Abuse Of Power In Wuthering Heights

Conversely, 'Wuthering Heights ' may be interpreted as a socio-economic novel. The novel opens in 1801, a date Q.D. Leavis believes Brontë chose in order “to fix its happenings at a time when the old rough farming culture, based on a naturally patriarchal family life, was to be challenged, tamed and routed by social and cultural changes”. At the time, the Industrial Revolution was under way in England; it was a dominant force in English economy and society. The traditional social class- dynamic was disrupted by an upwardly-inspired middle class. A new standard for defining a gentleman was challenging the conservative ideals of breeding and family. This reality provides the context for socio-economic readings of the novel. [8]

Born in 1818, Emily Bronte, known as the Laureate of the Moors, feared that people would not read her novel because of her gender. When Bronte turned twenty-seven, she published Wuthering Heights. At approximately the same time, her two sisters, Charlotte and Anne, published their literary works. Looking at Emily Bronte’s Victorian novel, Wuthering Heights, this literary work seems to be yet another book about a grumpy man who tries to take revenge on everyone who hurts him throughout his life. Looking deeper into this novel, readers see that the story revolves around several complex characters who must endure indescribable pain and suffering in their quest for love. The Earnshaw family decides to make Heathcliff who is the primary

Emily Bronte’s Wuthering Heights accompanies a vast plethora of critical conversation regarding family structures within the novel; however, the claim that parental supervision does not exist in the novel has not been explored to its full potential. Critics such as Laura Berry, who focuses on the incarceration within custody of children in the novel, and Judith Pike, who delves into Isabella’s true character, do not fully encompass the significance the lack of parenting has on the novel. I argue that there is no character in Wuthering Heights who can be considered a parent or guardian figure. The characters that are in parental roles, such as the Earnshaw’s Isabella, Heathcliff, Mr. Linton, and Nelly Dean do not fulfill the requirements for parental supervision.

Through self-centered and narcissistic characters, Emily Bronte’s classic novel, “Wuthering Heights” illustrates a deliberate and poetic understanding of what greed is. Encouraged by love, fear, and revenge, Catherine Earnshaw, Heathcliff, and Linton Heathcliff all commit a sin called selfishness.

Creating a haven from the cruel outside world, families ideally provide protection and support for each of their members. In Emily Brontë’s Wuthering Heights, however, bitterness grows between the Earnshaws and the Lintons. Within these two families, siblings rival for power and parents fail to fulfill their roles as caregivers. The intertwining relationships of the Earnshaws and the Lintons are marked by physical abuse, degradation, and emotional negligence. These reduce each of the family members’ life to a lonely and meaningless journey though the cold and misty moors.

After Isabella escapes there is a small amount of peace on the Yorkshire moors until Heathcliff discovers he has a son named Linton from Isabella. Linton stayed with Edgar after his mother’s death but as soon as Heathcliff finds out he orders his son to Wuthering Heights so he can control him and find a way to aggravate Edgar a bit more. Heathcliff despises Linton the moment he sees him as his son looks just like Edgar. Heathcliff manipulates Linton by using him to allure in Cathy who is Edgar and Catherine’s daughter. Although Edgar did his best to protect his daughter when he fell very ill and was not able to watch her closely she allowed herself to be pulled in my Heathcliff’s tricks. The reason for Heathcliff wanting Cathy was not only to hurt Edgar a bit more but also so that when Edgar and Linton die Heathcliff would be owner of Thrushcross grange. So He forced Linton to marry Cathy which scares Linton: “It’s as if it were a task he was compelled to perform- this interview-for fear his father should scold him.”

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

At one point in Wuthering Heights, Heathcliff locks Catherine and Nelly into a room for several days and even “seized her [Catherine] with the liberated hand, and, pulling her, on his knee, administered, with the other, a shower of terrific slaps on both sides of the head” (271). Heathcliff slaps Cathy after she refuses to say in the room with Nelly for the sole reason that Cathy is Catherine’s daughter, and Heathcliff takes out his anger at Catherine on her daughter, which shows how much fury he still has after all of these years. Heathcliff also tries to marry Cathy to Linton in order to take control of Wuthering Heights when Edgar dies. He says that Wuthering Heights would “go to me; but, to prevent disputes, I desire their union, and am resolved to bring it about” (215). The hope of preserving the memory of Catherine is what drives Heathcliff to force his son to marry Catherine. If Linton were to become heir of the property, it would ensure Heathcliff's ownership of Wuthering Heights, fulfilling his

Many authors use the setting of a novel to illuminate certain values and principles in their writing. In Wuthering Heights, Emily Bronte utilizes this technique to enhance the theme of the work. The novel is set in a harsh environment in Northern England, highlighting two specific estates, Wuthering Heights and Thrushcross Grange, as the main places of action. The dreary landscape and houses not only serve as the primary setting, but also as major symbols that aide in establishing the tone and enhancing the novel's theme of good versus evil.

When evaluating the family problems of a typical middle class American you may find deaths in the family, divorces, money problems, sibling rivalries, and more. In Emily Bronte’s Wuthering Heights, all of the above is seen with a topping of vengeance and selfishness. This interesting conflict is caused by the abusive actions of the characters. From relationship to relationship, one character abuses another to get to their way or to get back at another character for their own wrongdoing. Having this occur frequently throughout the novel creates a dumbfounded sort of tone and leaves the reader on the edge of their seat. Throughout the novel Wuthering heights, Emily Bronte emphasizes the characters ' abusive and unhealthy relationships; this is exemplified through repeated vengeant duality, internal and external conflict, and irrational thinking.

In Emily Bronte’s Wuthering Heights many of the character’s lives such as Hindley, Heathcliff, and Catherine are affected by the cruelty of others.

Self-Centered. Heathcliff is self-centered, caring for himself and his interests and having little concern for others. This trait is greatly amplified by his love for Catherine and hatred for Mr. Linton. One example of this is when he trapped Cathy and her companion for no less than five days in his house at Wuthering Heights, forcing Cathy to marry Linton (255, 260). “And there I remained enclosed [in a chamber], … [for] Five nights and four days I remained, seeing nobody but Hareton [when he brought food],” shows how little Heathcliff is concerned for others, and how much he cares for his own interests (260). His own self-interest causes him to want control over Thrushcross Grange, as evidenced by the fact Linton will gain control of it after Mr. Linton, who is in poor health, dies if he (Linton) marries Cathy (263). However, Linton was also in poor health and was going to

Love is a strong attachment between two lovers and revenge is a strong conflict between two rivals. In the novel Wuthering Heights, Emily Bronte uses setting to establish contrast, to intensify conflict, and to develop character. The people and events of Wuthering Heights share a dramatic conflict. Thus, Bronte focuses on the evil eye of Heathcliff's obsessive and perpetual love with Catherine, and his enduring revenge to those who forced him and Catherine apart. The author expresses the conflict of Wuthering Heights with great intensity. Hence, she portrays a combination of crucial issues of romance and money, hate and power, and lastly

Human beings can be truly deranged creatures. Often times they are seen as elevating and putting themselves on a pedestal. They will treat people who are not the same as them as they are garbage and worthless. Although it is not their fault to simply put it, it is human nature. More specifically the ugliness of human nature. The complex characters in Wuthering Heights are guilty of this. Their circumstances drive them to do unthinkable things which unfortunately have drastic outcomes. Emily Bronte’s Wuthering Heights is a beautifully written novel that shows the ugliness of human nature as seen through the depiction of toxic relationships, displaying revenge and vengeance in the differentiation of social class.

This leads to him running away from the heights entirely, leaving Catherine to marry Edgar. “He had listened till he heard Catherine say it would degrade her to marry him.” (81). Upon his return (two years later), Heathcliff marries Isabella to get back at Catherine, and her speech about how marrying him would degrade her. Isabella is also taken against her and her family’s will. Heathcliff kidnaps her and locks her away at the heights. In a letter written to Nelly, Isabella confirms that it was truly against her will for her leaving, and that she cannot return in the time of crisis in her brother’s life. “… an entreaty for kind remembrance and reconciliation, if her proceeding offended him: asserting that she could not help it then, and being done, no power to repeal it.” (140). In the act of kidnapping Isabella, Heathcliff’s intent is to hurt Catherine. Catherine would develop almost a jealous-like temper towards the whole situation, as Heathcliff knew it would. Even on Catherine’s deathbed, there is a constant push and pull (in almost a literal sense) of the cruelty that goes on between the two of them. Between the crying, the vexing, and the constant apologies, comes the brutal cruelty of the words Catherine speaks to Heathcliff. “I shall not pity you, not I. You have killed me – and thriven on it, I think.” (164)