use should not be hard to use but attractive and fun. He explains in tremendous detail how the design of an object affects a person emotionally. He argues that in order for an object to be more successful it must be more attractive to the users. Norman uses concrete evidence to back up his argument. He employs the use of imagery, diction and tone in order to convey to his readers the idea of emotional design.

In Charlie and the Chocolate Factory, Burton decides to have the lighting high key at the front of Wonka's factory but low key on the inside. This makes the reader uneasy inside of Wonka's factory. In Big Fish, the director uses extremely low key lighting inside the hospital, but during the story about the father's death, the son makes a extremely high key lit setting in order to communicate how much everyone loved him. Illustration of this technique is when in Edward Scissorhands, Edward is getting chased down by the police and the only real source of light is from the police car. This shows that in order to have the safety of high lighting, Edward would have to get caught by the

In a dark room people tend to be less motivated than in a light or bright room. The color of the walls, carpet and the type of lights all play a factor in this theory. Businesses and educational institutions use Cherry’s theory when deciding how to paint and place furniture in a room to allow for the best possible motivation of the employees and students.

Aristotle once said that “It is during our darkest moments that we must focus to see the light.” A quote like this can be correlated to people like Allen Lee Hughes, because without people like him, darkness would surely reign. In simplistic terms, Hughes is one of the worlds most renowned light designers that has ever lived. Hughes has been given numerous Tony nominations for his impressive lighting designs and now teaches the art of light at New York University, Tisch School of Arts. An eminent lighting design is essential in production because the light sets the mood of the play, and helps the audience’s attention focus on the important plot scenes. Using the I AM THEATRE video, this essay will offer a brief overview of light designer, Allen

The lighting in the room should not be overly bright or pointed toward your companion.

The artist of the piece chosen, The Mosque Lamp, is undefined. This particular artwork was created in Egypt and the date of its origin is recorded as C.1320. Creating this piece included the use of blown glass, enamel, gold, and silver stain. Using these particular materials the creator produced a lamp that looks like an inverted bell. Most onlookers would see this piece and come to the conclusion that the artist created a vase with an hour glass shape. Other shapes on the piece are the protruding small loops that were created in order for chains to be fed through so that this lamp could be hung for all to see. Viewers would predict that the maker of this wondrous lamp was wealthy due to the amount of gold used throughout the work. Besides the use of gold as a major color choice, the artist used iridescence which encompasses all colors. This use of iridescence creates a texture on the piece, which allows the viewer to see multiple colors at different angles. Another item on the lamp that creates texture is the sacred inscription that is in blue, circling the entire piece. This inscription is also the subject of the art itself.

Tim Burton uses lighting to create a certain kind of mood depending on how the characters feel in a lot of his movies. Three good examples would be Charlie and the Chocolate factory, Alice in Wonderland, and Edward Scissorhands. In Charlie and the Chocolate Factory, Tim Burton uses lighting to show how poor and sad Charlie’s life is. In the movie, The lighting turns darker when the camera transitions into Charlie’s house. When the camera focused on the inside of the factory, The lighting turned bright to show the excitement. In the movie Alice in Wonderland, the lighting is always bright

This rudimentary bulb consisted of a piece of carbon which glowed when wires were connected from it to an electric battery. Although the light bulb was not truly invented by Thomas Edison in 1879, he is credited as the inventor and is said to have created the first commercially practical incandescent light. Bulbs play a huge role in our everyday lives, and are also incontrovertibly important in the theatre. As an actress and makeup artist, I have to be able to stand out to others; therefore, I give one hundred percent effort to every activity in which I take part. This vital part of the spotlight represents me because I always seem to shine to my fullest potential. Marianne Williamson - an American spiritual teacher, author, and lecturer - and I seem to think a lot alike. She believes when we let our own light shine, “we unconsciously give other people permission to do the same.” The bulb does the main part of projecting the beam, yet barn doors seem to help as

Lighting is what sets the mood for the scene it is assigned to so making sure you have the right lighting for a scene or even a movie is important. Burton displays sinister and spooky images with low-key lighting. In “Edward Scissorhands” Peg’s neighborhood is in fact very bright and seems to be perfect. Burton uses this technique to display a very obvious relationship between Edward and the Neighborhood. When peg

Judy Theodorson is associate professor of Interior Design where she teaches environmental systems, studios, and interdisciplinary elective courses in light | lighting. Informed by paradigms for sustainable futures, Theodorson’s pedagogical focus is to facilitate linkages between environmental issues, human experiences and design. Her expertise spans multiple aspects of light | lighting including daylighting, light and health, and aesthetic, poetic and experiential dimensions of light. In 2012, IDEC recognized Theodorson with the national Teaching Excellence Award for her highly successful capstone studios. Over the past 15 years, she has mentored students to more than 25 national design awards with recognition in retail design, sustainable

Therefore, dependent on the view of the person deciding the intensity of the light, other people will possibly disagree on the strength for the situation, so it’s hard to work out the proper level required for each situation. Specifically, a strength in this method would be that, you can usually roughly and easily guess what type of lighting would be most appropriate for different settings however a weakness would be that you will never get the most appropriate light that everyone will agree upon.

Additionally, indoor performances, primarily requested by courts and nobility, specifically used candles and torches as sources of illumination. Candles were placed at the front of the stage, between the wings leading to the stage, and above both the stage in order to frame the players. Chandeliers were also hung above those in attendance, to create a sense of audience. This marks both the first appearances of footlights in the theatre and, though basic, the beginning of a formulaic structure for lighting a performance space. Issues prevailed, however – there were still no successful methods for specific lighting, unless an actor held the light themselves to illuminate their face, nor were colored lights or gobo devices available. Though lighting was making its way into the theatrical world, it was purely technical, not called upon to be inventive, create illusions or accomplish tasks at this point in time.

imperative to the comprehension of how interior design itself affects the psychological wellbeing of the

Admitting ample natural light wherever feasible and using color-corrected lighting in interior spaces which closely approximates natural daylight