Abortion By Judith Jarvis Thomson

To begin with, Thomson uses a thought experiment about a hypothetical famous violinist, to further her argument that abortion is morally permissible. In this thought experiment, you are kidnapped and unconsciously plugged to a famous violinist so that your kidney can remove toxins from the violinist’s kidney and ultimately save his life. Thomson argues that you are not required to stay plugged to the famous violinist even if unplugging yourself from the violinist would result in his death. Thomson argues that while everyone has the right to life, no one has the right to dictate what happens to another person 's body.

The next issue is, in Thomson’s opinion, the most important question in the abortion debate; that is, what exactly does a right to life bring about? The premise that “everyone has a right to life, so the unborn person has a right to life” suggests that the right to life is “unproblematic,” or straight-forward. We know that isn’t true. Thomson gives an analogy involving Henry Fonda. You are sick and dying and the touch of Henry Fonda’s hand will heal you. Even if his touch with save your life, you have no right to be “given the touch of Henry Fonda’s cool hand.” A stricter view sees the right to life as more of a right to not be killed by anybody. Here too troubles arise. In the case of the violinist, if we are to “refrain from killing the violinist,” then we must basically allow him to kill you. This contradicts the stricter view. The conclusion Thomson draws from this analogy is “that having a right to life does not guarantee having either a right to be given the use of or a right to be allowed continued use of another person’s body—even if one needs it for life itself.” This argument again proves the basic argument wrong. The right to life isn’t as clear of an argument as I’m sure opponents of abortion would like it to be or believe it is.

In the article "A Defense of Abortion" Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous "violinist" argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's "violinist" argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not make abortion permissible.

In Judith A. Thomson’s article, ‘A defense of abortion’ Thomson defends her view that in some cases abortion is morally permissible. She takes this stance even with the premise that fetuses upon the moment of conception are in fact regarded as persons. However one criticism of her argument would be that there is a biological relationship between mother and fetus however there is no biological relationship between you and the violinist. Having this biological relationship therefore entails special responsibility upon the mother however there is no responsibility in the case of the violinist. Thomson argues against those who are opposed to abortion with her violinist thought experiment.

With Thomson’s violinist analogy she shows that although disconnecting him would result in death, it would not be morally incorrect. This argument can be applied to a woman’s pregnancy, suggesting that if you accept the prior statement and can find no reasonable difference between the violinist and the fetus occupying the woman’s body, then you should accept that abortion can be acceptable. Thomson

In Thomson’s defence of abortion she argues that abortion is permissible when a mother’s life is not at risk. Working on her interpretation of the secular conservative argument, she first assumes that the premise of a foetus being a person is true, then moves onto the second premise, that a person has the right to life. Analysing what the right to life means, she first looks at the idea that the right to life is the right to have the bare minimum a person needs in order to survive. She quickly rebuts this by providing the Henry Fonda analogy and the violinist analogy. Both of these show that just because a person needs something to survive, like Henry Fonda’s cool hand or another person’s kidneys, a person doesn’t have the right to take it. With this in mind she modifies the argument so that the right to life is the right not to be killed. This she rebuffs with the violin analogy, noting that by pulling the plugs you would in effect be killing the violinist. While the violinist didn’t have the right to your kidneys, it could be argued that he does have the right for you not to intervene. However these are your kidneys, and you should not be forced to allow him continued use. Having ascertained that the right to life is not the right to the bare minimum needed to survive, nor the right not to be killed, she concludes that the right to life is the right not to be killed unjustly, or the

In the “Violinist Analogy,” Thomson argues that in cases of rape and other ways in which a woman might become pregnant without making the decision to have sex, it is not immoral to have an abortion. She makes this argument through the analogy that you are hooked up to a “famous unconscious violinist” and if you unplug yourself you are causing the death of that violinist. This point works very well in the argument that it seems as though abortion is allowable in cases of rape.

Now on a different note, Thomson's main argument is set out to undermine the anti-abortionist argument. The anti-abortionist argument states: Every person has a right to life, the fetus is a person and hence has a right to life. The mother has the right to control her own body, but the fetuses' right to life is stronger than her right to control her body. Therefore, abortion is wrong. How Thomson goes about this is through analogies, and her main argument is through her violinist argument. Thomson asks you imagine that you find yourself hooked up to a famous unconscious violinist. If he can't use your kidneys for nine months, he'll die.

In the article 'A Defense of Abortion' Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous 'violinist' argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's 'violinist' argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not

In pregnancy reduction the same arguments that Thomson uses would apply especially concerning her example of finding yourself trapped in a tiny house with a growing child in it and that you would be crushed to death but the child would not be crushed to death if allowed to continue growing. She concludes that it would not be a bystander’s decision to decide who lives or dies but that you have the right to attack to save your own life. This is pertinent because pregnancy reduction requires a medical procedure, therefore involves a third party, a bystander, that you are asking to help you in your own self defense and because multiple pregnancy is most often a higher risk to the mother as well as the child. She states that both parties are innocent here and “the person threatened” can interfere even if it requires a third party to assist her. What a third party might do in response to a woman’s request for an abortion could vary and they have that right however no third party should stop a woman from defending “her life against the threat to it posed by the unborn child even if doing so involves its death.” Thomson goes on to say that the mother has more rights than the child because the “mother owns the house” and therefore more rights

In this argument it has been established then, that a fetus is a person from the moment of conception. Thompson now introduces her “violinist analogy.” This is a key term in her argument. In this analogy she asks the reader to imagine you wake one morning and find yourself in bed with an unconscious violinist. He has been found to have a fatal kidney ailment, and you alone have the right blood type to save him. You have been kidnapped in the middle of the night, and the violinist’s circulatory system is now plugged into yours. The director of the Hospital is now telling you “Sorry, the Society of Music Lovers did this to you – we would never have permitted it if we had known.” To get unplugged from the violinist will kill him, but in nine months he will be totally recovered from his ailment and you can be safely unplugged from one another. Thompson then asks, “Is it a moral responsibility for the kidnapped person to agree to this situation?” This situation she has concocted is comparable to that of a woman being raped. Pro – lifers say every person has a right to life and that right to life is stronger than the mothers right to decide what happens in her body. Thompson then goes on to say that instead of being plugged to the violinist’s body for nine months – its changed to your whole life. According to the pro –life

In “A Defense of Abortion,” Thomson utilizes several examples and variations thereof to support her claim. Her example of the violinist portrays a scenario where you wake up and find the Society of Music Lovers has kidnapped you and connected you to a transfusion machine, which they connected also to a famous violinist’s circulatory system to keep him alive, all without your consent. Furthermore, Thompson states, the violinist suffers from “a fatal kidney ailment” (Thomson, 353), and “you alone have the right blood type” (Thomson, 353) to support him live and save his life. He only needs your assistance for nine months to filter the poisons from his kidneys and safe his life. After nine months, his recovery will be complete and you can resume your normal life. According to Thomson’s analogy, you have the choice to either remain connected to him for the whole nine months or disconnect yourself from the machine and let the violinist die (Thomson, 351).

Judith Jarvis Thomson proposes her argument in her article, A Defense of Abortion. There, she explains to her readers during what circumstances is abortion justifiable. Thomson uses the argument by analogy strategy to explain to her readers her argument. She tries to reach her conclusion by comparing it to similar cases. The point she is trying to make is to tell her readers that abortion is morally permissible only in some cases, like when the mother has been a victim of rape, when contraception has failed or when the pregnancy is of danger to the mother. She explains to her readers that abortion is justifiable only in some cases, not all. Thomson uses the case of a violinist to show her readers that abortion is morally permissible when a woman has been victim of rape. She also uses the people seeds story as an analogy to explain that abortion is morally acceptable when contraception has failed. Thomson also mentions the right to life in her article. She uses the right to life to explain to us that it is morally justifiable for the mother to abort the fetus when the fetus is endangering the mother’s life. In order to help her readers understand the notion of right to life she is trying to propose to us, she does so by using the Henry Fonda example. In my point of view, I find most of Thomson’s analogies irrelevant to the argument she is trying to make. I will explain to my readers why I find Thomson’s analogies irrelevant.

The medical director states that you are not morally obligated to stay connected to the violinist, but it would be nice if you did. The violinist is a person and therefore has the right to life. This would entail that the violinist’s right to life outweighs your ability to choose what happens in and to your body (based on this premise). For the sake of argument Thomson grant’s the fetus the same rights as a moral person: the right to live and the right to not be killed by another person. But by this sole premise she argues that the fetus’s right to life cannot outweigh the mother’s decision to choose what happens in or to her body. Just like the violinist’s rights do not outweigh your rights. In this argument I will argue that Thomson’s violinist theory is not a valid one. I will evaluate Thomson’s premise and draw attention to the false analogy that her premise

In 2017, abortion is still a taboo subject. It is something society often avoids talking about due to the fear of creating a political uproar resulting from the opinion of one individual. Therefore, it should come as a surprise that one would find Hills Like White Elephants, a short story written by Ernest Hemmingway in 1927, that solely revolves around the idea of abortion. Within the decade or so prior to Hemmingway’s story, abortion was something that was often not discussed or written about in papers unless the result of the abortion was the death of the mother. When abortion was mentioned in the local newspapers, the writers did not express sorrow for the unborn child or anger towards the mother’s actions; rather, they expressed pity for the women and hatred towards the doctor or midwife who attempted the procedure. After analyzing historical newspaper articles from the early 1900’s relating to abortion, one would find abortion is only mentioned when the women died as a result of the operation with little to no blame put upon the often “young” and “poor” mother, but rather on the individual who performed the procedure.