Aaron Douglass Graphic Design Essay

William H. Johnson was a successful painter who was born on March 18, 1901 in Florence, South Carolina. Johnson began exploring his level of creativity as a child, and it only amplified from there because he discovered that he wanted to be an artist. After making this discovery he attended the National Academy of Design in New York which is where he met his mentor Charles Webster Hawthorne who had a strong influential impact on Johnson. Once Johnson graduated he moved to Paris where he was exposed to different artists, various artistic abilities, and evolutionary creations. Throughout Johnson’s time in Paris he grew as an artist, and adapted a “folk” style where he used lively colors and flat figures. Johnson used the “folk” style to express the experience of most African-Americans during the years of the 1930s and 1940s.

The Black Arts movement refers to a period of “furious flowering” of African American creativity beginning in the mid-1960’s and continuing through much of the 1970’s (Perceptions of Black). Linked both chronologically and ideologically with the Black Power Movement, The BAM recognized the idea of two cultural Americas: one black and one white. The BAM pressed for the creation of a distinctive Black Aesthetic in which black artists created for black audiences. The movement saw artistic production as the key to revising Black American’s perceptions of themselves, thus the Black Aesthetic was believed to be an integral component of the economic, political, and cultural empowerment of the Black

His arguments are in favour of images because according to him God was the first to make an image; he made man in his own own image and likeness therefore we too can make images.Furthermore God by becoming a man in Christ created a visual image which is as close we we can get to understanding and knowing his nature thus images of Christ serve as an educational purpose to give us some knowledge of he who is beyond comprehension.Because most of us live in a different time to Christ and many of the Saints or martyrs, images help depict their lives and show their works therefore acting as a source of history which we could not see or experience for ourselves.

This artwork appears to be an abstract piece made from magazine clippings to create a collage. The artwork is a vertical piece that measures approximately 17 x14. It focuses in on the subject of a girl who is created out of neutral colors. She stands out against the rainbow background. In the background each clipping has a different element and pattern, but they all work in unison creating a rainbow background.

The purpose behind Fredrick Douglass’s Narrative was to appeal to the other abolitionists who he wanted to convince that slave owners were wrong for their treatment of other human beings. His goal was to appeal to the middle-class people of that time and persuade them to get on board with the abolitionist movement. Douglass had a great writing style that was descriptive as well as convincing. He stayed away from the horrific details of the time, which helped him grasp the attention of the women who in turn would convince their husbands to help by donating money and eventually ending slavery. He used his words effectively in convincing the readers that the slave owners were inhuman and showed how they had no feelings for other human

The intersection of social movements and Art is one that can be observed throughout the civil right movements of America in the 1960’s and early 1970’s. The sixties in America saw a substantial cultural and social change through activism against the Vietnam war, women’s right and against the segregation of the African - American communities. Art became a prominent method of activism to advocate the civil rights movement. It was a way to express self-identity as well as the struggle that people went through and by means of visual imagery a way to show political ideals and forms of resistance. To examine how a specific movement can have a profound effects on the visual art, this essay will focus on the black art movement of the 1960s and

Slaves didn’t know their mothers or birthdays.  Assess the impact on their mental  well  being ?

African Americans artist did not have the platform to express their artistic views, for this reason, the Harlem Renaissance was created. There was no media options for colored artists advocates their work. Aaron Douglass was painting was illustrated in crisis amazing and the journal of Negro life. After years publication, Douglass colleges, government commissioned him to paint murals. Yes, it was successful, the artists gained notoriety from displaying their work in the magazines.

African Americans are no stranger to discrimination. Children across American are taught about the horrific times of slavery. Following slavery, we learn about the discrimination African Americans face in the light of their bittersweet freedom. Due to this unstability, many amazing young African American artist emerged with breathtaking stories to reveal; the stories weren’t easy to expose because publishing companies and the alike were very

Richard Hunt is a sculptor whose work largely draws on abstraction, crafting organic shapes with industrial materials. His approach to his art is one that is based on compulsion, as he combines various curvilinear and angular forms to form an ambiguous hybrid that captures the African American experience. By crafting an unconventional layering of different shapes, Hunt is able to create a conceptual piece that is open to interpretation. Similarly, Betye Saar aims to promote thought-provoking reflection. By carefully utilizing racial stereotypes into her artistic vision, Saar is able to manipulate racist devices into a more positive message. Her exaggeration of certain caricatures of African American life served as a new symbol for

The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.

The history of graphic art and the cycle of politicization, depoliticization and then repoliticization span the late 19th century through and into the 21st century. Evolving from humble beginnings into the commercial behemoth it’s become to today this essay will explore graphic design’s evolution and the politics that affected this growing art movement during this influential timeline.

I like to believe that art was a way for Blacks to express their pain, hopefulness, and love that everything Black wanted and could just outright say was put into art; therefore, art was a happy place even though it expressed pain but in pain there is its own beauty. DuBois (1925:53) stated that even though Black art has both personal and universal aspects, that those two things are “combined with certain groups compulsion.” meaning that there was a Black person that spoke for the group through art. His thoughts would lead to black Aesthetic.

His early paintings had an unconventional, unique, and unfinished look about them. The images were known to everyone in everyday life.

Art is something that can only be achieved with the manipulation of the imagination. This is successful when using objects, sounds, and words. Richard Wright and Amira Baraka brought the power of art into the limelight. Wright’s perception of art was for it to be used as a means of guidance, one that could uplift the Negro towards bigger and better goals. Baraka’s perspective of art was for it to be used as an active agent, one that could kill and then imprint society permanently. Baraka and Wright both wanted the Negro to see that there was a much brighter future ahead of them. Both wanted art to leave a stain, a stain that could not be easily erased, washed, or bleached. Both believed that Black Art had no need to be silent but instead daring.