AP Lit Prompts Antigone

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

With all the events that has happened, Antigone’s death is the source of what made Creon finally understand that he made the wrong decision even though it was through tragic

Antigone’s words, actions and ideas contrast with Creon’s characters to the point of these two characters having conflicting motivations. These Conflicting motivations cause the characteristics of abomination, discourteous, and egocentric to be highlighted within Creon’s character. Ultimately, these conflicting motivations develop Creon a tragic hero by his downfalls, how he’s been aggressive, and also when Haemon and Antigone killed their selves.

Written by the Greek writer Sophocles, the play Antigone continues to touch audiences around the world with themes that are relevant to this day. In the play, Antigone, daughter of Oedipus, and his wife Jocasta, is confronted with conflict as both of her brothers had slain each other after Polynices was exiled from Thebes, then marched back to regain his throne. Creon, the now ruler of Thebes, put forth a declaration stating that only Eteocles was to be buried, while Polynices had been barred from burial as he was considered a traitor. During the play, Antigone fights back and forth on her decision of putting the unwritten law of the gods before the law posted Creon. Two important themes that are showcased throughout the story

What is evident on reading and listening to the play is that the chorus is a key character within the play with a number of functions, namely linking the narrative, introducing the historical perspective, action as a “devil’s advocate”/advisor to many of the characters and also serving as the voice of the city. It is clear that without the Chorus the play would have been quite unstructured and not had as much context within it. The chorus gave insightful historical and mythical

The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to

Everyone has been guilty of some type of wrong in their lifetime, whether it was cheating on a test, lying, or not listening to someone when they are told to do something. Even those considered heroes are guilty of doing wrong and in this essay, the play Antigone by Sophocles will be analyzed. The play takes place in Thebes in 441 B.C. In the play, Antigone buries her brother, Polyneices, who Creon decreed to not bury. Creon then finds out about what Antigone did and punishes her “even though she claimed” to have done the will of the gods. I will explain how each character was guilty of doing something wrong. Transition, Antigone was put on trial for burying Polyneices, however, Antigone, Creon, and the gods are all guilty of doing some type

Antigone's tragedy was a story that is unbearable, and horrific when it is fully understood in the sense of the magnitude of all of the factors that came together to form a fragile, problematic situation. The joint murder of her brothers that was committed against each other, they turned against each other, driven by the lust for power and control. An opinion about how and why the conflict began, is that megalomania was an overwhelming aspect of the provocateur. Creon’s choice between honoring one brother and leaving the other to decompose shamefully with no honor at all. The way these enabling events led to the formation of a partially self-detrimental plan by Antigone, who was appalled that a decision such as that could've even been considered, much less imposed. For her to deal with the turn of events in such a quick succession can be seen as cruel and unbearable, which is one of the aspects

   In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact

This conflicting argument leads to Creon being a tragic character in the play. An example would be in Act 2, “Then go down to the dead. If you must love, love them. No women’s going to govern me- no, no- not while I’m still alive,” (Creon- Line 600). Accordingly, the quote contrasts Antigone's words because Antigone wants to abide by the rule of the gods, while Creon wants to follow his own political law. Creon doesn’t consider Antigone’s explication and would rather have her killed for her notion of the burial of Polynices. The interaction error keeps Creon from perceiving that he is unjust. Another example why Creon is a tragic hero is when he verbalizes, “ In all of Thebes, you’re the only one who looks at things that way...These views of yours - so different from the rest- don’t they bring you any sense of shame?” (Line 575-580). Furthermore, the quote shows how Creon disacords with Antigone and concludes the people of Thebes believe in his rule rather than Antigone's views on the burial of her brother. Therefore, Creon is a tragic hero because his rule, results in Antigone

After analyzing the whole story of Antigone and Creon, I decided to choose the side of Antigone. I understand that Polyneices was a traitor to Thebes and I also understand the frustration of Creon, but when I put myself in the shoes of Antigone, I think I will feel the same thing she felt. I do not think that I will be happy if one of my family members was treated like that no matter what he/she did. Polyneices already got his punishment, he is death from his wrongdoing. So the least thing that Creon can do is to allow his family to bury him. Creon’s proposition is very disrespectful for Antigone’s family. I think Antigone did the right thing by fighting for what is wright.

The human struggle to defy what is intrinsically wrong but established as permissible is openly apparent in the initial scenes of the play – strong-willed and brave-hearted Antigone reveals her plan to unlawfully bury her brother, only to be rejected and dismantled by cautious and law-abiding Ismene. Although Ismene is saddened by her brother's fate, nomos renders her helpless; social constructs have influenced her belief that their standings as women and individual citizens are no match for state law. Consequently, she is appalled that Antigone would even think of defying Creon, believing their brother's fate is out of their hands. She even warns her sister, "tis witless to be over busy."1 Her chance to rightfully bury Polyneices, and more importantly, to realize her innate responsibility to her kin, is temporarily barred by human-allotted law and practice.

The opening events of the play quickly establish the central conflict. Creon has decreed that the traitor Polynices must not be given proper burial, and Antigone is the only one who will speak against this decree and insist on the sacredness of family. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon’s point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. Creon’s first speech, which is dominated by words such as “principle,” “law,” “policy,” and “decree,” shows the extent to which Creon fixates on government and law as the

Antigone is a play that was written in ancient Greece by the playwright Sophocles. It is the third play in a trilogy of tragedies about the city-state of Thebes, revolving around Oedipus Rex. Antigone starts the day after a civil war fought between the two sons of Oedipus Rex after his death. The civil war ended in death for both brothers, so their uncle, Creon, assumed the role of King of Thebes. The main conflict of the play begins when Creon gives one brother, Eteocles, a burial with honors, but passes a law forbidding a burial for the other brother, Polyneices with the penalty of death. One of the sisters of Eteocles and Polyneices, Antigone disagrees with this law, and decides to bury Polyneices, resulting in Creon sentencing Antigone to death. A conflict emerges between Antigone and Creon, who appear to be opposites. However, despite Antigone and Creon’s different stances on law, they are ultimately more similar than different because of their shared value of loyalty and their shared characteristic, hubris.

In the Greek tragedy Antigone, written by playwright Sophocles, a conflict is presented in the aftermath of a rebellion against Thebes, wherein the brothers Polyneices and Eteocles kill each other, as leaders of opposing armies. Creon, their uncle, assumes rule of Thebes, as the only remaining heir of the previous king; then honors Eteocles as a hero, but forbids any burial for Polyneices, calling him a traitor. Antigone defies this, claiming the gods require him to be buried. This essay will argue that Creon was correct to forbid the burial of Polyneices. Both Antigone and Creon have ample justification. The justification, and flaws therein, for Creon’s actions will be discussed, resolving the conflict.