Accidental Asian Analysis Essays

After reading Chapter 8, “Asian American” I learned about the struggles that Asian American had during their arrived to the United States and the discrimination that Asian Americans have face throughout the past years from the white dominant group. In addition, I learned that the dominant group has used legislation to slow down the progress of Asian Americans, simply by not allowing them to marry white women with the purposes of slowing down the process of assimilation and to also slow down the process of acquiring a higher status in society, since married would give early Asian immigrants citizenship and citizenship leads to legal rights. I also read that despite the needed labor for the country to progress in the mid-nineteenth century white

Through the personal stories of his hair, love life, and behavior, Liu is able to show the effects of his assimilation. The second section deals with Liu’s struggles to conform to white stereotypes as an Asian American. With his personal anecdotes, he establishes himself as a more credible source to speak on the subject of assimilation. The second section uses narration to provide evidence about Liu’s definition of assimilation.

In 1998, Eric Liu wrote a book about his struggle with acculturation titled “The Accidental Asian”. A chapter within the book called “Notes of a Native Speaker” depicts an essay written by Liu which fully describes his struggles with race and how he overcame them. Eric Liu is an American born Taiwanese Asian. His parents immigrated to the United States before he was born and in so, gave him a mixed cultural background. He started becoming a writer after attending Yale University and graduating from Harvard Law School. In his “Notes of a Native Speaker” author Eric Liu argues that as he was “becoming white” he was achieving, learning the ways of the upper

The intersection of dominant ideologies of race, class, and gender are important in shaping my social location and experiences. By exercising my sociological imagination (Mills, 1959), I will argue how my social location as an Asian American woman with a working class background has worked separately and together to influence how I behave, how others treat and view me, and how I understand the world. The sociological imagination has allowed me to understand my own “biography”, or life experiences by understanding the “history”, or larger social structures in which I grew up in (Mills, 1959). First, I will describe my family’s demographic characteristics in relation to California and the United States to put my analysis into context. I

In the “Autobiography of a Chinese immigrant” written in 1903 by Lee Chew, dialogues about his point of view

To be young and Asian in America is a special brand of torture. There is an unspoken dictum of silence that grips Asian youth, a denial of our place in popular culture. Asian youth walk in America not quite sure where we fit in-black children have a particular brotherhood, Hispanic children have a particular brotherhood, white children own everything else. We cannot lay claim to jazz or salsa or swing; we cannot say our ancestors fought for equality against an oppressive government or roamed the great hallways of power across the globe. We do not have a music, a common hero, a lexicon of slang. Asian youth experience personal diasporas every day.

Many new arrivals still struggle to survive and often Chinese Americans still encounter suspicion and hostility. Chinese Americans have achieved great success and now, like so many others, they are stitching together a new American identity. As Michelle Ling, a young Chinese American, tells Bill Moyers in Program 3, “I get to compose my life one piece at a time, however I feel like it. Not to say that it’s not difficult and that there isn’t challenge all the time, but more than material wealth, you get to choose what you are, who you are.” (www.pbs.org)

The tale “American Born Chinese” by Gene Luch Wang depicts the story of three characters, Monkey, Jin, and Danny. They all have the problem of fitting into their new environments. Jin Wang has to deal with Asian stereotypes. Danny has to deal with embarrassment of his cousin. Lastly, Monkey has to deal with the fact that there is no position for him in the heavenly ranks. However, over time, these characters have to come together to fit in. Yet the question remains: what exactly about fitting in is the problem? Although Jin Wang takes the form of Danny to reject his Chinese roots, the embarrassment of Chin-Knee shows he cannot hide behind a false American identity, thereby delineating that race is the source of his problem.

1) Nationalism, socialism, and religion have all played a major role in anti-colonial struggles and post-colonial constructions in India and Southeast Asia. Which of these three ideologies do you think was most effective for colonized peoples and why?

Growing up as an Asian American, I often struggle to identify my own cultural identity. Being the first generation of both my mother and father’s side of the family, I more than often get confused between American and Asian culture when applying them to society or at home. While being raised at home, I am largely influenced by culture and traditions from Asian parents and relatives. However, when I go to school or someplace else, I am heavily judged for practicing part of my Asian culture because it is entirely different than western or American. With that being noted, I began to learn and adapt to the western culture in hopes of fitting with society as well of trying to keep my Asian culture intact. As can be seen, this situation I dealt with is the same problem the whole Asian American community faces. Mainly focusing on younger generations like me for example, the Asian American community struggles to adapt to the western culture because they were raised with an Asian influence. Wishing to fit in society and be part of the social norms, the Asian Americans community faces issues that identify their cultural identity.

THESIS - When evaluating Arnold “Junior” Spirit from Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian and Jin Wang from Gene Luen Yang’s American Born Chinese, similarities radiate in both characters as their disparity in race deem the two of them as outcasts in the entirety of society. In addition to their lack of social interactions, their uniformity in their impulsive decisions cost them each a dear friend. Although Junior and Jin are quite similar, they share differences in the way Junior tries bettering himself by fitting into both his Indian and Reardan culture whereas Jin changes himself in every possible way to become Americanized.

     The focus of our group project is on Chinese Americans. We studied various aspects of their lives and the preservation of their culture in America. The Chinese American population is continually growing. In fact, in 1990, they were the largest group of Asians in the United States (Min 58). But living in America and adjusting to a new way of life is not easy. Many Chinese Americans have faced and continue to face much conflict between their Chinese and American identities. But many times, as they adapt to this new life, they are also able to preserve their Chinese culture and identity through various ways. We studied these things through the viewing of a movie called Joy Luck Club,

Struggles of Finding One’s Identity In the essay Growing Up Asian in America by, Kesaya E. Noda talks about finding her identity. Noda starts the essay by stating how the identity she was given was not one she received through her own personality and actions. Rather, society quickly gave her an identity with its own respected stereotypes due to the color of her skin. Society “hurtled” this identity at her with an expectation that she fulfill the attributes characterized with an Asian American.

Living in America does not necessarily mean that someone is American and regardless of being born in California Amy Tan knew that she is not simply American, at least, not all of the time. “Mother Tongue” gives an example of a woman struggling with various identities bestowed upon her. In the essay, she struggles with identity through language (both mainstream English and Mandarin), and her outside world’s perspectives. Tan shows how hard it is to be just one person while dealing with the looks and voices of the people she familiarizes herself with.

“Paper Tigers” essay by Wesley Yang in his article he describes how Asian Americans are seen as incompetent to participate with white people in real life situations. Yang claims that the cause of this situation is that that the white people do not have personal barriers as Asian Americans have. Most individuals who peruse Yang’s essay found the information in his essay unhelpful and embarrassing. In the article, the author expressed his unhappiness regarding the perception of his face by others to his facial outlook. The author is an Asian self-critical and exclusively points to know he has wrong things according to stereotypes. In the begging of the article Yang indicates his unhappiness being an Asian American ethnicity. Moreover, he compares himself having a reptilian face. He claims “an expression that is nearly reptilian in its impassivity” (Yang 1). Everything that he says about himself is self-critiquing and self-blaming. This seems like being a very good indication of someone who has an identity crisis and how he defines his race. On the other hand, Olson has defined the race as two general groups white and black, distinct from one another only by the color of the complexion and biological differences. The purpose of this paper is to give insight on the relationship between “The end of race” by Olson and “Paper Tigers” by Yang, and how they both defined the race in their point of view. Olson suggests that biologically we are basically