Abortion In Roe V. Wade, By Judith Jarvis Thomson

Abortion is the ending of a pregnancy by removing a fetus or embryo before it can survive outside of the uterus. Once a women finds out that she is pregnant she does have a constitutional protected right to have an abortion in the early stages of pregnancy. Abortions are conducted by women from all forms of life. The typical woman who terminates her pregnancy may either be young, poor, or

In Judith Jarvis Thomson’s philosophy paper, A Defense of Abortion, she argues that abortion is permissible because an individual’s right over their own body outweighs a fetus’s right to life. In this paper I will focus on whether or not abortion is always permissible. First, I will present Thomson’s argument which says that abortion is sometimes permissible. I will do so by describing her “famous violinist” thought experiment. Next, I will object to Thomson’s claim and expand the scope of her argument by arguing that abortion is in fact, always permissible. I will do so by presenting a new thought experiment. Finally, I will conclude in saying that Thomson is correct and abortion is in fact only sometimes permissible.

The next issue is, in Thomson’s opinion, the most important question in the abortion debate; that is, what exactly does a right to life bring about? The premise that “everyone has a right to life, so the unborn person has a right to life” suggests that the right to life is “unproblematic,” or straight-forward. We know that isn’t true. Thomson gives an analogy involving Henry Fonda. You are sick and dying and the touch of Henry Fonda’s hand will heal you. Even if his touch with save your life, you have no right to be “given the touch of Henry Fonda’s cool hand.” A stricter view sees the right to life as more of a right to not be killed by anybody. Here too troubles arise. In the case of the violinist, if we are to “refrain from killing the violinist,” then we must basically allow him to kill you. This contradicts the stricter view. The conclusion Thomson draws from this analogy is “that having a right to life does not guarantee having either a right to be given the use of or a right to be allowed continued use of another person’s body—even if one needs it for life itself.” This argument again proves the basic argument wrong. The right to life isn’t as clear of an argument as I’m sure opponents of abortion would like it to be or believe it is.

Second, the author uses her “expanding child” example. “Trapped in a tiny house with a growing child and you are up against a wall, and in a few minutes, you will be crushed, on the other hand the child won’t be crushed. The only thing that will save her life is to kill the child. Is abortion permissible to save the pregnant woman’s life? Because the mother being compared to that of the house, this brings up the idea that the mother should be able to do as she pleases with her body, and that her body carries more significance than the fetus’ right to life. This brings in the argument of a third-party intervention, such as a doctor. If a doctor did not agree to perform an abortion, to save this mother, then the mother would be denied her rights, and the right to decide what is done with her body. If a woman doesn’t have a right to their body, then you should not be unplugged, thus, save the violinists life. This reasoning is concluded with two smart statements, “It seems to me that to treat the matter in this very way (refuse abortion for the mother’s health) is to refuse to grant the very status of person which is so firmly insisted on for the fetus by anti-abortion advocates. (243) and “a fetus who existence is due to rape” has no right to use their mother’s bodies, and aborting them is not depriving them of anything they had a

In Judith A. Thomson’s article, ‘A defense of abortion’ Thomson defends her view that in some cases abortion is morally permissible. She takes this stance even with the premise that fetuses upon the moment of conception are in fact regarded as persons. However one criticism of her argument would be that there is a biological relationship between mother and fetus however there is no biological relationship between you and the violinist. Having this biological relationship therefore entails special responsibility upon the mother however there is no responsibility in the case of the violinist. Thomson argues against those who are opposed to abortion with her violinist thought experiment.

In this paper I will discus and examine Judith Jarvis Thomson’s view upon abortion as stated in her argument “A Defense of Abortion”. I will explain her view on the issue and look deeper into her supporting arguments she included in her essay. I will also explain whether I agree with her statements. I would also discuss whether the person can agree with my statements and reason why having an abortion make you in moral.

With Thomson’s violinist analogy she shows that although disconnecting him would result in death, it would not be morally incorrect. This argument can be applied to a woman’s pregnancy, suggesting that if you accept the prior statement and can find no reasonable difference between the violinist and the fetus occupying the woman’s body, then you should accept that abortion can be acceptable. Thomson

In the paper titled “A Defense of Abortion” Judith Thomson uses several premises to bring the readers to the conclusion that Abortion is not morally wrong. After reading her paper I have concluded, that abortion is in fact morally wrong, excluding extenuating circumstances. In this paper I will show that abortion is morally wrong by way of the following argument:

In the “Violinist Analogy,” Thomson argues that in cases of rape and other ways in which a woman might become pregnant without making the decision to have sex, it is not immoral to have an abortion. She makes this argument through the analogy that you are hooked up to a “famous unconscious violinist” and if you unplug yourself you are causing the death of that violinist. This point works very well in the argument that it seems as though abortion is allowable in cases of rape.

In the article 'A Defense of Abortion' Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous 'violinist' argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's 'violinist' argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not

Here Thomson assumes that both scenarios will reveal the same conclusion. Just as the reader (1) is under no moral obligation to use his body to support the violinist, a woman (2) is under no obligation to support a human fetus. So Thomson's analogy has directed the reader to the conclusion, that abortion as in the case of unhooking oneself from the violinist is sometimes morally permissible.

In “A Defense of Abortion,” Judith Jarvis Thomson argues in defense of the moral permissibility of abortion in several, but not all circumstances. First off, Thomson uses the expanding house example to refute the extremist view on abortion, which states that abortion is morally impermissible even in situations where the mother’s life is in danger. Thomson states that a mother has the right to kill an expanding child that will crush her to death in her house. Thus, Thomson derives the ownership thesis in which she claims that if a human is entitled to ownership of anything in life, it is his or her own body. Similarly, Thomson believes the mother owns the house and therefore has the right to terminate the child’s life.

In this argument it has been established then, that a fetus is a person from the moment of conception. Thompson now introduces her “violinist analogy.” This is a key term in her argument. In this analogy she asks the reader to imagine you wake one morning and find yourself in bed with an unconscious violinist. He has been found to have a fatal kidney ailment, and you alone have the right blood type to save him. You have been kidnapped in the middle of the night, and the violinist’s circulatory system is now plugged into yours. The director of the Hospital is now telling you “Sorry, the Society of Music Lovers did this to you – we would never have permitted it if we had known.” To get unplugged from the violinist will kill him, but in nine months he will be totally recovered from his ailment and you can be safely unplugged from one another. Thompson then asks, “Is it a moral responsibility for the kidnapped person to agree to this situation?” This situation she has concocted is comparable to that of a woman being raped. Pro – lifers say every person has a right to life and that right to life is stronger than the mothers right to decide what happens in her body. Thompson then goes on to say that instead of being plugged to the violinist’s body for nine months – its changed to your whole life. According to the pro –life

Judith Jarvis Thomson argues in her essay A Defense of Abortion, that abortions should be allowed, and furthermore that women have a right to them. She offers several examples of cases in an attempt to prove her view. The first is the violinist argument, in which a woman awakens to find a famous violinist has been attached to her. The violinist is dependent on her kidneys and to detach him would kill him. This scenario is an analogy to a situation in which a woman was raped and a pregnancy resulted.

Thomson starts her paper by clarifying that while she does not agree with the premise that “life begins at the moment of conception” she is willing to accept it in her argument to prove that it is a counterpoint to abortion that is as weak as the rest of the pro-life argument. In her essay, Thomson uses three major analogies to illustrate different scenarios to which abortion would be considered. The “Violinist Analogy” describes a pregnancy that has been induced by rape and, foreshadows to a section later in the essay, where she goes into detail about where the line is drawn when two innocent lives are at risk and what is the third party’s role in the problem solving. It is a case in which the Society of Music Lovers has kidnapped you and attached you to a revered violinist who needs your kidneys to support him so he can live. The doctor says it is a nine month procedure, after which, he will be healthy again and you will