About Tao Qian

Shen Fu was a Chinese writer and art dealer who lived during the Qing Dynasty. He had a very strong love for his wife Chen Yun and she is the inspiration for his book “Six Records of a Floating Life”, which vividly describes their life and love together. Shen Fu discusses the happiness that he found in marriage to his cousin Yun, in his first chapter, “Joys of the Wedding Chamber”. He then goes into detail, and is even reminiscent, about enjoying the little things and his experiences with them in the second part of his book, “Pleasure of Leisure”. Next Shen Fu talks about the adversities that he and Yun have to experience, in their sometimes-trying

“Well, and I suppose that means you do not want to work on the land and I shall not have a son on my own land, and I with sons and to spare.’ This he said with bitterness, but the boy said nothing” This conversation between him and his son made him finally realize that they wouldn’t carry on their father’s great values, and that is because during the time he was rich he left some traditions behind. Wang lung valued his land and above all he had faith in his gods once again. Traditional values were forgotten by the result of wealthy living, the kids not caring about the farmlands and not understanding the earth gods prove that wealth destroyed ancient traditions.

In the following poem, “Which Plant Is Not Faded” and “Where Have All The Flowers Gone” we will be comparing and contrasting both of these poems throughout this essay. Furthermore, we will talk about the poem meaning and how it relates to the ancient Chinese. Secondly, we will explain the song and how it relates to the ancient Chinese. Ultimately, the differences and similarities of the song along with the poem.

The Qianlong Emperor is one of the most notable emperors in Chinese history due to the complexity of his reign. Qianlong was the fourth emperor of the Qing Dynasty from 1735 to 1796. This is one of the longest in Chinese History. The first 40 years were some of his greatest achievements, however the last 20 years were met with fraud, corruption, and a declining popularity. In this essay, I will argue that despite having a major blemish to his reign, the Qianlong Emperor was a successful emperor. I am defining and measuring successfulness based on 1) the ability to grow the empire 2) whether or not they have good intentions for empire and 3) control and security over the empire. The Qianlong Emperor’s greatest successes shine through his militaristic campaigns, foreign relations, and his protection and his advocating for art. However, it is also stained by corruption and bad management.

4) (Smith 207-11; Tao Je Ding scripture) Define and explain how wu wei is understood in philosophical Taoism. Give one or more example from Taoist scripture (the Tao Je Ding citing the specific chapter), Taoist morality, Taoist naturalism (water), and/or Taoist views on prolonged vitality.

However, as their early relationship continued, Shen Fu found that Yün was able to analyze and debate literature and poetry with him. (Fu: 31) Shen Fu soon realized that Yün was as capable as he was, but held back by their society. He recounts a time

The Death of Woman Wang, by Jonathan D. Spence, paints a vivid picture of provincial China in the seventeenth century. Manly the life in the northeastern country of T’an-ch’eng. T’an-ch’eng has been through a lot including: an endless cycle of floods, plagues, crop failures, banditry, and heavy taxation. Chinese society in Confucian terms was a patriarchal society with strict rules of conduct. The role at this time of women, however, has historically been one of repression. The traditional ideal woman was a dependent being whose behavior was governed by the "three obedience’s and four virtues". The three obedience’s were obedience to

This book started with Wang Lung introducing himself and how his life is like. He lived with his father mostly because his father was really sick and Wang Lung had to take care of him. His father was a traditional and moral man. He did not approve many things that went on in the house. Later on, he went to the house of the Huang’s and got a slave to be his wife. Her name was O-Lan. O-Lan was a slave and she was treated really terribly most of her life, even when she married Wang Lung. Together they had 5 children: three boys and two girls, each with very different characteristics.

Elliott gives an exuberant furthermore, captivating story that touches upon various parts of the Qianlong rule. The initial three sections take after a generally ordered approach, itemizing thusly Qianlong's early life, his first years in control, and familial obligations and their effect on his run the show. As Elliott notes, `A distraction

There are many examples of this with samples of these poems by Qianlong himself throughout the book and pictures of himself, mostly in a propaganda style though. The book gives a great short explanation of how Qianlong ruled the nation and how he lived in his home life. It details his wives and how much he liked them and what he did with them on their many travels together across the Chinese countryside. It goes into detail how much Qianlong was affected by the death of his first wife and how it might have had an affect on how he ruled from thereon. It shows that he was a loving person to his family and he treated his parents with as much respect and care for as he could give. There are descriptions of how Qianlong would go about his daily schedule and how hard it was to be in his position. It stresses how tough this job would be considering the events going on inside the nation and foreign threats. It covers his military campaigning and how he saw himself as a great warlord and giving himself the title “old man of ten perfect victories”. Elliott doesn’t go into extreme detail of each battle or conflict but it does mention all the major ones, especially the ones that Qianlong was most proud of. His international scene is covered very well. It describes how he went about his interactions with all the people that bordered china and those that came from afar. There are descriptions of how he interacted with the many religions of his nation being

In William Kinmond’s “What a newsman found who got into red China” and Mark Salzman’s Iron and Silk, the reader experiences a mental ride of China. Both Salzman and Kinmond use subtlety and skill to write about what they found in Red China. The texts’ have somewhat different subject matters because each writer visited China with different motives and at different time periods. As the title suggests, Kinmond who goes to China in 1957 is there to report for the Canadian newspaper ‘The Globe and Mail’. On the other hand, Salzman goes to China in 1982 to teach English. Nonetheless, both writers’ construction of Red China and its

The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When

“It was not easy to live in Shanghai” (Anyi 137). This line, echoed throughout Wang Anyi 's short piece “The Destination” is the glowing heartbeat of the story. A refrain filled with both longing and sadness, it hints at the many struggles faced by thousands upon thousands trying to get by in the city of Shanghai. One of these lost souls, the protagonist, Chen Xin, was one of the many youths taken from his family and sent to live the in the countryside during the Cultural Revolution. Ten years after the fact, Chen Xin views the repercussions of the Cultural Revolution internally and externally as he processes the changes that both he, and his hometown have over-gone in the past ten years. Devastatingly, he comes to the conclusion that there is no going back to the time of his childhood, and his fond memories of Shanghai exist solely in memory. This is in large part is due to the changes brought on by the Cultural Revolution. These effects of the Cultural Revolution are a central theme to the story; with repercussions seen on a cultural level, as well as a personal one.

Zhang Zeduan’s masterpiece depicts the landscape of his hometown, Kaifeng and the life of its people during the Song dynasty. Nearly 500 years later, Qiu Ying portrayed his hometown Suzhou in a similar way, but in his version, the scenes are different to the original version. Compared to Zhang, Qiu Ying added more blue-and-green landscape patterns, and the feeling of the artisan is not strong in this work. The most important thing is that both artists show different visual perspectives of the culture and customs of the city.

Secondly, in Wang Anyi’s short story, “The Destination,” Chen Xin experiences the changes in his home city, Shanghai, following a ten-year period of life in rural China. In returning home, Chen Xin embarks on a never-ending journey to find true happiness. As a young man, he volunteers himself to move to the countryside in order to avoid the repercussions of the Communist government. The Cultural Revolution,