Abominations In Frankenstein

“He is dead who called me into being; and when I shall be no more, the very remembrance of us both will speedily vanish. I shall no longer see the sun or stars, or feel the winds play on my cheeks. Light, feeling, and sense, will pass away; and in this condition must I find my happiness.”(161)

Frankenstein is full of ideas and warnings, which are relevant to a modern day audience; in what ways does Shelley explore. Frankenstein Coursework Q. Frankenstein is full of ideas and warnings, which are relevant to a modern day audience; in what ways does Shelley explore these ideas? The novel Frankenstein is set in the pre 1914’s, when there were theories on certain things that they did not understand. It is full of darkness and tragedy in some places.

In Shelley’s Frankenstein, the monster is portrayed as a grotesque abomination. However, as Hopkins states in Contending Forces, the cultural and geographical situations, or lack thereof, in which one matures in play a crucial role in the proper development of one’s mind and brain. The monster is simply a product of circumstance. The lack of social interactions alongside geographical isolation propelled the daemon to be alienated from society, ultimately resulting in a lack of morals and an underdeveloped psyche. By being a culmination of his surroundings and experiences it is revealed that the true monstrous entities are the factors that leave the daemon predisposed to fail in a modern society. Arguably, Victor created a being, while the circumstances that said being was placed in “created” a monster. Shelley purposefully terrorizes the monster with such intensity to provoke and justify the overarching theme in this novel which states that people should not be judged on their physical appearance.

His abandonment issues corrupt the Creature’s life as it causes him to seek a place he will be accepted in. His first positive encounter was with a blind man who was able to judge the Creature by his personality rather than his physical appearance. The Creature tells Mr. De Lacey, “they are the most excellent creatures in the world; but, unfortunately, they are prejudiced against me. I have good dispositions” (Shelley 159). The Creature is troubled by his appearance because it has gotten in the way of living a normal life. The Creature chooses to accept that Victor is the only person that can solve his situation as he seeks a companion that’ll join him in life. He may have started off corrupted, but the attainment of knowledge improved him.

The novel Frankenstein is wonderful in various ways, from the provoking portrayal of human emotion throughout the story; to the elements of fantasy that stimulate the imagination. However, as one (anonymous) critic put it, “[T]he work seems to have been written… …on a very crude and ill-digested plan; and the detail is, in consequence, frequently filled with the most gross and obvious inconsistencies.” (The Literary Panorama). While the critic attempts to expose some inconsistencies in the story, the acerbity in his review of the novel is unfair based on the support he provides. The irony of this review is that although he tries to expose the plot’s inconsistencies, he uses a non-issue as backing, and yet misses the most glaring oversight in the novel.

The desire to belong is natural in most humans. Even though we understand the struggle of belonging, we, as humans still persecute others who are different. This exclusion is, in itself, a form of bullying. In her novel Frankenstein, Mary Shelley exemplifies this phenomenon of human behavior when she shows the maltreatment Frankenstein’s monster receives for his unattractive physical features and how he attempts to communicate with others in order to put an end to his isolation. Despite the monster’s benevolent nature, he is still alienated because he is different. Through the use of the monster and his discrimination, Mary Shelley shows that humans are not that different from the monster in the way we seek others; and those that persecute others are the real monsters.

Mary Shelley's Frankenstein is very much a commentary on the Enlightenment and its failure to tame the human condition through reason. The human condition can be defined as the unique features which mold a human being. The creature is undoubtedly a victim of this predicament. He grapples with the meaning of life, the search for gratification, the sense of curiosity, the inevitability of isolation, and the awareness of the inescapability of death. These qualities and his ceaseless stalking of his master conjure up the metaphor that he is the shadow of the Enlightenment. Indeed, the Enlightenment is represented through Frankenstein whereas the creature is the embodiment of everything it shuns. These include nature, emotion, and savagery. The two characters are understood as counterparts and yet strikingly similar at the same time. The creature is considered a monster because of his grotesque appearance. Frankenstein on the other hand is a monster of another kind: his ambition, secrecy, and selfishness alienate him from human society. He is eventually consumed by an obsessive hatred of his creation. Both characters also commit primordial crimes. Although rationality pervades through Frankenstein's endeavours, it can be argued that he becomes less human the more he tries to be God. The secret of life lies beyond an accepted boundary from which none can return. By creating life Frankenstein ironically sets the stage for his own destruction as well as that of his family. The

For as long as man has encompassed this world, the divisive enigma of humanity has prevailed. Seeping its way into each generation, while sparking heated conversations, it has become evident that there is much we do not know about what truly makes us human. Regardless of our genetic composition, philosophers often ponder the deeper meaning of humanity. We know that, biologically, recreating the genetic makeup of a human does not yield humanity, so what is the missing aspect? Humans -have the ability to contemplate their own existence in this world. Awareness of existence. This driving force enables us to analyze situations while placing ourselves within them. Our involuntary ability to understand the impact of our actions and the affect they have on others causes us to be inherently human. Our actions evoke strong emotions within us that allow us to learn through our experiences. We retain the resonated feelings of certain occurrences and apply them to others in order to deduce outcomes. Often this facet of mankind is taken for granted, yet we are reminded, through both literature and hypothetical scenarios, of its importance. Frankenstein, by Mary Shelley, constitutes as one of these profound reminders. Shelley develops a theoretical story in which the humanity of Frankenstein’s monster is questioned. Despite having the accurate organs and framework of a human, Shelley causes the reader to seek the missing aspect that is preventing the monster from being human. Likewise,

The inclination to belong in a group or society is naturally present in all humans. We, as a species, want to belong somewhere or with someone. Even though, we understand the struggle of fitting, we, as humans still persecute others for not being similar to us. All in all, the exclusion is a form of bullying. In her novel Frankenstein, Mary Shelley exemplifies this phenomena of human behavior, when she shows the maltreatment that Frankenstein’s monster is given for his unattractive physical features and what he does to terminate his isolation.

Mary Shelley’s Frankenstein has several literary devices- such as structure, imagery, and many intricate details. She perfectly places words and puts them in such a way that the passage has a dual tone. Shelley begins with establishing the monster’s nature as being peaceful, because he wanted to reason with Victor. Him wanting to reason shows the importance of his decision to meet with Victor and shows that even though he has been through a great deal, he is still respectable to others. The audience gets to see the creature’s humble nature and makes the audience feel sympathetic towards him. This creates a peaceful tone to the passage. The monster wants to be loved by “any being and if they showed benevolence to me, I would return them hundred an hundred fold” (Shelley 148). The creature’s begging makes it sound like Victor will answer his plea. Using a broad term like “being”, demonstrates the monster’s need to be loved, putting him in a position with the audience again feeling empathetic towards him. Eventually, Victor’s compassion begins to fluctuate. The desperation the creature has looks like the desperation a human might have. This only gives the readers another reason to relate to him which leads to the other tone, impossible. Victor’s unreasonableness heightens this shared discontent as not only has the build up of the creature’s wistful nature made him an utmost identifiable character, but our views are adjusted in such as way that Frankenstein is seen

Mary Shelley’s Frankenstein is a Narrative which tells of Victor Frankenstein and his inhuman creation which he calls, a “wretch.” She writes entirely the book in modern english, which suits the setting and time frame of the story. Shelly utilizes approximately five people to narrate her book. The letters in the first twenty-five pages and a majority of Frankenstein is narrated by Robert Walton. Chapters six through eight, through letters, are mainly narrated by Elizabeth Lavenza and Alphonse Frankenstein. Chapters eleven through eighteen are composed of Frankenstein 's creation narrating his own story, and of Frankenstein speaking very little. Chapter eighteen through the closing of the book is narrated by Victor Frankenstein as he tells

Mary Shelley’s Frankenstein portrays one of the darkest, most hopeless situations that could possibly occur due to the monstrous deeds performed by the main characters in the novel. When one thinks of Frankenstein, they generally think of Victor’s creation as being a monster, and the cause of the unfortunate events that occur in the novel. While Victor’s creation is indeed a monster, Victor is equally as monstrous in his actions. While both characters are initially innocent, they are being constantly corrupted throughout the story. Both Victor and his creation become monsters through their actions.

From the beginning of time, the man has been a believing and fearful being of all the creatures that dwell in the dark. These creatures like beggars, witches and zombies, always frightened the poor villagers who could only defend themselves with torches and stick, unfortunately for the man these were not the only creatures that habited in the dark. In the darkness reigned the kings of the underworld, creatures that only heard of them created havoc everywhere, these creatures were vampires and werewolves. In all the history of the demons of the old one, they talked about the differences that not only these had with the humans, but also that the vampires and werewolves could not coexist together since they considered themselves enemies by nature. Being both natural enemies, which of them was the most fearsome and destructive.

Frankenstein was a story written by Mary Wollstonecraft Shelley while she was on her vacation in Switzerland with her husband. The story got published in 1818 without letting the public about the author. It was in 1831 when the novel revised edition was out and Mary Shelley name mentioned as an author. The novel focused on social, cultural and political facet of the societies during Mary’s lifetime. The fictional character in the novel clearly shows the battle against the pre-established people’s attitude during that time. Religion and science always create a controversy in the society with religion always differencing from any scientific principles and experiments. Shelley’s tried to addresses the above controversy and showed how science and modern technology is sometimes wrong. She tried to show how scientists and inventors are sometimes selfish only care for achieving their plan without evaluating the end result.

Now older and less naive, the dark is a catacomb of panic. The night is now where men become monsters, and darkened streets are their nests. Where I used to dance under starlight, I now shy away from shadows and instead cling to lampposts. Hands clutched to my side ready for a defensive strike, I ask myself if I’ll become another statistic, or if the man on the other side of the street will become another name forgotten. I wonder how it is that something that started off so utterly whimsical twisted it’s shape into an unrecognizable cruelty. In day we laugh at fantastical oddities, and at night they suddenly become real. There’s no need for imaginary horrors, they take the shape of man and women and go by the names of Adam and Eve. The point is we’re the monsters, we’re the scary things that lurk in the dark. We are