Achilles Tragic Hero

The Hero’s Journey, or the monomyth, has existed as long as humans have told stories, the basic structure of every story created. Joseph Campbell puts this into words in his 1949 publication of The Hero With a Thousand Faces, providing a clear cycle and defining each step of it. Successful stories follow the Hero’s Journey, it makes storytelling easy, giving a barebones outline that can be used for any book written. Madeleine Miller’s The Song of Achilles is no exception. A retelling of the Iliad, The Song of Achilles follows the journey of Achilles from childhood to death, focusing on the relationship between him and Patroclus and its harrowing end. Each step of the Hero’s Journey is depicted through poetic and poignant language, especially when the main characters cross the threshold into the supernatural world. The Song of Achilles presents a tragic Hero’s Journey as the life of Achilles and crossing the first threshold as Achilles’ first taste of violence and death.

The Ancient Greeks admired their heroes and tried to learn from both their achievements and their mistakes. They believed that most great leaders and warriors followed a predictable behavior cycle, which often ended tragically. In Homer’s epic poem, The Iliad, Achilles is a great warrior who traces the stages of the behavior cycle twice, from arete to hubris to ate and then to nemesis. Achilles is a highly skilled warrior and a great leader who becomes a narcissist and an arrogant person, which leads to selfish and childish behavior resulting in the death of his best friend. Following Patroclus’ death, Achilles repeats the behavior cycle by regaining his courage and motivation, and goes back to battle against Hector. The pride he feels in

From the first pages of Homer’s The Iliad, Achilles is portrayed as vengeful, proud, and petty. As the book progresses, the image of Achilles as a spiteful child is sharpened dramatically. Towards the end of the epic; however, Achilles begins to exhibit qualities that are considered heroic even in today’s society. Once his loyal and trusted friend Patroclus dies, Achilles undergoes a drastic change in character. When he confronts the true horror of death, Achilles puts aside his immature

     In the introduction of the Essential Illiad given by Sheila Murnaghan, Achilles is labeled as “the greatest of the Greek heroes”. In classic mythology a hero is a person of great strength and courage celebrated for bold exploits and is often the offspring of a mortal and a god. Achilles was the greatest fighter among the Greeks or Trojans and feared no man in battle. He was also the offspring of a mortal and a god so by classic mythology definition, Achilles was indeed a hero. A hero is defined by the present day Websters Dictionary as: “one who inspires through manners and actions; an individual who leads through personal example and accomplishments requiring bravery, skill, determination,

Tragic Greek dramas featured tragic heroes, mortals who suffered incredible 
losses as a result of an inescapable fate or bad decisions. According to Aristotle, a tragic hero is a character, usually of high birth, which is pre-eminently great, meaning they are not perfect, and whose downfall is brought about
 by a tragic weakness or error in judgment. The three Greek heroes Oedipus, Medea and Agamemnon, who each killed a member of their family, carry most of the qualities that make up a tragic hero: being of noble birth, being surrounded by an extraordinary circumstance, and gaining self-awareness or some kind of knowledge through their downfall. There is an important need for the audience to identify with the Aristotelian hero through

Achilles can be described as a Tragic Hero in many ways. He was brave and had great strength but, he was also prideful and lacked control with his emotions, and in all the label of a tragic hero fits him. A Tragic hero is “a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy” (“Tragic Hero”). To many men Achilles was god-like, and immortal, the epitome of a hero to the Greeks, he was strong, brave in the face of war, and of noble birth because he was the son of a goddess. In the Iliad, Achilles, driven by anger seeks revenge on Hector for killing his “dearest comrade” (“The Heroic Age”), Patroclus, whom he claims to have valued more than his own life. He

"Sing, goddess, of Achilles ruinous anger Which brought ten thousand pains to the Achaeans, And cast the souls of many stalwart heroes To Hades, and their bodies to the dogs And birds of prey" (Homer). Containing a war that echoes through the ages, the Iliad was an epic writing of conflict and struggle between two kingdoms. The poem is one of the most insightful, eventful, and influential writings of Greek mythology. Homer, whether or not if he was real, wrote these poems based on oral stories passed down by bards that traveled across the lands. In the Iliad one of the major characters is named Achilles, who is a superhuman born from an immortal nymph named Thetis.

In Greek mythology Achilles was a very independent, strong willed, and is a very courageous hero. Achilles was raised by his mother and his father, and both of them were very strong willed people as well. This paper talks about how he was involved in the Trojan war, had a very weak achilles heal, and was raised by his parents who wanted him to be as strong as he could.

The Iliad, the Greek epic documented by Homer that describes the battles and events of the ten year siege on Troy by the Greek army. Both Trojans and Greeks had their fair share of heroes and warriors, but none could match the skill and strength of the swift runner, Achilles. Achilles had the attributes of a perfect warrior with his god-like speed and combat abilities. However, even though he was Greek’s greatest warrior, he still possessed several flaws that made him fit the role of the Tragic Hero impeccably. Defined by Aristotle, a Tragic Hero is someone who possesses a high status of nobility and greatness, but must have imperfections so that mere mortals cannot relate to the hero. Lastly, the Tragic Hero’s downfall must be partially

The two Homeric epics, the Illiad and The Epic of Gilgamesh, both contain a Hero’s Journey. They show the readers a look into heroic life during the time of the Trojan War. Achilles and Gilgamesh’s Heroic Journeys are not identical, however the characteristics and qualities of them is what holds the similarities. The two characters have a compelling outlook on death, and immortality. They seek different end results; however, their relationship with death is the same. They are considered a hero on a Hero’s Journey, as they fulfill the mandatory requirements. Their journey changed them from people of negativity to people who have been refined

During the time of Homer, leaders within Greek society were often referred to as “basileus”, meaning chief and hero. A good basileus was a leader who strived to be the best through usage of language and combat prowess. The government of a basileus was principally based on recognized power and strength rather than acclaimed wisdom and proven judgement. Within Homer’s Epic The Iliad, Greek hero of the Trojan War and the central character within the narrative, Achilles, displays acts and virtues of a basileus or without being formally a leader. For this analysis of Achilles as a Homeric hero the source that will be used is, Homer’s Iliad (8th cent. B.C.E.) translated by translation by Samuel Butler (1898).

The Tragedy of Julius Caesar By William Shakespeare, is a great play, where a group of conspirators plot to kill Julius Caesar. Marcus Brutus, one of his closest friends, is apart of this conspiracy. Once they follow through with their plan and kill Caesar, the people of Rome go against the conspirators, starting a war between Octavius and Antony, who are Caesar's followers, and Brutus and Cassius. Throughout all of Shakespeare’s plays, he has a “tragic hero.” This person is usually the main character in his plays. The person who best fits the role of a tragic hero would be Marcus Brutus. But exactly why is this?

But, Achilles is a hero who’s flaws impede him and his ability to act with nobility and integrity. He is headstrong, and his self assured hubris creates his downfalls. His rage is often driven by his pride being hurt which forces him to be consumed by

Throughout the entire Trojan war, Achilles spent most of his time pouting in his tent after Agamemnon kidnapped his prized maiden, Chryseis. He also lets his best friend, Patroclus, go into battle alone only to die when Hector kills him with his spear. Achilles joins the war when he hears of Patrclus death, but it was not out of bravery; out of guilt, revenge and anger, when he hears of his friend's death. When Achilles kills Hector, he binds his feet to his chariot and drags his body around the walls of Troy. In my opinion this was not an act of heroism. But in the Iliad the Greeks loved Achilles. Achilles was considered half mortal and half God. Achilles has all the characteristics of a heroic warrior on a grand scale, and he possesses more than a common measure of all the merits and all the faults of a hero (Bowra 193). All of Achilles traits and glory are won primarily in battle, which sets Achilles apart from Hector because Achilles knows little about home and family. He has no wife: his father he has not seen in years; his mother, even though she helps him but he cannot help her and she isn't even a human being (Bowra 194).

I was privy to many discussions and arguments that took place behind the backs of the soldiers’ leadership as to why they should do what they were being commanded to do by them. All too often soldiers begin to become complacent when they feel over taxed by their leadership or taken advantage of and become pathos driven when they cannot see the fruits of their labor coming to fruition during war or even peacekeeping missions; especially long deployments such as Iraq, Afghanistan or Kosovo. Achilles speech in “The Envoys Plead with Achilles” is pathos driven because it exemplifies aspects of emotionally driven complacency experienced in war due to selfish deceitful leadership, length of deployments, and a feeling