Acception Of Witchcraft In Arthur Miller's The Crucible

In this situation Parris acts as if he is extremely concerned with Betty; however the only thing that worries him is the way others perceive him. If others find out that Betty is sick from witchcraft and Abigail danced with the devil; people will think that Parris, along with his house, has been afflicted by

Irving Wallace, an American author and screenwriter, once stated: “To be one’s self, and unafraid whether right or wrong, is more admirable than the easy cowardice of surrender to conformity.” Wallace admired those who were not afraid to be the “lone wolf” and stick to their own individual ideas and character, no matter the consequences. People often view submission as the one and only route; they see a majority of the population following one another and figure it is the best option. Unfortunately, conformity does have its consequences. In The Crucible, Miller reveals that the overwhelming pressures to conform causes one’s rationality to be diminished, resulting in the destruction of their morals and ultimately a society through his use of situational and dramatic irony.

In The Crucible, the theocratic Christian society where God and the law are the same, the faith of the Salem community becomes flawed and twisted as Religion is taken advantage of to serve private interests, ultimately poisoning society. This worldly abuse of Religion can be seen when members of Salem twist their faith to secure their reputation, grapple for political power, and carry out personal vengeances.

In the play, Reverend Parris wants to protect his reputation by not letting the town know that his daughter, Betty Parris, might be affiliated with witchcraft. Moreover, as a reverend who preaches the good of God, he can not house his daughter who is “possessed by spirits”. If the town found out about this horrible incident, he would lose his trust within the people and his honor:

The play is called The Crucible because a crucible is a ceramic or metal container in which metals or other substances are melted. In The Crucible people are held to the flame and melted down to their true selves. In the play, the different characters melt down to show their real selves. An example of that would be when Mary Warren said, “No, I love God; I go your way no more. I love God, I bless God. Abby, Abby, I’ll never hurt you more!” (Pg. 1212). She broke down and showed everyone that she would rather not have anyone go against her then to tell the truth. People reveal themselves in usually big ways. Some are calm but most react like John Proctor did when he melted down and said, “How may I live without my name? I have given you my soul;

A ‘crucible’ is an object in which substances are combined and then subjected to high temperatures. Arthur Miller uses this theme to guide “The Crucible” from the exposition, when Puritan girls danced in the woods, to Proctor’s death by the hangman’s noose. Hale and Danforth are closely intertwined in their beliefs and views at the beginning of the play, but, as tensions and temperatures rise, they begin to separate; ultimately ending with contrary beliefs. In the opening scenes, Hale and Danforth are present in Salem, Massachusetts in 1692 to cast out demons and witches. When the final curtain falls at the end of Act Four, Hale recognizes that the Salem Witch Trials were a result of repressed emotions and conflicts, and the desire to express them under the pretext of witchcraft. Danforth cannot and will not recognize this fact. Thus, Miller develops the characters of Hale and Danforth into foils for each other by the end of the novel; the growing tension is made evident through dialogue, character development, and through the theme of pride.

People are taken from their homes, tried for a crime they did not commit, and some even convicted upon false accusations as a result of fear and hysteria running rampant throughout society. The citizens of Salem, Massachusetts experienced this phenomenon in 1692 when the witch trials arose. Arthur Miller portrays this occurrence in his play The Crucible in which he accurately displays the effects that hysteria and fear have on Salem and subsequently how it affects the citizens who are accused without substantial evidence. Miller also represents how unjust the court system was in Salem in his playwright, the accused were guilty until proven innocent similarly to a modern day witch hunt during the Cold War. This modern day witch hunt of the

Arthur Miller's verifiable play, The Crucible, depicts the recorded occasions of the Salem witch trials through a swarm of life-changing characters. Trepidation drives these Puritans to uncover their actual feelings while confronting their informers in the predisposition courts before coldblooded judges. While in the long run all the individuals of Salem get subject to this frenzy, two ladies emerge above the rest. Retribution and disgrace live in the heart of the young adulteress, Abigail Williams, while truth and exemplary nature dwell in the soul of Elizabeth Proctor, John Proctor's dedicated wife. Although they both elevate the strain and tension of the play, Abigail William's and Elizabeth Proctor's disparities lead to turmoil because

“Hale: Quail not before God’s judgment in this, for it may well be God damns a liar less than he that throws away for pride” (206). Reverend Hale’s eye-opening words make Elizabeth realize that John Proctor should do the right thing for God, even if that includes lying. This quote relates to the Salem witch trials because during this time, the court was getting involved with the town, so everybody had to constantly tell the truth. Overall, the play gives a feeling of the Salem witch trials by using facts and events relevant to the time period. On a similar topic, Arthur Miller feels that everybody is vindictive, manipulating, and betraying each other; therefore, Miller uses his troublesome experience to commemorate the demeaning investigations of witches. Miller’s high disapproval of the American government, especially how the court handles situations, is greatly represented in his play. The characters change throughout the story, and they start to realize that it is not all about what the government wants for their life. They soon enough start thinking and speaking for themselves which leads to big decisions and disapproval from the American government. In Arthur Miller’s The Crucible, he artistically manipulates the authentic facts of the Salem witch trials’ victim John Proctor to fiction in order to similarly represent his interrogation during the Red Scare while also putting a spin on the trials through his style, characterization and tone.

The play begins in the home of Reverend Samuel Parris, whose daughter, Betty, lays ill. Parris lives with his daughter and his seventeen-year old niece, Abigail Williams, an orphan who witnessed her parents' murder by the Indians. Parris has sent for Reverend Hale of Beverly, believing his daughter's illness stems from supernatural explanations. Betty became ill when her father discovered her dancing in the woods with Abigail, Tituba (the Parris' slave from Barbados) and several other local girls. Already there are rumors that Betty's illness is due to witchcraft, but Parris tells Abigail that he cannot admit that he found his daughter and niece dancing like heathens in the forest. Abigail says that she will admit to dancing and accept the punishment, but will not admit to witchcraft. Abigail and Parris discuss rumors about the girls: when they were dancing one of the girls was naked, and Tituba was screeching gibberish. Parris also brings up rumors that Abigail's former employer, Elizabeth Proctor, believes that Abby is immoral.

Betty in the beginning of the play was sick and unable to move. Her father, Reverend Parris, was starting to go crazy because his little daughter was sick: “Then he weeps, then prays

Rome burns Christians get blamed In the Crucible many characters are accused of witchcraft and sentenced to death because a person accuses them of being a witch without evidence. There is no evidence that they did anything, yet they are still punished. This is similar to the Christians in Rome in 64 A.D. who were accused for causing a fire that burnt down part of Rome by Emperor Nero who had them punished for it without any evidence. The girls who led the accusations in the Crucible had their own goals in mind when they took the actions that they did. Some historians say Nero also had his own agenda when he accused the Christians.

If witchcraft is discovered in the Reverend's own home, it can very quickly ruin his reputation. Parris is worried “they will howl [him] out of Salem for such corruption in [his] house”(14). The Reverend is the one preaching God and against witchcraft. If the Devil is found in the Reverend's home, his reputation will be destroyed and he will probably have to leave town. The reverend will be seen as corrupt. Betty is aware of this, but does not change the way she is acting. Betty’s act causes her father to act with . He is supposed to be a calm and a role model. Quaking with fear, mumbling to himself through sobs, he goes to the bed and gently takes Betty’s hand. Betty. Child. Dear Child. Will you wake…” (8). Daughters typically do as their fathers say, but Betty is ignoring her father’s begging. She is able to make her father, the village’s Reverend, cry for his young daughter to do as he says. In a way, Betty causes Parris to lose his ‘masculinity’. During this time, women are the ones thought of to be hysterical and men are supposed to show little emotion, especially strong sadness. Now, the reverend is hysterically crying and repeatedly asking his daughter to wake up. Betty is controlling her father’s emotions and his job. If Betty seems to be working with the Devil, it can force a witch hunt to occur in the town. Reverend Parris wants to stop this from happening. She is in control of whether or not she wakes up and stops the witch hunt. If Betty was to wake, the whole situation would be over. Since she is not, Hale asks Tituba, Abigail, and Betty to “give [them] all their names,” (47). The religious leaders are seeking information from people who are typically of low power. Tituba and the girls start to name ‘witches’ in Salem, which is going to force Parris and the other authoritative figures to make accusations. Betty, regardless of her power status before, now

The play opened with the girls doing something considered taboo in Puritan society, dancing in the woods. The girls involved in this were Abigail Williams, Betty Parris, Mary Warren, Ruth Putnam, and a few others. Tituba, Reverend Parris’s slave from Barbados was also with them. All of the girls involved were caught by Reverend Samuel Parris, the minister of Salem. When Reverend Parris catches the girls dancing in the woods, his daughter Betty Parris becomes

People change when the word of witchcraft is tossed around. They turn on one another accusing those they know, and people that shouldn’t have power gain it and abuse it. Arthur Miller shows this in his play “The Crusible” where a group of girls start a witch hunt to gain power in the town. They used this power to get anyone they didn’t like to hanged and they acted to convince an entire village they saw witches.